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  <title>Rose-Owls and Pumpkin Girls</title>
  <subtitle>The Journal of Seanan McGuire</subtitle>
  <author>
    <name>Seanan McGuire</name>
  </author>
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  <updated>2008-06-12T16:27:01Z</updated>
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    <id>urn:lj:livejournal.com:atom1:seanan_mcguire:7376</id>
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    <title>seanan_mcguire @ 2008-06-12T09:26:00</title>
    <published>2008-06-12T16:27:01Z</published>
    <updated>2008-06-12T16:27:01Z</updated>
    <lj:music>Shawn Colvin, 'Sunny Came Home.'</lj:music>
    <content type="html">Last night, after a lot of introspection, prodding, and generally gnawing at the idea like a velociraptor gnaws on a brontosaurus bone, I took the entire first chapter of &lt;i&gt;An Artificial Night&lt;/i&gt;, shifted it to a separate file (where it wouldn't get in the way), and started working on a new first chapter.  It contains a lot of the same elements and setting-establishment themes, but is, at the same time, a very, very different beastie.  This has become a pattern.  Every time I start revising a book, the first chapter seems to wind up in the recycling bin.&lt;br /&gt;&lt;br /&gt;(I am at least reasonably confident that this won't happen with &lt;i&gt;Newsflesh&lt;/i&gt;, since it starts with rip-roaring zombie adventure, or with &lt;i&gt;Chasing St. Margaret&lt;/i&gt;, which starts with...um...Indian food.  And I'm pretty sure taking off the first chapter of &lt;i&gt;Upon A Star&lt;/i&gt; would cause the rest of the book to stop making any sort of linear sense.  So it's probably safe.)&lt;br /&gt;&lt;br /&gt;I find this part of the process insanely annoying -- I had a perfectly good front porch on this house!  I was just getting used to it! -- but also deeply gratifying, because I have yet to build a &lt;i&gt;new&lt;/i&gt; porch that isn't substantially better than the &lt;i&gt;old&lt;/i&gt; porch.  Plus, it gives me the excuse to really go to town with the chainsaw, and I always love that.&lt;br /&gt;&lt;br /&gt;(Editing viciously and with little concern for life or limb, machete.  Editing carefully, with surgical care and precision, scalpel.  Editing in a way that leaves women weeping, strong men sick to their stomachs, and entire chapters broken and bleeding on the road to editorial perfection, chainsaw.  I don't get to use the chainsaw very often.  It is not an instrument for small adjustments.  The chainsaw does not forgive authorial weakness.  The chainsaw does not care.  I love the chainsaw.)&lt;br /&gt;&lt;br /&gt;I should be finished with the new porch by the end of today, and I'm just sort of amazed, because it's so very clearly a better porch, and it's so very clearly the porch we needed, and yet?  I really thought the old porch was the right one.&lt;br /&gt;&lt;br /&gt;It's a funny old game, writing.</content>
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