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  <title>Rose-Owls and Pumpkin Girls</title>
  <subtitle>The Journal of Seanan McGuire</subtitle>
  <author>
    <name>Seanan McGuire</name>
  </author>
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  <updated>2009-01-20T05:24:12Z</updated>
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    <id>urn:lj:livejournal.com:atom1:seanan_mcguire:76506</id>
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    <title>seanan_mcguire @ 2009-01-19T21:17:00</title>
    <published>2009-01-20T05:24:12Z</published>
    <updated>2009-01-20T05:24:12Z</updated>
    <lj:music>Jonathan Coulton, 'The Future Soon.'</lj:music>
    <content type="html">Well, I'm home from a day spent in Fremont (for those of you who aren't Californians, read 'an hour's train ride away from my small-town home, and a much more urban place than I normally spend my afternoons') stitching chapbooks with Beckett, who is quite possibly the most elegantly artistic person I know.  She makes art happen the way I make song lyrics -- with an incredible amount of diligence, practice, and carefully-earned skill that looks entirely effortless from the outside.&lt;br /&gt;&lt;br /&gt;In 2005, Beckett graciously helped me make a chapbook, &lt;i&gt;Leaves From the Babylon Wood&lt;/i&gt;, for that year's Ohio Valley Filk Festival, at which I was the Toastmistress.  This year, she agreed to help me make a followup chapbook, titled &lt;i&gt;Paths Through the Babylon Wood&lt;/i&gt;, for Conflikt, where I'm going to be the Guest of Honor.&lt;br /&gt;&lt;br /&gt;(Someone asked what it's going to take for me to make a third chapbook, I think because they forgot that it's never a good idea to ask about a new project when the wounds from the current one are still bleeding.  I replied that it would almost certainly need to involve a convention with the word 'World' somewhere in the name.  Because man.)&lt;br /&gt;&lt;br /&gt;When Beckett does chapbooks, she doesn't screw around.  Hand-printed, hand-stitched -- these ones have a gorgeous photographic cover, in full color, as well as roughly seventy-five pages of poetry.  (And surprisingly few printing errors -- a comment not on Beckett's skill at layout, but on my skill as a proofreader.  Seriously, the woman's a goddess.)  I spent the day happily folding sections, collating piles, and just talking to her.  I love spending time with Beckett.  It makes things better.  (And it's deeply reassuring to talk to someone who understands what I mean about the quality meter breaking on the sixth, or seventh, or twenty-first revision of the same thing.)&lt;br /&gt;&lt;br /&gt;I am home.  I am safe.  I am overcome by the wonder that is my friends.  And I am ecstatic over these chapbooks, because they're &lt;i&gt;gorgeous&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;Life is good.</content>
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