...copies of Stars Fall Home and Wicked Girls! Start your CD collection right!

Welcome to the seventh of the Thirteen Days of Hogswatch. I will be starting a new giveaway every day between now and December 13th. Each giveaway will have different rules and a different deadline, although all prizes will be mailed on December 30th, because I am bad at going to the post office (and also, I am avoiding the post office as much as possible until that other winter holiday is over).

The seventh giveaway is for copies of Stars Fall Home and Wicked Girls. This is going to be a random number drawing, because I am not feeling creative right now. So...

1. To enter, comment on this post.
2. If you are international, indicate both this and your willingness to pay postage.
3. That's it.

I will choose the winner at 1PM PST on Wednesday, December 14th.

Game on!

ETA: This drawing is now CLOSED.

I am awed, honored, and a little staggered to be able to announce that I will be the Guest of Honor at OVFF 2017, to be held over the weekend of October 20th to 22nd.

For those of you in the filk community, I'm sure you understand what a huge honor this is, and why it means so much to me. For those of you not in the filk community, allow me to endeavor to explain.

Filk--science fiction and fantasy folk music, essentially--is a small slice of fandom that enjoys sitting up and singing songs late into the night. We sing about myths and legends and TV shows and comic books and each other (oh, how we sing about each other). It's not a huge community, with maybe a few thousand people worldwide (at best), but it's a tightly-knit one, and we take care of our own. We have the numbers and the ambition to hold multiple conventions throughout the year, in the United States, Canada, United Kingdom, and Germany.

And the biggest of all these conventions is OVFF, the Ohio Valley Filk Festival, in Columbus, Ohio. It is the Worldcon of filk. It is the brass ring. It is the goal. I was already honored to be their Toastmistress in 2005, and to be asked back is...

Well, it's everything.

I am beyond excited, and I am hoping to see so many of you there. I'm going to try to explain a bit more of what filk is over the course of the next year: let's see if I can't make filkers of all of you yet.

I'm Guest of Honor.

It's a dream come true.

It's almost time for Marcon, Columbus, Ohio's own genre extravaganza! I'm their Author Guest of Honor this year...but where can you find me? Well.

Friday.

5:30PM, Union C: "Writing Non-Human Characters."

7:00PM, Union E: "You Got Your Song in My Book! You Got Your Book in My Song!"

Saturday.

1:00PM, Battelle South: Seanan McGuire in concert, featuring Dead Sexy! This is one of my favorite iterations of my ever-shifting backing band, and we are going to blow your socks off. Like, seriously, if you only come to one of my events this weekend, this should be the one.

5:30PM, Fairfield: "In Conversation With Seanan McGuire." It's the usual gig: you ask me questions and I will answer them, which means the quality of the event is entirely up to you. Show up, ask me stuff, and find out what kind of ridiculous reptile stories I'll tell while in the grips of an adrenaline crash after my concert.

Sunday.

11:30AM, Regency Ballroom: Autograph Session.

ISFIC will have copies of the new Velveteen book for sale, along with everything else they have to offer; we'll have CDs and some of the remaining T-shirt stock (rarities all!) at the concert merchandise table.

Hope to see you there!

I just got the confirmation from CD Baby: Wicked Girls is back in stock. Stars Fall Home and Creature Feature have been in stock this whole time.

CD Baby is currently offering one cent standard shipping anywhere in the world. So if you've been waiting for the price to drop, because shipping things to, say, Australia is spendy, now's your chance! Complete your collection, or just find out for yourself what the heck we're talking about when we say that I make music!

There will be no further restocks before the end of the year; if you wanted any of these three CDs with the cheapest shipping you're ever going to see, now's the time.

The random number generator has spoken, and the winner of a copy of Pretty Little Dead Girl is...

mac_arthur_park!

Instructions for the winner: Please comment on this post letting me know that you're claiming your prize and send me an email via my website (www.seananmcguire.com) with your mailing information. Both comment and email must be received by Saturday, December 19th to be considered valid.

Three more days to go!

Many people don't realize this, because it hasn't come up much lately, but I am part of an acapella group. I am, in fact, one of the three founding members of Lady Mondegreen, an all-female filk acapella group with members all over the world (or at least, all over North America and Europe). Because I live on the West Coast and the other two founding members live on the East Coast, we have not actually performed together since 2007. So when ChessieCon asked us to do a concert, we said sure. Why the hell not?

Batya, Merav, and I rehearsed as much as we could while I was in New York, and made our way to the con, where we took the stage for a surprisingly (dauntingly) large crowd. Our set list was as follows:

Sound check:

Theme from Banana In Pajamas
The shunning of Josh (ala Charlie the Unicorn)
Theme from Disney's The Gummi Bears
Theme from Disney's Rescue Rangers

Actual concert:

"The Three Fine Daughters of Farmer Brown" (Eddie From Ohio)
"Bottom of the River" (Delta Rae)
"Lorelei" (The Pogues)
"Flu Pandemic" (The Flying Fish Sailors)
"If I Had a Boat" (Lyle Lovett)
"Mordred's Lullaby" (Heather Dale)
"Lilo" (parody)
"All In Green" (e.e. cummings, music by Batya Wittenberg)
"Anything For You" (Ludo)
"Bedroom Eyes" (Uncle Bonsai)
"Reunion Hill" (Richard Shindell)
"This Side of the Knife" (Talis Kimberley)
"Don't Go Down to the Quarry" (Peter, Paul, and Mary)
"Leaving On a Jet Plane" (John Denver)

Post-concert:

"We are Wyld Stallions!"
"We are Sex B-Bomb!" (Quoth Batya: "I don't want to be Sex B-Bomb.")
"We are Mouse Rat!" (Cue me bouncing up and down singing "Sex Hair/Sex Bears.")

...all in all, not bad for our first show in years.

As I've said a few times, I'm using simple questions ("name a favorite song" or "tell me which characters you're curious about," etc.) to try to filter out the "I'm just here because a free stuff blog linked to you" comments. Not that free stuff isn't keen no matter who you are, but since the Thirteen Days of Hogswatch are about getting things to my fans and readers, I want to have some sort of "please don't let me be completely overwhelmed" filtering scheme in place. Don't follow the instructions, which the gimme-gimme-gimme crowd usually won't, don't win a prize.

In the case of the copy of Pretty Little Dead Girl, I asked people to tell me why they wanted to win. A surprisingly large number have said that it's because they've never heard my music/didn't know I had CDs/wanted to start at the beginning. So...

I have CDs! Three albums, currently. Stars Fall Home (the reissue of my first studio album), Creature Feature, and Wicked Girls (currently out of stock at CD Baby, which means the link doesn't work). Two earlier albums, Pretty Little Dead Girl and Red Roses and Dead Things are out of print.

Many of the songs on Pretty Little Dead Girl appear on Stars Fall Home, including "Pretty Little Dead Girl," the girl-group doo-wop story of Rose Marshall. I will be re-stocking Wicked Girls within the next week.

This is not "please don't enter the drawing"; the drawings are there to be entered, and I am thrilled that so many of you are participating. But if you've been curious about my music, I actually consider Stars Fall Home the best place to start, and I would love it if you'd consider picking up my studio albums.

Thank you.

The random number generator has spoken, and the winner of a copy of Creature Feature is...

sabine791110!

Instructions for the winner: Please comment on this post letting me know that you're claiming your prize and send me an email via my website (www.seananmcguire.com) with your mailing information. Both comment and email must be received by Saturday , December 12th to be considered valid.

Ten more days to go!

...a copy of Pretty Little Dead Girl.

Welcome to the tenth of the Thirteen Days of Hogswatch. I will be starting a new giveaway every day between now and December 13th. Each giveaway will have different rules, and a different deadline, although all prizes will be mailed on December 30th, because I am bad at going to the post office (and also, avoiding the post office until that other winter holiday is over).

The tenth giveaway is for a copy of Pretty Little Dead Girl, my out-of-print first album. This is going to be a random number drawing, because I am going to see Cavalia tonight. So...

1. To enter, comment on this post.
2. If you are international, indicate both this and your willingness to pay postage.
3. Tell me why you want this album.
4. That's it.

I will choose the winner at 1PM PST on Thursday, December 17th.

Game on!

...a "Wicked Girls" poster!

Welcome to the seventh of the Thirteen Days of Hogswatch. I will be starting a new giveaway every day between now and December 13th. Each giveaway will have different rules, and a different deadline, although all prizes will be mailed on December 30th, because I am bad at going to the post office (and also, avoiding the post office until that other winter holiday is over).

The seventh giveaway is for a "Wicked Girls" poster. This is going to be a random number drawing, because I am posting this late and I'm tired. So...

1. To enter, comment on this post.
2. If you are international, indicate both this and your willingness to pay postage. (Be aware that the poster tube is an odd shape; international postage will be roughly $14 USD.)
3. That's it.

I will choose the winner at 1PM PST on Monday, December 14th.

Game on!

...a copy of Creature Feature!

Welcome to the third of the Thirteen Days of Hogswatch. I will be starting a new giveaway every day between now and December 13th. Each giveaway will have different rules, and a different deadline, although all prizes will be mailed on December 30th, because I am bad at going to the post office (and also, avoiding the post office until that other winter holiday is over).

The third giveaway is for a copy of Creature Feature, my most recent album. This is going to be a random number drawing, because I just got home from the East Coast, and I'm tired. So...

1. To enter, comment on this post.
2. If you are international, indicate both this and your willingness to pay postage.
3. Name your favorite of my songs.
4. That's it.

I will choose the winner at 1PM PST on Thursday, December 10th.

Game on!

ETA: This drawing is now CLOSED.

It's time for CHESSIECON! I will be found this coming weekend in scenic (and increasingly chilly) Maryland, doing my con thing along with some of my favorite humans, including Ursula Vernon, Tamora Pierce, and the lovely ladies of Lady Mondegreen! Where can I be found? Well...

Friday.

Reading: Seanan McGuire 3:00 GS3-5
Signing: Seanan McGuire 4:15 GS3-5
Different Strategies for Attracting Female Readers 6:45 GS3-5
Questions From a Hat 8:00 GS3-5

What will I read? No one knows! What will I sign? Whatever you put in front of me! What the hell is "Questions From a Hat"? WE'RE GONNA FIND OUT.

Saturday.

Seanan and Ursula Have a Chat (Maybe About Frogs) 11:15 GS3-5
In Conversation with Seanan McGuire 1:45 GS3-5
Concert: Lady Mondegreen 5:30 GS3-5
Group Book/Art/CD Signing 6:45 Atrium

Apparently, I am going to talk a lot. And then I'm going to sing! This will be the first time the three founding members of Lady Mondegreen have performed together on stage since 2007. So come see the trainwreck!

Sunday.

KaffeeKlatch: Seanan McGuire 11:15 C6
A Princess With a Sword Is Still a Princess: Modern Adaptations of Fairy Tales Sunday 12:30 GS3-5

...it's gonna be a fun con, and I hope to see many of you there. I will have a limited number of albums for sale (limited because I can only carry so much).

This weekend I'm pleased to be appearing at CONtraflow 5/DeepSouthCon 53, alongside Julie Dillon, Robert Sawyer, and many others—including one variation of my musical swarm: Dr. Mary Crowell, Bill and Brenda Sutton, and more!

My schedule is as follows:

Opening Ceremonies, Friday, 5pm, Event 1
The Scariest Movie I've Ever Seen, Friday, 10pm, Panel Room 2
Saturday Concert, Saturday, 12pm, Event 1
In Conversation..., Saturday, 5pm, Panel Room 4
Speculative Poetry, 8pm, Panel Room 3, Saturday
Good Habits of Successful Writers, 12pm, Event One, Sunday
Writing Urban Fantasy, Sunday, 3pm, Panel Room 4

I don't have panel descriptions, but those seem pretty self-explanatory, and it should be a rousing good time. Plus, New Orleans! Who could ask for anything more?

I hope to see you there!

Ladies and gentlemen, I give you...

Tomorrow's Party Schedule!

The Traveling Circus and Snake-Handling Show is returning to our home of homes at Borderlands Books, and we couldn't be happier about it. SEE! The Amazing Amy, imported all the way from Wisconsin to enchant you with her wicked ways! HEAR! The Incredible Jeff and Maya Bohnhoff, masters of the rocking arts! GAZE IN AWE! At Paul and Beckett, guitar and harmonica, as they ensnare your senses! And I'll be there, of course.

Our evening...

4:00 PM: Setup, sound check, and final details. You can show up, but we may ignore you if you do. Sorry about that.
5:00 PM: Welcome to our party. We're done ignoring you now. Would you like to say hello?
5:15 PM: How about some music?
5:45 PM: Perhaps you would like to win things.
6:00 PM: Now there will be cupcakes and autographing.
6:30 PM: More music?
7:00 PM: More prizes?
7:10 PM: Q&A and book discussion.
7:40 PM: Let's raffle some more stuff off.
7:50 PM: Thanks and final questions before we close the evening.

This iteration of the Traveling Circus and Snake-Handling Show will be in the cafe; the bookstore will be open throughout the evening. The cafe will also be open, and they've promised to have plenty of bread and delicious pastry this time. Raffle tickets will be available through the two standard methods: show up, or buy something from the bookstore.

All performing musicians will have CDs for sale, because we're predictable like that. There may also be T-shirts. There will be cupcakes provided in the bookstore as part of the party, and a whole cafe full of delicious things to purchase and enjoy. If you can't come, remember that the store does phone and email orders, and will be happy to provide you with a signed book.

It's gonna be a good night. Hope to see you there.

Twenty years ago, I built my world around BayCon from January through May, with flashes scattered throughout the rest of the calendar. I hung my social engagements and scholastic achievements in the spaces between meetings and convention duties, and I felt privileged to do it. In many ways, this is the convention that built me.

It's not that convention anymore. Like everything else in my world, like me, BayCon has changed.

This past weekend, I was privileged to do one of the things I would never, as a teenager, have believed I would one day do: I was BayCon's Author Guest of Honor. (This makes me the only person ever to have been the convention's GoH, Toastmistress, and Chair. In different years, but still.) It's a smaller con than it used to be. They do some things radically differently, to the point that I had to step back and go "this is not your con, even though it has the same name" before I could enjoy myself. That doesn't mean they do things badly, or wrong; it was just like visiting a house where I used to live and seeing what color they had painted my room.

This past weekend, I hung out with friends. I did panels. I gave a concert. And sometimes, for a moment, when the light was right, I went back in time.

Not bad for a girl who started in the Music Department.

And speaking of music, my set list. I was accompanied by Paul Kwinn and Kristoph Klover on guitar; Beckett Gladney on harmonica; and Margaret Davis on flute and harp.

1. "This Is My Town."
2. "Phantoms of Summer."
3. "Maybe It's Crazy."
4. "Preston Miller."
5. "Dear Gina."
6. "Mama Said."
7. "Vampire Slayer Blues."
8. "Death Danced at My Party."
9. "Wicked Girls."
10. "My Story Is Not Done."

Encore: "Jack's Place."

"Preston Miller" is by Dave Carter. "Death Danced..." is by Talis Kimberley. Everything else is by me. We had a preschool dance party and sold T-shirts from a table at the back of the room, and it was an amazing end to a lovely con.

I will always miss being sixteen and thinking it was the center of the world.

Sorry for the delay! The random number generator has spoken, and the winner of days eight and nine are...

A paperback copy of Symbiont to...vincentursus
Wicked Girls on CD to...codevixen

Please contact me via my website contact form within the next twenty-four hours to provide your mailing information. All information must be received via my website to be considered valid. If I do not hear from you within twenty-four hours, you will no longer be eligible to receive your prize.

Five more drawings to go!

...a copy of Wicked Girls on CD!

Welcome to the ninth of the Twelve Days of Hogswatch. I will be starting a new giveaway every day between now and December 25th (some other winter holiday). Each giveaway will have different rules, and a different deadline, although all prizes will be mailed on December 29th, because I am bad at going to the post office (and also, still mailing shirts).

The ninth giveaway is for a copy of Wicked Girls on CD. This is going to be a random number drawing, because that's working well so far.

1. To enter, comment on this post.
2. If you are international, indicate that you are willing/able to pay postage.
3. That's it.

I will choose the winner at 1PM PST on Wednesday, December 24th. Sorry this one went up so late: I was out of the house all day, actually having fun. I regret nothing.

Game on!

FRIDAY.

I'm Sorry, I Haven't A Clue, 4:00 PM, Lilac C. The antidote to panel games. Two teams enjoy a battle of wits and are given silly things to do by the moderator. Come and place your bets on SF Squeecast versus SF Squeecast. With game host Heath Miller. Me, Heath, Lynne and Michael Thomas, Catherynne Valente, all the fucks I have to give. ALL THE FUCKS.

Opening Ceremonies, 7:00 PM, Junior Ballroom BC. Quote, "Don't miss out on this rare chance to see all of our Guests together in one room! Join us as we kick off the convention weekend!" So, you know, there we shall be.

ISFiC Press Book Launch Party , 9:00 PM, ISFiC Suite. Come by for the official release of the SF Squeecast's new anthology from
ISFiC Press, Harvest Season. The authors will be there and there will be cake. What's not to like? Also, this is the best place to obtain our brand new book, with a brand new Fighting Pumpkins story! Hooray!

SATURDAY.

SF Squeecast Podcast, 11:30 AM, Grand Ballroom GH. We're recording the Squeecast! You can come and watch! It'll be fun, we promise.

Reading, 2:00 PM, Boardroom. I'm reading stuff. I'm probs reading from Harvest Season. Come and read along!

Seanan McGuire & Friends Live In Concert, 4:00 PM, Junior Ballroom BC. Did you know I was a musician? Did you know I knew a lot of musicians? Did you know I was dating a musician, who will probably have to fiddle the Devil for my soul very soon? Yeah. Come see the concert, maybe buy some CDs and T-shirts, enjoy music, watch Amy make the fiddle-bliss face. It'll be fun! It will also be followed immediately by Bill and Brenda Sutton in concert, so hey, you don't have to move again until it's time for Barfleet!

SUNDAY.

Autographs, 11:00 AM, Autographing Tables. I am signing! I am signing with P.D. Anderson, J.L. Nye, and M. Resnick. Yay!

Closing Ceremonies, 2:00 PM, Junior Ballroom BC. Again, to quote: "This is your last chance to see all of our amazing guests. The party award winners will be announced, and you will find out what we have in store for you next year!" See you there!

I had never been to Germany before. But since the convention I was going to be a Special Guest at (Filk Continental) was in Germany, it seemed like a good time to show up.

Tom helpfully drove me to the station near the house, where I got a head shake from the station agent, who disapproved of my (admittedly expensive) "take the Heathrow Express from Paddington" plan. I pointed out that I was a clearly foreign woman with a giant suitcase, and that sometimes we pay to not take stairs. He replied that he would have made different choices with his money, and gave me my ticket. Jerk.

Ahem. The Heathrow Express proved to be a quick, pleasant way to get to the airport, and I highly recommend it. Yes, it was more expensive, but the savings in terms of both time and stress cannot be overstated, even if I did promptly get off at the wrong terminal. (This is a big deal in Heathrow, which is one of the largest airports in the world.) I found my way to the right terminal, and then the right gate, and finally the right seat on the right plane, and all was right with the world.

My flight was short and uneventful, and eventually dropped me in Hannover, where I was collected from the arrivals area by Rika and Rachel. I went to sleep in the car. Then I went to sleep on the couch at Rika's lovely apartment. Then I got up for breakfast with some lovely filkers who live in Rika's apartment complex, and whom I would see a great deal of over the weekend (yay!). They had an assortment of cheeses. YAY CHEESES. And then I went back to sleep for several hours. This would prove to be a good thing later.

The drive from Hannover to the convention, which was being held in a lovely little youth hostel near a castle, was lovely, uneventful, and long enough for me to watch two episodes of Leverage. We got there, got checked in, and I went to poke Vixy with a stick, since I had missed her dreadfully during my "out of time zone" adventures. She felt unwell. I still had my cold meds from when I'd first arrived in England. The circle of cold meds closes, and all is complete.

Sunnie and Betsy were in my room when I came back downstairs, making it our room, and the weekend had officially begun.

First up was dinner with the concom, at a local restaurant that had passed their stress test, but did not so much pass the "twenty people would like to be fed and Seanan is about to pass out from low blood sugar" test. Boo. It took about three hours to eat, and by the end of it, I was a murderbunny. I ate half of Betsy's dinner, which helped. Going to bed also helped...although it would have helped more if I'd been able to sleep. Unfamiliar place + thin walls + thin bed = Seanan begins her three-day ordeal of stumbling through life, dreaming of sensory deprivation chambers. Boo.

The next day was Friday, and kicked off the convention. We rehearsed for our various concerts, attended opening ceremonies (awesome), and opening concerts (even more awesome). I went to bed early, in hopes that I would sleep. I did not. Sigh.

Saturday was my concert, followed by Vixy and Tony's concert. Since we both used Sunnie and Betsy extensively, we were basically solid walls of sound, and everything went amazingly. The whole audience stood up and held hands during "We Are Who We Are" (Vixy and Tony's latest song, which is awesome), causing Vixy to wander around looking stunned and asking if that had really just happened. Hee.

Sunday was workshops, more concerts, and the final request concert, where Steve Macdonald and Katy Droege did "Cold Butcher" at my request, I did "Still Catch the Tide," and Vixy and Tony closed the con with a repeat performance of "We Are Who We Are." The Dead Dog that night was awesome, and I even stayed up for several hours to enjoy open filk before staggering off to bed.

The next day, Steve and I got a ride home from Syb, while Katy drove Vixy and Tony home. We all met up in Hamburg, where we had a lovely steak dinner before crashing at Steve and Katy's place. The next day, Steve got me to the airport to begin my incredibly long journey home.

But that's another story.

Amy and I left France on Thursday morning, following a ride in a cab operated by a surly but talented driver (we didn't die!), and some exciting airport escapades that I have already detailed in the "Paris" post. Our flight, operated by Aer Lingus, was short and pleasant, although I had never encountered "pay for your soft drinks" on a plane before (I prey Southwest never starts doing that). We landed in Dublin a little early, and made it to the car park with the assistance of a very nice local wheelchair operator. (Airport wheelchair services, for those who've not used them, generally consist of young, athletic people who are willing to push people who need it from one terminal to another. We tipped well, and everything was lovely.)

Gareth from Shamrokon met us at baggage claim, and loaded us into his car for the first of our odd transits. See, Sheila—my editor—and Betsy—my publisher—had both come to Dublin, and Thursday night was the only night that was really good for us to have dinner together. So Amy and I needed to be dropped off at the restaurant, while he took our luggage on to the hotel. Good thing he's a good sport! We wound up in a Michelin-starred French restaurant attached to their hotel, where we spent four and a half hours eating, drinking, talking, and enjoying cheese. So much cheese. It was a really divine dinner, and I completely understand why people make such a big deal about the place.

So much cheese.

Friday kicked off the convention. I had a panel with Tim Griffin and Jordan Kare, during which we talked about filk and how to be comfortable in the filk community; Kathy Mar attended, as did Teddy and Tom, and we had a lovely time making them do the heavy lifting for us. After that was opening ceremonies, and then, concert prep!

Yes, we did a concert, largely due to the tireless efforts and incredible talents of Dr. Mary Crowell, who herded all the cats so that I could look good. She is amazing. My band consisted of her, Amy McNally, and the Suttons, and everyone was splendid. We did basically the same set as Loncon, which was fine, because there wasn't that much audience overlap between the two cons, and it was really lovely. Brenda sang my part on "Wicked Girls," while I sang Vixy's, and a good time was had by all.

The next item was "In Conversation With Seanan McGuire," the solo version of the panel I like to do with Cat, where I will answer everything I am asked. We ran about ninety minutes over, and it was beautiful. Some very serious topics were discussed, like depression and OCD and the difficulty of talking about feeling suicidal. (One well-meaning man asked "Well, have you tried being sad without hurting yourself?", and while I hate the question, it opened the door for some very good discussion.) It was uncomfortable but important, and no one left the room, so I'm calling it a win.

Saturday, I had my Guest of Honor interview, with Janet as my interviewer, who had smartly brought Kinder Eggs. Every time she felt I'd answered a question sufficiently, I got chocolate. A+ interviewing technique, would be interviewed again. My panel on pseudonyms went well, and ended early enough that Amy and I were able to go out and grab dinner before the Doctor Who season premiere at eight, or the filk jam at nine.

I did not stay up to close out the jam. I am weak.

Sunday, I signed stuff; talked about zombies with great enthusiasm; and talked about toys with equally great enthusiasm. Then we closed the con, and I darted off with Amy and Wes to join the fabulous dinner already beginning at the Winding Stair, where the food was traditional and delicious.

Monday was the off-site Dead Dog at the Porterhouse downtown, and Wes and Mary and I had a lovely time, after bidding our beloved friends adieu. We swung by the nearby bookstore, which had my picture in the window, and bought books, before handing me off to the con chair, James, to go back to his place for a week's Irish tourism.

On the whole, Shamrokon was absolutely lovely. A good con, well-run, by extremely friendly people. Would guest again.

Next up, IRELAND.

When last we left our intrepid heroes, they were arriving at the Aloft, hence to set up base camp for the convention. Hooray! Only...not so much hooray, as my bank had turned my credit card off for fraud after seeing it used at Heathrow Airport and our initial hotel. In England. Where I had told them I would be.

I called the bank and had a borderline hostile conversation, ending when they turned my card back on and I was able to check us into the hotel. Wes and I then went to pick up the wheelchair Amy had booked for me. (My walking difficulties are continuing to improve, but "improving" doesn't mean the same as "better," and we very much wanted to be sure that I would be able to walk both in Paris and at Eurocon the following week.) It turned out that, despite us having put the booking in ultra-early, there were no independent mobility (IE, "big round wheels") chairs left, and I was put into a hospital-style chair that required someone to push me. Not so awesome.

We got me checked in and were off to my first panel, on pseudonyms. While I was there, Wes took the hospital chair back to the mobility desk and got me upgraded to a mobility scooter, on account of I did not have the independent movement I had been promised and no one wanted to have to help me get to the bathrooms. Everybody wins! (Vixy and I did not have a fully handicapped-accessible room, but had decided that parking the scooter in the shower was better than, again, no independence at all.) The panel went well, and we borked off for supper with a lot of my favorite people—Mary and Simon, Talis and Pippa, Brooke and Amy and Vixy and Wes—at the Indian restaurant at the end of the walk. We ran into Wesley Chu on the way back, and a good time was had by all.

That night was I'm Sorry, I Haven't A Clue, hosted by Lee Harris, and we had a splendid time. It was me and Cat "vs." Paul and Emma, and everyone acquitted themselves handsomely. I was still struggling with the tail end of my cold, and so made plans to tap out if necessary (Heath was ready to be our stunt Seanan), but I was able to get through the whole session, and only coughed so hard I stopped breathing once. Meg was seated in the front row, and was able to interpret my pantomime and get me my cough syrup. Life was very good indeed.

Friday passed in a blur. For my reading, I did half of "We Are All Misfit Toys in the Aftermath of the Velveteen War," and followed it up with an impromptu hallway signing that lasted no shit half an hour, courtesy of my not having an actual signing. (This was not the fault of the convention; I was the one who mis-booked the train tickets.) The queue was remarkably orderly, and crowned by Hisham walking over and offering me Pokemon. I LOVE YOU HISHAM. Pokemon: the way to my heart.

Saturday's panel on girl scientists was excellent, and I basically used Amanda as my guide. "Does this piss Amanda off?" I would ask myself, and then ask the question.

My concert was splendid and the filk track organizers were brilliant when they forced me to accept the big room (I had said I would be perfectly happy with the normal filk concert space). It held three hundred people, and we near to filled it. Dead Sexy was wonderful, as always. (Dead Sexy is the version of my backing band consisting of Bill and Brenda Sutton, Amy McNally, Dr. Mary Crowell, and Michelle Dockrey.) We scrapped "What A Woman's For" at the last minute, due to concerns about my voice and our arrangement, and dropped in "Still Catch the Tide," because it's something we can do without lyric sheets or practice. Talis was in the audience.

She'd never heard us do it live before.

I made Talis cry.

It was a good night, overall, and I am very glad to have been there.

I stayed on Sunday, just long enough for my panel on fan works, and then it was off to the rail station to catch the Eurostar to Paris. Vixy and I "watched" the Hugos over Twitter from our Parisian apartment (the wireless wasn't good enough to stream), and while I was sorry not to be there, Sunil was so happy to be me that I was honestly glad to have mis-booked the train: he glows in all the pictures I've seen, and I am always happy when I can give good experiences to my friends.

Congratulations to all the winners, solidarity to all the losers (of whom I am one), and I'll see you all next year.

Next up: DISNEYLAND.

So Chris, who used to drive me all over the place before he got a better job and had to stay in the South Bay more, was cleaning out his old car when he found a CD longbox that had apparently gotten lost in there, like, literally years ago. Many, many years ago. And in that CD longbox (which he returned to me, because he is a good Chris), I found a bunch of copies of the original run of Stars Fall Home. The one with the owl and me on the cover. Yeah, that one.

Wow.

This is the original, crappier version of the album. The version that is currently in print has been fully remastered and has a new track ("Continental Divide"). There's nothing extra on this version; it's literally just older and a little less awesome. But when I recorded it, it was the best thing I had ever done, and it's definitely a different version.

So:

If you are a collector/completest, and would like to own the first edition of my first album, I have fifteen copies. They are $10 if you're going to be in a position to pick them up; $15 inclusive of postage if I have to mail them within the US; and $20 inclusive of postage if I have to mail them outside the US. Email me through my contact form if you want one, and get them back out of my house.

ETA: Please stop asking about Pretty Little Dead Girl. I am selling fifteen copies of Stars Fall Home, first edition, at this time. I am not selling anything else.

Shirts.

Okay: it looks like there is sufficient interest in a second run of Wicked Girls shirts, and we will be doing a third run. The ordering period will run from May 31 through June 30, since that may allow me to receive and ship shirts before I leave for six weeks in Europe. (If it does not, we will explore other shipping options, including sending all the stock to Seattle and making Vixy ship it. That way, you should have your shirts before Halloween, which always strikes me as a good goal.) Details will be provided in the ordering post; please don't ask for them here.

Cats.

The cats have almost recovered from my last trip, which is nice. Alice is still prone to flinging herself into my lap while trilling dramatically, and it's rare for me to not have at least two of them in the room. Naturally, this means...

Cons.

...that it's time for me to head out again. I'll be at Phoenix Comic Con next weekend, having a splendid time, and—most exciting of all—performing with Paul and Storm. Yes! I get to perform with them! I am super-excited, and I really can't wait. I hope all of you who have the opportunity will come out and see us.

Albums.

I just sent in a restock of Wicked Girls to CD Baby. I know, right? They're only receiving seven copies, so if you've been waiting for the chance to order one, watch their site over the next week or so. They still have Stars Fall Home in stock, and I'm hoping they'll run out before I leave for Europe, so I can get that restocked as well. They make great gifts!

Posters.

I am still replying to email about posters. I'm about to run out of poster tubes, which is why it's going slowly; I don't want to receive payment and then go "sorry, it'll be a week before I can send you anything." On the plus side, yay demand. On the minus side, I can't magic up postal supplies yet. I do still have posters left, so if you'd been thinking about ordering, feel free to email me.

Godzilla.

I highly recommend the new movie. I have...thoughts...about it, but I really enjoyed every moment that Mr. Zils spent on the screen, King of Monstersing his way around. A+ kaiju would destroy again. Also now I want to write a kaiju novel. Dammit.

Cake Bake Betty.

Their new album, Songs About Teeth, is awesome. Like a femrock Ludo with folk influences.

That is all.

This question has been coming up a lot recently, so I thought I'd take a moment to address it in a central place that people could be pointed to. Specifically:

"Why can't I buy your music on iTunes/Band Camp/Amazon MP3/whatever?"

Sometimes the question takes the form of "I have gone all-digital, why do I have to buy a physical CD?", but those are basically the same thing, since "Why can't I buy..." is the flip side of "Why do I have to buy...". And here is my answer:

I will never, barring the closure of all the CD manufacturing companies, be selling my music digitally. If you want to own my music, you will need to either buy and rip a physical CD, or pirate it. I would obviously prefer the former, but since some of my CDs are out of print, I'll understand if you go for the latter.

Why?

Two big reasons. These are...

It's a hobby.

I am not a professional musician. Even if I sell every single copy of every single CD at full "retail price," never selling through filk dealers or sites like CD Baby, I won't turn a profit. Breaking even is the most that I can hope for. Because all CDs are nothing but red ink, they don't further complicate my already incredibly complicated taxes. If I started doing digital sales, which many people view as "money for nothing," I might pass that magical line where I make a profit, and then I would have to figure out how to deal with things.

I don't take enough of a loss for my music to be a tax write-off (yet), but I also don't make any money, and that keeps things simple. If I started needing to religiously track receipts and who paid what where to who, I don't know that the carrot would remain worth the stick for me.

The digital divide exists.

I feel as strongly about physical CDs as I do about physical books. The ability to release things digitally is amazing for people who can't afford a print run, or are doing something incredibly focused, or just want to get themselves out there. I can afford a print run; I have an audience; I am as out there as I need to be. And people like my mother, who doesn't own an MP3 player, and who listens to all music via her CD player, still exist.

Because of the costs of production, I can only afford to produce physical CDs when I'm sure that I'll be able to sell them. If 50% of my audience went to digital downloads, I'd wind up with a lot of unsold CDs, and again, would not be able to justify producing more. And for me, that would be the end of it. I'm not going to pay for recording and mixing and mastering and not have something in my hands when I'm done. I can't afford to produce CDs in units of less than 1,000—and with full "to get this, you must buy physical" buy-in, it still took four years for Stars Fall Home to sell out.

Cover songs.

None of my cover song licenses include digital rights. All my albums would be missing pieces if I put them up for digital download.

And so...

I know that this can create bottlenecks. I know that physical disks come with shipping costs, and that sometimes vendors run out. I know that I'm losing business. These are choices that I made, for the reasons listed above, and while they may be wrong choices, they are mine, and I'm sticking with them.

Thank you.

I'm Guest of Honor at NORWESCON, in beautiful Seattle, Washington! It's time for fun with crows, evergreens, and rain! If you're planning to be in the area, here's where you can find me throughout the weekend:

Thursday.

5:00pm, Guest of Honor Banquet. I am not on the menu! But I believe banquet tickets are still available, and you can put food in your face. Yum!

7:00pm, Opening Ceremonies. We are gonna open the shit out of this convention.

Friday.

1:00pm, Reading. I have copies of Sparrow Hill Road, and I'm not afraid to open them...

3:00pm, Feminism in Fandom. Let's play Bingo!

5:00pm, Lifetime Members' Banquet. Food. Again.

8:30pm, Vixy & Tony concert. Come see the ever-amazing Vixy & Tony in concert with Betsy Tinney and Sunnie Larsen, as well as musical aid from yours truly.

10:00pm (roughly), my concert. I'll be honest here: it's basically the same set-up. There's not going to be a hard line between us so much as "first set list is finished, we pause to pee, second set list begins." I highly recommend attending both. I'll have CDs, T-shirts, and posters for sale.

Saturday.

1:00pm, autograph session. I'll sign shit!

5:00pm, Q&A. Come with your Qs, I'll show you my As.

Sunday.

4:00pm, Closing Ceremonies. Find out who next year's guests will be! Watch this year's guests try not to pass out on the table! Good times.

Hope to see you there!

It is with sorrow and sincere regret that I must announce that the Stars Fall Home reprint will not be available by this year's Memorial Day conventions. The CD duplicator needs a certain amount of time to turn everything around, and since I'm leaving for Disney World in ten days, the window for file transmission has unfortunately closed. We weren't able to get all the necessary pieces together in time, and so the actual duplication has to be delayed until a) we have all the components, and b) I'm in the state of California to deal with them.

I'm really, really sorry. I know people were excited to get their hands on the new version of the album; so was I, and I'm devastated to have to tell you all that it's not going to happen as quickly as I had originally hoped.

I will keep you all posted.

Sorry again.

Yesterday, the very last of the Wicked Girls T-shirts (a reprint, since the original shirt had been damaged in the printing process) went into the mail. One shirt has been returned to me because the address was wrong (we're trying to contact that person now), and some international shirts may still be in the process of getting where they're going, but apart from that, we're finally finished. (As an addendum, if you have not received a shirt, and you should have received a shirt, please mail the merch address as soon as possible. Right now, we have some overruns and extras, so there's a chance we can make things right. This isn't going to be the case forever, and processing refunds is tedious. And yes, we're going honor system with this, because how the hell am I supposed to prove that you don't have something? I can't afford that many plane tickets.)

As of today, I'm still packaging and shipping Wicked Girls posters. All the signed/numbered posters have been spoken for, although some "normal" posters are still available. I'm going to have to rethink my shipping costs after this batch; at this point, mailing a poster overseas is more than $10 USD. It sucks, because I've been trying to keep costs as low as I can, but there's only so much that I can afford to do. (Everyone who has a poster pending will get it for the originally stated shipping cost.)

Yesterday, I mailed a restock of Red Roses and Dead Things to CD Baby—they should have the disks available for purchase by the beginning of next week—and counted the remaining stock in my home. As of right now, there are 64 copies of this album remaining in back stock, and I am not planning to reprint for at least a year. That means that when these are gone, the album goes to officially out of print, and there won't be any more for quite some time, if ever. This is partially a cost issue and partially a storage issue, and both are connected to the same exciting development:

I'm reprinting Stars Fall Home.

I'm reprinting Stars Fall Home with a new cover and a bonus track ("Continental Divide") and the whole thing has been remastered and oh my sweet Great Pumpkin you guys, it sounds amazing. Like, the remastered "Sycamore Tree" is just heartbreaking, it's so good. The current target for me having albums in-hand is the start of May, and since I'm going to need someplace to put them, it's Red Roses and Dead Things' turn to take a little break.

I'm going to have copies of Stars Fall Home again.

I'm so happy.

Guys guys guys! The Traveling Circus and Snake-Handling* Show is tomorrow! For the eighth time, my band of merry wanderers will descend upon San Francisco, bringing music, chaos, and the excitement of a book release party with us! This time, we're actually not going to be at my beloved Borderlands Books, although they will be selling books at the event: thanks to an opening in the Variety Preview Room Theatre, we're going to be trashing someone else's house for a change! The party begins this coming Saturday at 6:00 PM, at...

The Variety Preview Room Theatre
Hobart Bldg., 1st Floor (use the entrance next to Citibank on Market St.)
582 Market Street @ 2nd and Montgomery
San Francisco, CA 94104

BUT WAIT THERE'S MORE.

Delicious cupcakes! Free popcorn, for that circus feeling! A cash bar, including a signature cocktail designed just for us, The Snakehandler! Jeff and Maya Bohnhoff rocking the house, now with special bonus Paul Kwinn and imported bonus Vixy! And this time, I'm not the only author who's going to be taking her turn in the ring. That's right: I have AWESOME BONUS GUESTS. Sarah Kuhn, awesome author of the geek rom-com One Con Glory, will be joining the fray, as will Amber Benson, whose latest Calliope Reaper-Jones adventure, The Golden Age of Death, dropped just two weeks ago.

Three authors. A lot of music. Plenty of sugar. Accessible booze. NOW HOW MUCH WOULD YOU PAY?

I thought so.

Seating at the Preview Room is limited, so please show up early. We are a kid-friendly circus, although there will probably be swearing (I'm planning to show up, I swear a lot). The doors will open at 6:00 PM to allow for getting drinks and books, meeting people, and generally relaxing into the night; the Circus takes the stage at 7:00 PM. Here is the full schedule for the evening (subject to change):

6:00 PM: Welcome to our party! The doors will open for milling, schmoozing, hitting the bar, and finding seats. AND CUPCAKES!
7:00 PM: Would you like some music?
7:30 PM: Perhaps you would like to win things.
7:40 PM: Now there will be a reading! WHO WILL IT BE? NO ONE KNOWS! (Amber, Sarah, or Seanan.)
8:00 PM: More music?
8:30 PM: More prizes?
8:40 PM: Another mystery reading!
9:00 PM: Last music of the night.
9:30 PM: Q&A and book discussion.
9:50 PM: Thanks and final raffle before we move to the lobby for signing.

One note from the management:

"Don’t Drive—Seriously. Parking sucks in this area. Take BART or MUNI downtown, as we are directly adjacent to the Montgomery Street BART/MUNI station! Street parking ($3.50 per hour/coins or meter card, no charge cards) is metered 7 days a week til 6PM. If you have to drive, we suggest parking at the Folsom St. Garage at 3rd & Folsom (cheapest), across from Moscone Center."

See you Saturday!

(*No snakes will be present at the event, which is a shame, because I like snakes. I will content myself with humans. FOR NOW.)

I am home from Chicago (again), and fighting my way out from the massive piles of paperwork and detritus that built up while I was at Windycon. I had a fantastic time, and I got to rock the house with one of my favorite temporary backing bands, Dead Sexy, which consisted of Wild Mercy, the Suttons, and Dr. Mary Crowell. Seriously, I am the luckiest girl in the world.

As is the custom around here, I now present the Windycon set list, with arrangement notes. It was a great show, and our song choices went as follows:

1. "Counting Crows." (Seanan, vocals; Debbie, Brenda, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)
2. "The Sealskin and the Story and the Sky." (Seanan, vocals; Debbie, Brenda, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)
3. "How Much Salt?" (Seanan, Debbie, vocals; Barry, guitar; Mary, piano; Bill, mandolin; Amy, fiddle; Brenda, Sally, percussion; Jen, bass.)
4. "Ten Years." Talis Kimberley cover. (Seanan, vocals; Barry, Bill, guitar; Mary, piano; Jen, harp; Amy, fiddle; Brenda, Debbie, Sally, percussion.)
5. "Fly Little Bird." (Seanan, Barry, Debbie, Jen, Sally, vocals.)
6. "Mother of the Crows." (Seanan, vocals; Mary, piano; Bill, Barry, guitar; Sally, creepy thunder noises; Brenda, percussion.)
7. "Silent Hill." (Seanan, vocals; Mary, piano; Sally, creepy thunder noises.)
8. "Landslide." Fleetwood Mac cover. (Seanan, Mary, Brenda, Debbie, Jen, vocals; Bill, Barry, guitar; Amy, fiddle; Mary, piano; Brenda, Sally, Debbie, percussion; Jen, bass.)
9. "Dare to Dream." (Seanan, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)
10. "Burn It Down." Vixy and Tony cover. (Seanan, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)
9. "Wicked Girls Saving Ourselves." (Seanan, Jen, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)
10. "My Story Is Not Done." (Seanan, vocals; Bill, Barry, guitar; Mary, piano; Amy, fiddle; Brenda, Sally, Debbie, percussion; Jen, bass.)

The bridge for "Wicked Girls":

Brenda beats bodhrans and Vixy's run off with the fairies,
And Debbie will pour you red wine pressed from sweet poisoned berries.
Jen poses riddles and Mary plays tricks,
While Sally makes music by banging with sticks,
And the rules that we live by are simple and clear...

As always: "Counting Crows," "How Much Salt?" "Mother of the Crows," "My Story Is Not Done," and "Wicked Girls Saving Ourselves" are on Wicked Girls. "Silent Hill" is on Red Roses and Dead Things. "Fly Little Bird" is on Pretty Little Dead Girl (out of print).

"Ten Years" has not yet been recorded, but you should check out Talis Kimberley's latest album, Queen of Spindles. "Burn It Down" has not yet been recorded, but you should check out Vixy and Tony's latest album, Thirteen.

"The Seal Skin and the Story and the Sky" and "Dare to Dream" have not yet been recorded.

Huge thanks to the sound crew, to the Windycon filk programming department, and to all my wonderful musicians, who uplift me to a level I could never reach without them. I am honored, I am grateful, and I am going back to bed.

I'm a little under the weather (and totally exhausted) following Chicon 7, the 2012 World Science Fiction Convention, but that doesn't mean that I get to neglect everything forever. More's the pity. I had a wonderful time, when I wasn't a giant vibrating ball of stress, and I am remain honored and delighted by all the great things people said and did in my presence.

As is the custom around here, I now present the Chicon set list, with arrangement notes. It was a great show, and our song choices went as follows:

1. "The Sealskin and the Story and the Sky." (Seanan, vocals; Vixy Dockrey, vocals; Tony Fabris, guitar; Mary Crowell, piano; Betsy Tinney, cello; Amy McNally, fiddle; Brenda Sutton, bodhran.)
2. "Counting Crows." (Seanan, vocals; Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle; Brenda, bodhran.)
3. "Mama Said." (Seanan, vocals; Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle; Brenda, coconut shells.)
4. "The Ghost of Lilly Kane." (Seanan, vocals; Mary, piano; Amy, fiddle.)
5. "Dear Gina." (Seanan, creepy vocals; Vixy, extra creepy vocals; Mary, creepy piano; Betsy, creepy cello; Amy, creepy fiddle.)
6. "Still Catch the Tide." Talis Kimberley cover. (Seanan, vocals; Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle; Brenda, bodhran.)
7. "Dare to Dream." (Seanan, Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle.)
8. "Tanglewood Tree." Dave Carter cover. (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello; Amy, fiddle; Brenda, bodhran.)
9. "Wicked Girls Saving Ourselves." (Seanan, Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle; Brenda, bodhran.)
10. "My Story Is Not Done." (Seanan, Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle; Brenda, bodhran.)

ENCORE:

1. "The Seal Skin and the Story and the Sky." Arrangement as above; we did it again for Cat Valente, who had missed the start of the set.
2. "Archetype Cafe." Talis Kimberley cover. (Seanan, Vixy, vocals; Tony, guitar; Mary, piano; Betsy, cello; Amy, fiddle.)

I did not actually get a written copy of the "Wicked Girls" bridge. I'm sorry! But I'm sure it was lovely.

As always: "Counting Crows," "Mama Said," "The Ghost of Lilly Kane," "Tanglewood Tree," "My Story Is Not Done," and "Wicked Girls Saving Ourselves" are on Wicked Girls. "Still Catch the Tide" is on Stars Fall Home (out of print). "Dear Gina" is on Red Roses and Dead Things.

"Archetype Cafe" appears on Talis Kimberley's album of the same name, currently available on CD Baby. "Tanglewood Tree" also appears on the Dave Carter and Tracy Grammar album of the same name, currently available from retailers everywhere.

"The Seal Skin and the Story and the Sky" and "Dare to Dream" have not yet been recorded.

Huge thanks to the sound crew, to the Chicon 7 filk programming department, and to all my wonderful musicians, who uplift me to a level I could never reach without them. I am honored, I am grateful, and I am going back to bed.

Wicked Girls: the shirt.

The shirts have arrived from the printer, and they're perfect! Well. Most of the shirts have arrived from the printer: I'd say 95% of the shirts have arrived from the printer, and the last 5% are on back-order but should be with me very soon. And yes, I do mean "with me." Right now, the shirts are a huge stack of boxes in my living room, where the cats eye them with suspicion, because they dislike sealed boxes.

Why are the boxes sealed? The boxes are sealed because we're waiting for the mailing envelopes to arrive, and because we'd like to ship the darker colored shirts without a massive supply of bonus Maine Coon and Siamese hair this time. It's a wacky idea, I know, but work with me here. We've scheduled a packing party after Worldcon, to be held in a cat hair-free location, and will be trying to stuff literally every shirt into an envelope in a single evening. Mailing will commence immediately afterward.

I cannot take requests for early shipping right now, as that would require opening all the boxes and digging through all the shirts to find the right one. And then the cat hair precautions would be for naught. (Also because I'm in final prep for Worldcon, so I'm a little distracted, and only the Great Pumpkin knows what I would actually stuff into your envelope. Maybe it would be a T-shirt. Maybe it would be teeth. Who knows? Not me.)

But soon!

Wicked Girls: the CD.

The reprinted CDs have arrived from Oasis, and they're gorgeous. We fixed the typos from the first run (specifically the misspelling of "Carnival" on the back, and the spelling of Brian's last name throughout). The album is back in stock at CD Baby, at least for the moment; I shipped them 29 copies, and they're already down to 14, after having it in stock for a day. So if you've been waiting to get a copy of your very own, this would be a great time to order, since I have no idea when I'll be in a position to mail them a restock.

Basically, I am locked in a never-ending battle with the post office, and the post office is winning.

And that's the news.

Evil pie!

We open today with Paul Goat Allen's review of the entire Newflesh trilogy, which he calls "an instant classic." He also says, "The narrative supremacy of this trilogy is unquestionable: both Feed and Deadline were nominated for the Hugo Award (in 2011 and 2012, respectively)—and Blackout is arguably the strongest of the three!"

I do not have words for how happy this review makes me. It...if just one person feels this way, I did it right. And that's amazing.

Meanwhile, Calliope's Domain has posted a review of Discount Armageddon, and says, "The writing of this book definitely had a lighter, funner tone than Ms. McGuire's October Daye series that, in my opinion, really let stand out. Heck, if not for her name on the cover, I never would have guessed the same author wrote both series; a true accomplishment, I think, for any author writing multiple series." That is a huge compliment. Thank you so much.

MiB Reviews has reviewed Blackout, and says, "One of the great assets that the Newsflesh trilogy has is the way that every book is a different type of story. Atop the overused backdrop of the zombie apocalypse, we have a novel about a conspiracy to sabotage a political campaign by a fanatic from the point of view of a calm, seasoned journalist; an action-packed romp against impossible odds where the villains just can't help but to blow everything up; and now we have a story where simply surviving and living in peace requires helping genetic experiments escape from labs and uncovering the biggest government conspiracy in US history. There might be another author who's blended zombies and one of these genres together so seamlessly, but I doubt that anyone else has done so as well, or done so three times." This is what winning looks like!

Sigrid Ellis has posted a review of Wicked Girls that calls the album "Hugo-Award-worthy" and says "This is the engagement that makes our beloved fantasy and science fiction world bigger, braver, and stronger for the future. And it’s a good album, besides. Making comparisons to other artists is tricky, because not everyone likes the same things I like. But I found—and this is high compliment—that the lyrics reminded me of a sort of cross between the poetry of John M. Ford and the lyrics of Stephen Sondheim. Bleak and cynical and stupid-stubbornly hopeful, my favorite kind of thing." I...oh my sweet Great Pumpkin. I am so touched.

Tom Knapp rounds out today's roundup with a review of When Will You Rise?, about which he says, "Grant, in just over a hundred pages, creates a fully realized disaster, and readers will understand the science behind it. It's a short, punchy book that makes you want to read more." Everybody dies!

That's it for right now. Thank you to all readers, and all reviewers, whether I find and link your review or not. I am so honored.

Life is good.

I'm starting to wake up after the sheer awesomeness of Confluence 2012, where I appeared as their combo Author Guest and Filk Guest. I am the peanut butter cup of cool! I had a wonderful time in Pittsburgh, Pennsylvania, the only city to greet me at the airport with a full-sized T. Rex skeleton. These people know how to party. I ate great food, met great people, hung out with Tamora Pierce, Michelle Sagara, and Jonathan Maberry, and basically partied like it was 2399 and human sacrifice had just been legalized on Jupiter's second moon.

I remain totally grateful to have been Confluence's Guest of Honor. It was an honor, and I had a fantastic time. The Confluence set list, with arrangement* notes, was as follows:

1. "The Sealskin and the Story and the Sky." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, djembe; Kathleen Sloan, shaky things.)
2. "Counting Crows." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, djembe; Kathleen Sloan, vocals.)
3. "Mama Said." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, eggs; Kathleen Sloan, vocals.)
4. "Modern Mystic." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, djembe; Kathleen Sloan, vocals.)
5. "Phantoms of Summer." (Seanan, vocals; Gary Ehrlich, guitar; Rand Bellavia, guitar; Cat Faber, mandolin; Kathleen Sloan, vocals.)
6. "In the Foam." (Seanan, vocals.)
7. "Dear Gina." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, djembe; Kathleen Sloan, vocals.)
8. "Maybe It's Crazy." (Seanan, vocals; Cat Faber, mandolin; Gary Ehrlich, guitar; Cat and Rand, maniacal laugh.)
9. "What A Woman's For." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, tamborine; Kathleen Sloan, vocals.)
10. "Evil Laugh." (Seanan, vocals; Cat Faber, mandolin; Gary Ehrlich, guitar; Kathleen Sloan, vocals and shaky things.)
11. "Burn It Down" (Vixy & Tony cover). (Seanan McGuire, vocals; Rand Bellavia, guitar; Gary Ehrlich, djembe.)
12. "Wicked Girls Saving Ourselves." (Seanan, vocals; Rand Bellavia, guitar; Gary Ehrlich, djmebe; Kathleen Sloan, Cat Faber, Judi Miller, vocals.)
13. "My Story Is Not Done." (Seanan, vocals; Cat Faber, mandolin; Rand Bellavia, guitar; Gary Ehrlich, guitar; Kathleen Sloan, shaky things; everyone on stage, vocals.)

The bridge for "Wicked Girls" was:

Mandy's a pirate, and Judi signs songs for the fairies,
While Deborah will pour you red wine pressed from sweet poisoned berries.
Dee poses riddles, while Erin plays tricks,
And Kaia builds towers from brambles and sticks...

As always: "Counting Crows," "Mama Said," "My Story Is Not Done," and "Wicked Girls Saving Ourselves" are on Wicked Girls. "Evil Laugh" is on Stars Fall Home (out of print). "Modern Mystic" and "Phantoms of Summer" are on Pretty Little Dead Girl (out of print). "Maybe It's Crazy," "Dear Gina," and "What A Woman's For" are on Red Roses and Dead Things.

"The Seal Skin and the Story and the Sky," "In the Foam," and "Burn It Down" have not yet been recorded.

Again, I am so very grateful to the Confluence concom for having me. I had a wonderful time, and I can't wait to go back.

(*It was a big band and a lot of skin-of-our-teeth arrangement, so I may get some of my instrumentation notes wrong. I will fix if this is pointed out to me, and mean absolutely no offense of any kind. I am simply a frazzled blonde.)

I'm trying not to be the all-Hugos, all-the-time channel right now (believe me, it's hard), but there is something I really wanted to talk about, and that's my nomination in the Best Related Works category. Wicked Girls, the CD I released in January 2011, has been nominated for the brass ring. This is the first time a single-artist filk CD has been nominated for the Hugo Awards...except for where it's not a single-artist CD. My name may be the only thing on the cover, but it's not the only name that was involved with the project. And that's what makes this so amazing. Because Wicked Girls is the thing I did with some of the people I love best in all this world, and I think that it shows. I really do.

This is the album where half the songs were written specifically so Vixy could sing them with me, or specifically for Amy's fiddle breaks. This is the album where my "I love you more than fairy tales" songs for my friends all got recorded, "Wicked Girls" and "Mother of the Crows" and "The True Story Here" and so many others. It was an amazing experience, recording this. And I credit that entirely to the people who recorded it with me.

Vixy, who sings with me on almost every track. Amy, whose screaming electric fiddle is the first primary instrumentation on the album. Kristoph, who tolerantly listened to me trying to explain what I wanted, and then gave me a hundred times more. Mary, and Betsy, and Sooj, who took the time to come to the studio and make things amazing. They put the heartbeat into the songs. Paul, who I loved first and best as a guitarist. Tony, who makes magic with strings. Margaret, who harps like it's going to be banned tomorrow. And others, and others, and others, forever.

Tara designed the cover; Beckett designed the liner notes. Mia made the pendants that inspired almost half the songs. Deborah listened, and loved, and helped in a thousand ways, as did Kate, and Cat, and all the members of my scattered family.

After more than thirty years, the filk community has representation on the Hugo ballot, and it's for an album that contains members of Southern filk, Midwest filk, Pacific Northwest filk, and California filk. And that is amazing. I am amazed.

I think I'm going to be amazed for a while.

The odds are decent that you've seen this by now, if you were online at all this past weekend. But since I'm going to be posting about the Hugos a bit this week, I thought it might be kind of me to put the whole ballot up here for people to review. If you don't need to know, don't click the cut. Life is simple!

For those of you who are unfamiliar with the Hugo Awards, they are given each year at WorldCon to celebrate the best the science fiction and fantasy fields have to offer. They are voted on (and people are nominated by) the members of the World Science Fiction Society. You can become a member by joining the current year's World Science Fiction Convention.

This is important, and we will talk more about it later. But what you should know right now is a) if you're going to WorldCon, you can vote, and b) if you're not going to WorldCon, but you want to have a say in what we, as a community, recognize, you can obtain the right to vote by purchasing a Supporting Membership to the current WorldCon. Supporting Memberships cost $50, and get you access to the entire electronic Hugo Voter's Packet, which contains all the nominated fiction of the year, as well as other exciting goodies. This is a more than $50 value, grants you the opportunity to find out what we as a community think warranted inclusion on a Top 5 list for the previous year, and lets you be a part of making history.

And now...the ballot.

( Click here if you're curious, or just want the reminder.Collapse )

...and between myself-as-me and myself-as-Mira, I am on the ballot four times. Which is the first time a woman has ever been on the ballot four times in a single year. I'm nominated for...

Best Novel, Deadline.
Best Novella, Countdown.
Best Fancast, The SF Squeecast.
Best Related Work, Wicked Girls.

I am both insanely excited and paralyzed with fear, which means I feel sort of sick to my stomach. Thank you, thank you, thank you a thousand times to everyone who nominated; it means the world to me, and we have made history this year.

Congratulations to all the nominees, especially Jim Hines (Best Fan Writer), Betsy Wolheim (Best Long Form Editor), the voice of Toby, Mary Robinette Kowall (Best Novella), Paul Cornell (Best Novelette) and my beloved Cat Valente (Best Novella). I'll post the full ballot soon, when I get over the twitching and the nausea.

Thank you so much. This is such an honor. I am so lucky. I can't stop crying.

Thank you.

Ladies and gentlemen, I give you...

Tomorrow's Party Schedule!

5:00 PM: Setup, sound check, and final details. You can show up, but we may ignore you if you do. Sorry about that.
6:00 PM: Welcome to our party. We're done ignoring you now. Would you like some music?
6:30 PM: Perhaps you would like to win things.
6:40 PM: Now there will be cupcakes and autographing.
7:00 PM: More music?
7:30 PM: More prizes?
7:40 PM: Q&A and book discussion.
8:10 PM: Last music of the night.
8:40 PM: Let's raffle some more stuff off.
8:50 PM: Thanks and final questions before we close the evening.

This iteration of the Traveling Circus and Snake-Handling Show will be in the cafe; the bookstore will be open throughout the evening. The cafe will also be open, and they've promised to have plenty of bread and delicious pastry this time. Raffle tickets will be available through the two standard methods: show up, or buy something from the bookstore.

All performing musicians will have CDs for sale, because we're predictable like that. There will be cheese and cupcakes provided in the bookstore as part of the party, and a whole cafe full of delicious things to purchase and enjoy.

It's gonna be a good night. Hope to see you there.

It is with great pleasure that I remind you all that the latest iteration of the Traveling Circus and Snake-Handling Show will be assembling this Saturday at San Francisco's own Borderlands Books. We'll be getting underway at 6pm, and rocking the roof until closing time comes and they kick us all out! Why are we partying?

To celebrate the release of Discount Armageddon, naturally.

There will be cake! There will be cheese! There will be music and a raffle and reading and some Q&A, and it will be a hootenanny of a good time, with a whole lotta hoot AND a whole lotta nanny! Bring your kids! Bring your siblings! Bring your slime monsters! We totally hope to see you there.

Oh, and: Caitlin Kittredge and Ben Macallan, both of whom are made of hammered awesome, will be at the bookstore before the Circus comes to town! Their event starts at three. Come early, and make a day of it!

Remember that Borderlands does take telephone and email orders, and would be happy to send you books signed by any of the lovely authors who will be haunting the store that day. Get a book already touched by pure awesome. Or, you know. Ink. The party starts Saturday at 6pm!

Cheese! And! Cake!

I am fresh home from my appearance at Consonance, where I got to shake my money maker as their Ghostmistress, eat a lot of goat at the Indian buffet across the street—I mean a lot of goat—and generally have a wonderful time. I'll do a bit more of a proper con report later, although since I still haven't done my Disney World write-up, "later" may not be here for quite some time. Anyway, I thought I'd try posting the set list for my concert in a timely fashion for once, just to confuse people. My backing band was epic, and encompassed multitudes. I am so blessed.

I remain totally grateful to have been Consonance's Ghostmistress. It was an honor, and I had a fantastic time. The Consonance set list, with arrangement* notes, was as follows:

1. "The Sealskin and the Story and the Sky." (Seanan, vocals; Vixy Dockrey, Maya Bohnhoff, backing vocals; Tony Fabris, guitar; Brenda Sutton, bodhran; Teresa Powell, bass; Dr. Mary Crowell, piano; Amy McNally, fiddle.)
2. "The Ghost of Lilly Kane." (Seanan, vocals; Mary, piano; Amy, fiddle.)
3. "Mama Said." (Seanan, Vixy, vocals; Tony, guitar; Brenda, coconuts; Amy, fiddle; Mary, piano; Teresa, bass.)
4. "Dare to Dream." (Seanan, Vixy, vocals; Tony, guitar; Mary, piano; Amy, fiddle.)
5. "Small Mended Corners" (Talis Kimberley cover). (Seanan, Mary, Vixy, vocals; Maya, backing vocals; Tony, guitar; Amy, fiddle.)
6. "Rain King/Still Catch the Tide" (Counting Crows/Talis Kimberley cover). (Seanan, vocals; Vixy, Mary, Maya, backing vocals; Jeff Bohnhoff, guitar; Brenda, bodhran; Teresa, bass; Mary, piano; Amy, fiddle; Gwen Knighton, harp.)
7. "Landslide" (Fleetwood Mac cover). (Seanan, vocals; Mary, Vixy, Teresa, Maya, backing vocals; Teresa, bass; Jeff, guitar; Amy, fiddle.)
8. "Wicked Girls Saving Ourselves." (Seanan, Vixy, vocals; Tony, guitar; Brenda, bodhran; Teresa, bass; Mary, piano; Amy, fiddle.)
9. "My Story Is Not Done." (Seanan, Vixy, vocals; Tony, guitar; Brenda, bodhran; Teresa, bass; Mary, piano; Amy, fiddle.)

ENCORE: "Evil Laugh." (Seanan, Vixy, Amy, vocals; Tony, guitar; Teresa, bass; Mary, piano.)

The bridge for "Wicked Girls" was standard for a change, because we are unpredictable like that.

As always: "The Ghost of Lilly Kane," "Mama Said," "My Story Is Not Done," and "Wicked Girls Saving Ourselves" are on Wicked Girls. "Evil Laugh" and "Still Catch the Tide" are on Stars Fall Home (out of print). "Small Mended Corners" is on Talis Kimberley's amazing Archetype Cafe. "Rain King" is on August and Everything After by the Counting Crows.

"The Seal Skin and the Story and the Sky" and "Dare to Dream" have not yet been recorded.

Again, I am so very grateful to the Consonance concom for having me. I had a wonderful time, and I can't wait to go back.

(*It was a big band and a lot of skin-of-our-teeth arrangement, so I may get some of my instrumentation notes wrong. I will fix if this is pointed out to me, and mean absolutely no offense of any kind. I am simply a frazzled blonde.)

Psst. Guess where I'm going to be this weekend. If you guessed Consonance, Northern California's very own filk convention, you're right! Here is the website:

http://www.consonance.org/

I am their Ghostmistress! Or maybe their Toastmistress. Hmm. I'm not quite sure, but I guess I'll find out when I get there, since they'll either hand me a proton pack or a microphone (vote ghosts, ghosts are awesome). Regardless, I have a concert Friday night at 9:00 PM! I'm going to be performing with some of my favorite people: Vixy and Tony, Amy McNally, Dr. Mary Crowell, Jeff Bohnhoff, Brenda Sutton...it's going to be amazing. And you will not believe this set list. I barely believe it. It's like whoa.

It's a weekend packed with awesome. Brooke has a concert! And Amy! And the Three Weird Sisters, all four of them (it's a thing)! And I have a signing Saturday morning! You should totally try to be there. It's going to be amazing.

Yay, Consonance!

How I want to be right now:

"OH YEAH I AM GOING TO SEATTLE I AM GOING TO ROCK SOME HOUSES AND MELT SOME FACES AND MAYBE IGNITE THE BIOSPHERE WOO!"

How I am right now:

"I need a nap. Or maybe some more caffeine...yeah. Caffeine would probably help. You know. If there are no naps to be had. Can I have that nap instead? Wait, I have to get on a plane? What? Is this optional? Can't I teleport? How about the Jaunt? Is that up and running yet? I promise to let you sedate me..."

So yeah. I am bound for Conflikt, where a) I will have a wonderful time, even as b) I will work my little blonde butt off, toting my laptop from room to room like the Ghost of Deadlines Past. There may be a certain amount of grumbling darkly and threatening to ignite the biosphere. Good times.

The cats did not approve of the reappearance of The Dread Suitcase; Thomas even tried to barricade me in my room this morning. He failed, on account of he may be a bonsai yeti, but I am a human, and hence much larger than he is. But hey, good show him for trying. Lilly just looked despondent, like she had been waiting for this day ever since I returned from Disney World. Sometimes I think Lilly is the smartest of the cats.

I don't know how much internet, if any, I'll have over the weekend; please don't burn down the internet while I'm gone, I'm still using it.

See you in Seattle!

Saturday night was my belated natal day celebration, wherein several* of us gathered at The Mint in San Francisco to get our karaoke on. Now, if you're going to get your karaoke on, The Mint is the place to do it. They have an incredibly large, diverse catalog of songs, and their resident KJ**, Frank, is a snarky miracle. Plus they have pear cider on tap. It's a perfect storm of karaoke awesome.

Because it was my birthday, Vixy actually flew out from Seattle on Friday night, and we were able to spend a good chunk of Saturday ambling around San Francisco. I showed her Toby's new neighborhood, and we ate lunch at the Phoenix. All was well. Our reservation was for six; we reached The Mint about ten minutes early, and secured our tables. Several people were already there, karaoke-ing away. Some of them were even sober.

The rest of our party trickled in by dibs and dabs; you never knew who was going to show up next. Naamen, for example, spent an hour at the wrong bar before he checked his email and realized he was in the wrong place. Oops.

Successful karaoke requires an odd mix of "taking it totally seriously" and "not taking it seriously at all." You either need to choose songs that sound good in your range, or songs that are utterly ridiculous, like our lengthy run of Disney standards (Kate's "I Just Can't Wait to Be King" was awesome). You need to have a sense of humor, but not clown it up so much that it hurts to watch you. Because we are a group of lunatics, we're very, very good at successful karaoke. Not all of us can sing, but we can all laugh at ourselves while still being PROFOUNDLY SERIOUS about the source of our laughter.

We sang rock. We sang country. We sang "Bohemian Rhapsody" en masse. Morgan claimed not to know Melissa Etheridge, so Kate did "Come to My Window"; Morgan allowed that she knew Melissa Etheridge after all. Morgan sang "The Final Countdown," and we were all kazoos. Vixy sang "Barracuda," and I watched all the drunk sorority girls hate her forever (it was adorable). Victor and Lara did "Istanbul," which was hysterical and amazing. Sunil sang "Dragula," JUST FOR ME. In short, we had a seven-hour karaoke party of karaoke party awesomeocity.

At one point, having already exhausted the songs that other people wanted me to sing ("When You're Good to Mama" for Kate, "Raise Your Glass" for Vixy), I decided to do "Independence Day," by Martina MacBride. Only I don't really know her version. I know Talis's version, which has less spousal abuse, and a lot more alien invasions. So I figured what the heck, if the scansion worked, I'd run with it.

The scansion worked. I ran with it. Turns out I know the whole thing! The drunk people looked confused, since they could tell I wasn't singing what was on the screen. The sober people cracked up. One nice man even came up to me after to tell me that I was his favorite performance of the night.

Kate and Morgan saw us out with a duet of "Don't Stop Believing" that got literally the entire bar singing, and then we all limped, exhausted, home.

And that was my karaoke party. We're going to do it again soon. Frank promised me he'd get the new Taylor Swift***, and I need to get my karaoke on.

(*The Mint is not a massive establishment, so "several" was defined by how much space we could successfully reserve. Another party had already reserved most of the seating area for their loud drunk bridal shower. In the balance of things, I wish we'd reserved first, but we live with what we get.)

(**Karaoke DJ. Basically, he's the guy who decides whether you get the song you asked for, or the obscure Swedish cover that's been pitch-shifted up an octave and shifted to a faster tempo. Be nice to your KJ. Tip your KJ.)

(***"I think her ever-present frown is a little troubling. She thinks I'm psycho 'cause I like to rhyme her name with things.")

Apparently, "December" is synonymous with "that month where Seanan is too busy and/or distracted to remember to update her journal, even when she thinks she really ought to." Super-fun! Also, I'm sorry. Also, I need a nap. So here are some bullet points to soothe your abandoned souls, while I try to find my head:

1. Human For a Day is available now at a bookstore near you! This awesome anthology contains "Cinderella City," my second Mina Norton story (the first, "Alchemy and Alcohol", appears in Tales from the Ur-Bar). I've read through the whole book, and it's excellent, easily passing my "should I keep this" test for anthologies even without taking into account the whole "I have a story in there" aspect. You should totally pick it up.

2. Speaking of picking things up, my beloved Borderlands Books has published their holiday gift guide, which is insightful and lovely, and lists my Mira Grant books as great presents, thus providing that it's also brilliant and worth listening to. If you're wondering what to buy for the reader in your life, or for yourself, check it out.

3. Also, I was three of the top ten paperbacks for November. Feed came in at number three, One Salt Sea at number eight, and Deadline at number nine. I am well pleased.

4. As of right this second (this will change), I have all the Monster High dolls (except for 2010 SDCC Frankie, and I'm not paying that much for a doll I wouldn't be willing to take out of the box). I'm missing one fashion pack, and that's it. Since there are six more characters confirmed on the horizon, and the eternal looming rumor of a basic Jackson Jekyll, I intend to enjoy this rare moment of completeness while it exists.

5. Geek Fest in Seattle was absolutely wonderful. I met awesome musicians, made music with some of my favorite people, and discovered how much cranberry sauce constitutes "too much" (hint: I multiplied the recipe by a factor of six). Also I got to see some of my favorite people meet and hang out with others of my favorite people, and a good time was had by all.

6. Still loving Criminal Minds, woefully behind on everything else except for Glee, New Girl, and Bones, probably going to get lynched by my housemate if I don't clear some things off the DVR soon.

7. You know what? Seriously, go pick up Human For a Day. It's my good friend Jennifer's first editorial job with a big six publisher, and I really want her to be able to do more of these, because she really does a fantastic job. She brings a degree of integrity and focus to the table that really shows in the finished product, and I want to see her wind up becoming a name on a level with John Joseph Adams or Ellen Datlow, where anthology construction is concerned.

8. The new Glee soundtrack has been released, with the end result that I now have "Red Solo Cup" so firmly wedged in my head that I would need a crowbar to get it out. I don't dislike the song, but I didn't sign up to have it permanently melded with my skull. Bah.

9. Oh, hey, skulls! Have any of you read Dawn Metcalf's debut YA novel, Luminous? Because it's about skeletons. And stuff. And I need to do a proper review, because it was awesome. And while we're all talking about diversity in YA, this book has: a Hispanic heroine (who is sometimes a skeleton), an Orthodox Jewish character not presented as being misguided or odd, at least one character who isn't skinny and doesn't want to be, real consequences, real concerns, and characters of multiple non-Caucasian races, apart from the protagonist. This is an awesome book.

10. Zombies are love. Anyone who tells you different is selling something. Probably anti-zombie security measures.

Hey, kids. Wanna see something awesome? Well, this coming Sunday, I will be performing as part of the Geek Fest Concert and Vendor Fair, hosted by the Seattle Browncoats.

Music! From such luminaries as Vixy and Tony, Betsy Tinney, Sunnie Larson, the Doubleclicks, and Eben Brooks (and more! MUCH MORE!). Oh, and me. I'll be performing with my usual Seattle backing band, and it's going to be AWESOME.

Vendors! Are you looking for that perfect gift for your geeky sweetie? Well, this is your chance to buy directly from the creator, cutting out silly little things like "shipping" and "waiting for the mail." Again, it's going to be AWESOME.

Admission is a mere $10 ticket, granting you full access to the concert and the vendors. Food and drinks will be available for sale. The whole shindig is going to be indoors, so we're not going to get rained on, and your admission will go to a great cause. Support geeky pursuits, the Seattle Browncoats, and the randomness of me flying to Seattle for a one-day event, and show up for the Geek Fest!

Hope to see you there!

We are rapidly approaching the middle of November—as in, it's tomorrow—and that means that 2011 is almost over. December will largely be taken up with editorial notes, holiday preparations, and going to DisneyWorld, so I'm getting my crazy-pants introspection out of the way early. These, then, are five things I am really, really hoping to accomplish in 2012.

1. Finish four books.

In 2012, I want (and in some cases, need) to finish four books. Midnight Blue-Light Special, The Chimes at Midnight, an undisclosed YA project, and an undisclosed Mira Grant project. (Please don't ask me to disclose them. You'll just get looked at with profound sadness.) Basically, it's about half a million words of fiction by the end of the calendar year. I can do it, although it helps if I look at it in slightly smaller chunks. They're less terrifying.

2. Re-print Stars Fall Home.

I'm going to do a Kickstarter to pay for re-printing my first studio album, Stars Fall Home. Looking at my deadlines and responsibilities for the first quarter of the year, I'm estimating somewhere around March for the announcement. That also gives me time to put together incentives for higher support levels, although "I will be really, really grateful" features fairly heavily.

3. Move to Snohomish.

Is this possible? I don't know. But the house I've wanted for the past eight years is about to be within my grasp, if I can just convince the bank that I can handle the mortgage. And yeah, adding "buying a house" and "leaving the state" to my four-book year is a little bit insane...but I want it. I want to never have to move again. It's literally the house I've based my house hunting off since the first time I saw it. I love it so much. It needs to be mine.

4. Finish the current "Velveteen vs." cycle.

I don't know that I'll ever finish the Velveteen stories, because her world is infinitely flexible and insane, but there's a certain big event that everything is building toward, and I'd like to get there. I think that getting there would be awesome.

5. Record Terror from the Alintangy Wood.

So yeah, I'm going back into the studio, this time for the followup to Red Roses and Dead Things. It's me and Jeff again, and while we're having to juggle to make everything work, I think it's going to be awesome. Planned songs include "Pumpkin Patch," "Zombie Wedding," "Time Travel Girl," and "Ozone in October." It's going to be a blast.

Got any big goals for 2012?

Some of you ask me why I don't write many Toby songs. It's because they are, innately, rife with spoilers. This is a song I wrote about certain events in One Salt Sea.

( Lyrics, and hence spoilers, behind this cut.Collapse )

The first weekend in October was my fifth Toby-related book event at San Francisco's Borderlands Books, home of naked cats, tolerant employees, and, every six months or so, the Traveling Circus and Snake-Handling Show. We've appeared in other locations, but Borderlands is the one we keep going back to; Borderlands is the home base for this particular flavor of insanity. Why? Because we like them.

Normally, I try to be a little prompter with my write-ups of the parties and their aftermath, but let's face it here: I have been a little busy. Anyway, we started super-early on Saturday, since we all had to rehearse if we wanted to not suck. Rehearsal took place in Kate's basement, and featured the day's entire planned slate of musicians. Many things happened. Many of them were lovely. And then we all piled into a variety of cars and drove to San Francisco, hence to Make Things Go. The bookstore is used to us by this point, and no one batted an eye as we invaded the office, turned it into a green room, and began trashing the place like the good little circus that we are.

Jeff set up the sound system, which is both little and awesome, while Jude got the house in order, Mia set up with the pendants in her corner, and Shawn took over maintenance of the raffle table. I got cupcakes and candy set up (the important things), and we got that party started.

As always, the festivities were divided between music, Q&A, baked goods, and drawing prizes in our raffle. The questions were new and different, the raffle prizes were an awesome mix of standard and surprising (including some special additions by the bookstore, which made things even more spectacular), the cupcakes (from Cups and Cakes Bakery) were delicious, and the music was rocking. The set lists:

SET ONE:

1. "Let's Get the Monkeys to Do It." Paul Kwinn, lead vocals, guitar; Jeff Bohnhoff, guitar; Maya Bohnhoff, Michelle "Vixy" Dockrey, backing vocals; Betsy Tinney, cello; Beckett Gladney, harmonica.
2. "Caledonia." Paul, lead vocals, guitar; Maya, backing vocals.
3. "When I Go." Paul, lead vocals, guitar; Beckett, harmonica.
4. "The Dark Man." Paul, lead vocals, guitar; Jeff, guitar; Maya, backing vocals; Seanan McGuire, backing vocals; Betsy, cello.
5. "Where the Magic is Real." Paul, lead vocals, guitar; Maya, Vixy, backing vocals; Jeff, guitar.
6. "My Story is Not Done." Seanan, lead vocals; Paul, guitar; Betsy, cello; Beckett, harmonica; everyone in the store, backing vocals.

SET TWO:

1. "I Am the Walmart." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar; Betsy, cello.
2. "Dairy Queen." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar.
3. "Dance in the Darkness." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar.
4. "Wil's Song." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar.
5. "Turn the Page." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar; Paul, guitar; Beckett, harmonica.
6. "Get Off Of My Lawn." Maya, lead vocals; Vixy, backing vocals; Jeff, guitar; Betsy, cello.

SET THREE:

1. "Still Catch the Tide." Seanan, lead vocals; Vixy, backing vocals; Tony Fabris, guitar; Betsy, cello.
2. "Eight-Legged Blues." Vixy, vocals; Tony, guitar; Beckett, harmonica; Paul, percussion.
3. "We Can Be Anything." Vixy, vocals; Tony, guitar; Betsy, cello.
4. "Six String Love." Vixy, vocals; Tony, guitar.
5. "Build That Wall/Setting Sail, Coming Home (medley)." Vixy, vocals; Maya, backing vocals; Tony, guitar; Betsy, cello.
6. "The Ocean." Vixy, vocals; Tony, guitar.
7. "Got To Fly." Vixy, vocals; Tony, guitar.
8. "Wicked Girls." Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.

"The Dark Man" and "Where the Magic is Real" are on the first Puzzlebox album, Assembly Required.
"Caledonia" is on Dougie MacLean's album Craigie Dhu.
"When I Go" is on Dave Carter and Tracy Grammar's album, When I Go.
"Six String Love" is on Vixy and Tony's first album, Thirteen.
"Dance in the Darkness" and "Turn the Page" are on Jeff and Maya's second album, Manhattan Sleeps.
"I Am the Walmart" and "Wil's Song" are on Jeff and Maya's fifth album, Grated Hits.
"Build That Wall/Setting Sail, Coming Home (medley)" are on the Bastion Original Soundtrack.
"The Ocean" is on Dar Williams's album, Mortal City.
"Got to Fly" is on Marian Call's second album, Got to Fly.
"Still Catch the Tide" is on Seanan's second album, Stars Fall Home, and on Talis Kimberley's recent live album, By Request at Duckon.
"My Story is Not Done" and "Wicked Girls" are on Seanan's fourth album, Wicked Girls.

A good time was had by all, and the cupcakes lasted almost fifteen minutes this time, because we finally ordered enough. We're already making plans and getting our ducks in row for the next time that the Circus comes to town. And if you're curious, or want to see some pictures, you can check out Beckett's fantastic (and more timely) writeup of the event.

Thanks to everyone who attended, and to everyone who didn't...see you next time!

This past weekend, I was in Ohio for OVFF (the Ohio Valley Filk Festival). I go as often as I can, usually every year, and I always have a wonderful time. This year, I was honored to be represented twice on the 2011 Pegasus Ballot, once for "Best Bad-Ass Song," for "Evil Laugh," and once for Best Song, for "Wicked Girls." My beloved Amy McNally, meanwhile, was on the ballot in the "Best Performer" category. It was an exciting year.

It was also a brutally hard ballot. Voting for the Pegasus Awards is never easy, but it's usually a little easier on my heart than this. There was absolutely nothing bad on that ballot, and nothing that I could even really say "well, that's perceptibly weaker than the things around it" about. It was all amazing. The only thing I was sure of was that I couldn't predict the results; the only result I was really praying to the Great Pumpkin for was in the Best Performer category, where I desperately wanted Amy to win.

Best Romantic Song was the first announced, and went to "As I Am" by Heather Dale. We all clapped and cheered, and laughed at her pole-axed acceptance. Best Bad-Ass Song was the second announced, and went to...me. And my dinosaurs. I sort of staggered to the front, blinked a lot, said dinosaurs were cool, and went away. My table clapped and cheered. Best Writer/Composer, S.J. Tucker.

And then...Best Performer, Amy McNally. My table, which had, again, clapped politely when I won, EXPLODED. Literally. Screaming, shouting, applause. Amy wasn't able to attend this year, so Brooke, Vixy, and I went up, announced that we were Amy's Angels, and accepted the SHIT out of that award.

I am so proud of her.

Best Classic Filk Song went to "The Phoenix" by Julia Ecklar. More clapping and cheering. And then Best Song...

Best Song went to "Wicked Girls." Oh, my heart.

I have coveted that award. I won't pretend that I haven't. I've wanted it, very badly, from the day I understood what it was. It is the ultimate "you are an awesome songwriter and you have written an awesome song" of filk, and I wanted it. I did not cry, but only, really, because I was still in shock and full of delight over Amy's win. We are wicked. We are fair. We can all of us save ourselves.

The winners for 2011:

Best Filk Song: "Wicked Girls" by Seanan McGuire
Best Classic Filk Song: "The Phoenix" by Julia Ecklar
Best Performer: Amy McNally
Best Writer/Composer: S. J. Tucker
Best Badass Song: "Evil Laugh" by Seanan McGuire
Best Romantic Song: "As I Am" by Heather Dale

Some interesting facts:

This is the first time the entire Pegasus slate has been won by women. No co-writers were harmed in the granting of these awards. Go team Wicked Girls!

Amy McNally's win marks the first time someone who is primarily an instrumentalist has been awarded Best Performer. So well-deserved.

Julia Ecklar won the John W. Campbell Award in 1991. I won it in 2010. This is the first time, ever, that both Best Filk Song and Best Classic Filk Song have been won by professional authors.

It was a very good year. Thank you to everyone who voted, and thank you to everyone who believed that we could fly.

Oh, and Amy? Congratulations, sweetheart.

It's been a week since my guest slot at Conclave—how time does fly!—and I'm almost back to a state of semi-normal. Michigan was beautiful, and filled with cornfields, which is always a good way to endear yourself to me. (Also endearing: the number of truly awesome meals I was taken for during the convention. I usually under-eat at cons, resulting in low blood sugar and a look of puzzled misery. This con had the opposite problem, resulting in the strong desire to take a nice long nap.) This means that it's time to post the set list for my concert, accompanied with lyric links and helpful notations. My backing band was the truly awesome Wild Mercy, plus the lovely Dr. Mary Crowell. I am a very lucky girl.

I am so grateful to have been Conclave's Literary Guest of Honor. It was, to repeat myself a bit, a true honor, and I couldn't have had a better time. The Conclave set list, with arrangement* notes, was as follows:

1. "Counting Crows." (Seanan, vocals; Barry Childs-Helton, guitar; Sally Childs-Helton, drums; Jennifer Midkiff, bass; Debbie Gates, piano; Amy McNally, fiddle.)
2. "The Sealskin and the Story and the Sky." (Seanan, vocals; Barry, guitar; Sally, bodhran; Jennifer, harp; Dr. Mary Crowell, piano; Amy, fiddle.)
3. "How Much Salt?" (Seanan, Debbie, vocals; Barry, guitar; Sally, drums; Amy, fiddle; Mary, piano.)
4. "Take Advantage." (Seanan, vocals; Debbie, Jen, backing vocals; Mary, piano; Amy, fiddle; Jen, harp; Barry, guitar; Sally, drums.)
5. "Build A Chain." (Seanan, vocals; Debbie, Jen, backing vocals; Debbie, piano; Amy, fiddle; Jen, harp; Barry, guitar; Sally, drums.)

BONUS: "The Ghost of Lilly Kane." (Seanan, vocals; Mary, piano; Amy, fiddle.)

6. "Jack's Place." (Seanan, vocals; Debbie, Jen, backing vocals; Debbie, piano; Amy, fiddle; Jen, harp; Barry, guitar; Sally, drums.)
7. "Fly Little Bird." (Seanan, Barry, Sally, Debbie, Jen, Amy, vocals.)
8. "Still Catch the Tide" (Talis Kimberley cover). (Seanan, vocals; Barry, guitar; Sally, drums; Debbie, bass; Mary, piano; Amy, fiddle; Jen, harp.)
9. "Wicked Girls Saving Ourselves." (Seanan, Jen, vocals; Barry, guitar; Sally, bodhran; Debbie, bass; Mary, piano; Amy, fiddle.)
10. "My Story Is Not Done." (Seanan, vocals; Barry, guitar; Sally, drums; Jen, harp; Debbie, bass; Mary, piano; Amy, fiddle.)

The bridge for "Wicked Girls" was standard, except for...

"Marnie serves scotches, and Mary plays tricks,
While Amy calls music from wires and sticks,
And the rules that we live by are simple and clear..."

As always: "Counting Crows," "How Much Salt?," "Jack's Place," "The Ghost of Lilly Kane," "My Story Is Not Done," and "Wicked Girls Saving Ourselves" are on Wicked Girls. "Take Advantage," and "Still Catch the Tide" are on Stars Fall Home (out of print). "Fly Little Bird" is on Pretty Little Dead Girl.

"The Seal Skin and the Story and the Sky" and "Build a Chain" have not yet been recorded.

Again, I am so very grateful to the Conclave concom for having me. I had a wonderful time, and I can't wait to go back.

(*It was a big band and a lot of skin-of-our-teeth arrangement, so I may get some of my instrumentation notes wrong. I will fix if this is pointed out to me, and mean absolutely no offense of any kind. I am simply a frazzled blonde.)

First, the oddity. My friend Jeri Smith-Ready wrote a song to accompany her truly awesome ghosts-and-true love YA novel, Shade. Then she said "I am not a professional lyricist," and let me take a whack at adjusting her lyrical scansion to make it more like a Top 40 alt-rock hit. And then she posted the result, which is basically awesome. Her characters, her world, her words, my helpful hand. I'm like bacon: a little bit goes a long, long way.

Next, the reviews. Tif of Tif Talks Books has posted a review of Feed, and says, "Grant's novel combines a number of realistic elements to the zombie apocalypse, which immediately drew me in. I was pulling for my fellow bloggers, trying to figure out the mystery, but loving the paranormal aspects along the way. The Masons are likeable. The plot was addictive. And, this reader simply could not Feed on the story fast enough!" Hee. Works for me.

Kristi of Books, Yarn, Ink, and Other Pursuits has posted a truly lovely review of One Salt Sea, and says, "I thought that it would be difficult to top Late Eclipses, but I should have known better. This book builds upon everything that Toby has been through the past stories and keeps leading her down the path of change. This is definitely a pivotal book, as relationships with many characters begin, end, and transform. McGuire's ability to make Toby strong and vulnerable shines in One Salt Sea, and her continued relationship with children, her own and others, show the parallels to Toby's own views on her relationships with her mother, her foster families, and the one she is creating around her."

Awesome.

Alisa at The Book Bundle also posted a review of One Salt Sea. It's a great review, but there are no simple pull quotes; you should just give it a read.

Dawn at Absolute Forest of Words has posted a nice Deadline review, and says, "I read Deadline and while not quite the same feel, it's still an amazing book." Warning: the review contains necessary spoilers for Feed.

Finally, for right now, Tia at Tia's Book Musings, has posted a review of Feed. She didn't like the book as much of some of the reviewers, but she has some solid points, and hey, it kept her entertained. Sometimes, that's all a girl can ask for.

More later!