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Wayward Coffeehouse set list.

As is the tradition around here, I present the set list for my latest concert appearance (Wayward Coffeehouse, December 2009). The set list includes annotation and lyric links, because otherwise, it's not so helpful.

The Wayward list, with arrangement notes, was as follows:

1. "Counting Crows." (Seanan, Vixy, vocals; Tony Fabris, guitar; Betsy Tinney, cello.)
2. "Mama Said." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
3. "Take Advantage (of Me)." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
4. "Carnival Glass." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
5. "Paper Moon." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
6. "Dorothy." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
7. "Evil Laugh." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
8. "Still Catch the Tide." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.) Talis Kimberley cover.

There was a break here. During the break, I read from chapter four of A Local Habitation. It seemed to go over well. Yay!

9. "In the Foam." (Seanan, vocals.)
10. "Fox Hunt." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
11. "Oh, Michelle." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
12. "Dear Gina." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)
13. "Tanglewood Tree." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.) Dave Carter cover.
14. "Wicked Girls Saving Ourselves." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.)

Encore: "Archetype Cafe." (Seanan, Vixy, vocals; Tony, guitar; Betsy, cello.) Talis Kimberley cover.

These are some of my favorite people to perform with, and we were performing in a venue that's warm and welcoming in every possible way. The only thing that could have made this show any better would have been adding an Amy (the experience of hearing her play with Betsy was one that I won't get over with any time soon), and maybe a wading pool filled with autumn mix and lizards. I'm a fan of both autumn mix and lizards.

As always: "Take Advantage of Me," "Paper Moon," "Dorothy," and "Evil Laugh" are on Stars Fall Home (studio). "Oh, Michelle" and "Dear Gina" are on Red Roses and Dead Things. A distressing number of the other songs in the set will be on Wicked Girls (good luck guessing which ones).

Closing with "Wicked Girls" followed by "Archetype Cafe" was just...it was amazing. Vixy and I finished "Wicked Girls" hand-in-hand, and I basically wanted to either conquer the world or go home and hug for approximately a thousand years. It was a beautiful night, and it was made all the more amazing by the people who were there.

Sometimes I feel so blessed.

Bits and bobs for a December morning.

First off, huge, huge thanks to everyone who came to the show at the Wayward Coffeehouse. We'd been somewhat concerned that we wouldn't be able to drum up an audience, it being Boxing Day and all, so imagine our delight when we wound up playing to an essentially full house! (If you couldn't attended, snowcoma has posted a lovely and detailed review.) A good time was had by all.

If you're curious about what kinds of things we performed, all three of my albums are currently available through CD Baby, as is Thirteen, the first album by Vixy and Tony. Or you could take a gander at The First Rule of Flying: Songs From The Black II. This is the latest collection of music from The Signal, an awesome Firefly-themed podcast, and includes songs by all of the people previously named. Plus it's free, which makes it an awesome taster.

In literary news, Lurv ala Mode has named Rosemary and Rue as an Honorable Mention for Best Read of the Year. This is a review site run by a reviewer I have come to very much respect, and I'm delighted to be on the list. Maybe next year, I can make it to one of the named slots!

I'll post another review roundup soon. For now, I leave you with the knowledge that 2009 is almost over, and the world hasn't ended yet. Oh, and I made a metric fuck-ton of rosemary shortbread last night. I rule.

Happy winter!
Today, I'm processing edits to The Brightest Fell (Toby five) and Lycanthropy and Other Personal Issues. Because whiplash is AWESOME. (Actually, I find working on edits for two totally dissimilar projects at the same time strangely soothing. It means that when my eyes start to cross, I can just switch files and let the other book work the kinks out.

Today's gem from the proofing mines comes by way of Vixy, who comments:

"I don't usually get involved with lagoon maintenance, but I think "seriously" might be a candidate for alligator chow."

Isn't that sweet? She's worried about the health of the alligators in Brooke's lagoon! This is really why my proofing pool works so well. They really care about one another. And I'm starting to think that our cute school mascot may be the alligator.

Finally Friday: we descend on Santa Clara.

Let's go back in time, to Friday, September 4th. (Feel free to make Wayne and Garth time-travel hands. They're like jazz hands, only awesome.) Rosemary and Rue has been available for purchase for less than a week. My house has been thoroughly invaded by book preparation, and also by Amy, who arrived while I had Martian Death Flu and didn't run screaming. My sanity is at a record ebb, since there's so much that needs to be done.

What a perfect time to have a party.

My first book release party was scheduled to happen at Illusive Comics, a comic book store in Santa Clara, California, owned and operated by my friend Anna. It was nepotism that got me the gig, I make no bones about that, but I really wanted a South Bay appearance, and she really wanted an excuse for a party, so hey, nothing wrong here. (My book release was Anna's first-ever non-comic book event. To say that we were both a little nervous is like saying that millipedes are a little over-equipped in the "legs" department.

While I spent the day at my day job, slogging away and trying not to chew through my fingers, the invasion began. Members of the Traveling Circus and Snake-Handling Show poured in from all over the place. Vixy, Tony, and Betsy came from the Seattle area; Brooke came from Vancouver, Canada; Sooj and K came via car from their ongoing magical musical road trip; Mia and Ryan came from Portland, Oregon. (Mia and Ryan, in fact, came at 5:27 AM. Because driving from Oregon to California is awesome.) They slowly filled my house to capacity, frightening the cats and waiting to pounce.

Amy spent the day at Kristoph's, doing awesome fiddle things, and when I called to ask her for an ETA, said that Kristoph would be delivering her to the house. Score! Everything's better with Kristoph.

Mom collected me from the train station, and we arrived home to find it occupied by a Mia, a Ryan, a Brooke, and an Amy. Hugs happened, followed by rapid-fire gathering of the things we'd need for the evening, and then we were off to the hotel where Vixy, Tony, Sooj, and K were staying, to collect the four of them (plus Betsy, who'd initially gone to the hotel when she arrived) and all their musical instruments. Mom had wisely borrowed a van from a friend for the weekend, and we filled that thing to capacity. More hugs were exchanged, and we took off in three vehicles, after a short stop at the 7-11 for provisions. (This is where I mention that my little sister, Rachel, and her girlfriend, Chris, were also in the van.)

We were off! We were running! We were on fire! We were...lost in very short order, leading to my mother stopping at a gas station for directions, while I went into the bathroom to throw up from sheer panic. I don't handle being late very well.

Still, wrong turns and panic attacks aside, we got there only fifteen minutes after the official start, and were met at the curb by the first of what would be many, many bags of candy corn. Inside, the joint was jumpin', and Anna was doing a brisk business in copies of Rosemary and Rue, as well as a few precious copies of Ravens in the Library. (We rapidly sold out of Rosemary and Rue.) The musicians gathered at the back of the store to tune and prepare; I went behind the counter to start signing things and eating candy corn. Blonde does not live by candy corn alone, and Ryan II was dispatched to bring me back delicious samosas. Mmmmmmm, samosas.

I signed more books. Anna looked increasingly wide-eyed as we packed more and more (and more and more) people into her little store. The Magic: the Gathering players set up between us and the bathroom looked more and more concerned that we were going to eat them. My food arrived. I ate my food. Time for music!

Much of the Traveling Circus and Snake-Handling Show had never actually shared a stage before that night, although all of us had played with some combination of the others. We opened with "Wicked Girls," and more than half the room was singing along. I nearly cried. From there, the music was a selection of offerings from each of our musicians—Vixy and Tony's "Thirteen," Betsy's "Wildlife," Sooj's version of "Tam Lin," Brooke's "Rosemary and Rue," and Amy doing mad reels like she thought the night might actually catch flame. Paul Kwinn even joined us for one number, and we did "This Is My Town" live for the first time in years. "Dorothy" was added to the set at the last minute—it turns out Anna, who used to publish the comic that inspired the song, wanted to hear it! Who knew? (This is by no means a complete set list.)

We closed the night with "Alligator In the House," with hugs, with laughter, and without an unclaimed copy of Rosemary and Rue in sight. The Circus was officially underway—and what a magical beginning! Could it get any better?

Actually, yes. It could. Next up, Saturday, San Francisco, slinky Sphynx, and serious sirens seriously invading one of the Bay Area's best independent bookstores. It's time for the Circus to hit Borderlands like a meteorite hitting a cornfield in a horror movie! Yay!

Sleepy in Seattle.

I have arrived safe and sound in Seattle, Washington, where my beloved vixyish collected me from the airport (with two bottles of Diet Dr Pepper in her hands, Great Pumpkin, I love that woman) and toted me back to the welcoming confines of the Agora, home of the better part of the zoo. There was chatter and cheer and hanging out with her, Tony, and Torrey before everyone went hieing themselves off to bed in their respective soft flat places, and many hours of darkness descended over everyone.

As I type this, I am, once again, the only person even remotely awake in my general vicinity; ah, the perils of being a morning person. I've got The Brightest Fell open in another window, and will sit on the downstairs sofa, contentedly plugging away, until it's time to go to the Farmer's Market and begin a whirlwind Seattle Saturday.

Hope your day looks to be as wonderful and filled with love and light as mine is, and if not, hope you at least get cake. Mmm, cake.

A vague disclaimer is nobody's friend.

I, Seanan McGuire, am intending to be writing books, stories, and other bits of fiction for the foreseeable future. Because I am a reasonably nice person (except when I'm not) who likes not being lynched (except when I do), I have decided to make the following promises. They're sort of the other side of my personal resolutions (see also "Flowers, Chocolates, and Promises You Don't Intend to Keep"), only they're a little more geared toward stuff I won't do because I don't want to be an asshole.

I. If something is part of a series, I will say that it is part of a series. I won't stealthily trick you into picking up a book and then spring a cliffhanger on you. I won't promise that stand-alone books will never develop sequels, but I promise that as soon as I know, I'll get the information out there. (Kate will tell you I don't write stand-alone books. Kate is sadly probably right.)

II. If I discover that a book has been packaged in a way that does not clearly indicate that something is part of a series, I will make doubly sure to include series information in a prominent place on my website, because a little typing now is a lot more fun than a lot of getting yelled at later.

III. I will do my absolute best to end every book in a way which makes it perfectly okay to say "right, done now." If this isn't possible, for whatever reason, I will only end a book on a cliffhanger or unresolved note when I can provide a guaranteed publication date for the sequel.

IV. I will not change genres in the middle of an ongoing series just because I've decided that I really want to be writing steampunk horror instead of urban fantasy and don't want to go through the work of starting something new. (Actually, I always want to go through the work of starting something new. Still, it's nice to be upfront.)

V. If I get tired of a series, I will bring it to a reasonable and satisfying conclusion, rather than continuing to beat the dead horse for another eighteen volumes out of inertia.

VI. I will keep my FAQs up-to-date and accessible, thus making it a little less annoying when I become completely overwhelmed and answer ninety percent of the questions I receive with "it's in the FAQs." (This should also give me time to answer the remaining ten percent in English, not Typo. Typo is a strange and difficult language, and I've never really mastered it.)

VII. I will continue to put myself through rigorous and vicious editorial, because the editing process is fun. Also because if I stop allowing myself to be edited, Vixy and Brooke will come for me in the night. They will come for me in the night with very sharp sticks, and they will edit me.

VIII. I will not answer fair and reasoned critique with "oh yeah? Why don't you come over here and say it to my face, punk?" For one thing, some people might, and those are usually the people that are bigger than I am.

IX. I will not rewrite my work to meet unfair and unreasoned critique. Not everyone is going to like me. I will attempt to be at peace with that. When I am not at peace with that, I will attempt to do something other than "hide under the bed and hope they go away."

X. I will not answer "you killed my favorite character" with "it sucks to be you, doesn't it?" I also won't resurrect anybody whose resurrection was not already planned. No, not even if you cry.

XI. If you say "Bob is my favorite character," and then we have a big fight, I will not take it out on Bob. That isn't fair to Bob. It isn't fair to my plot, either. But damn, I'll probably be tempted.

XII. I will not write a book just for the purpose of "creating real literature" and "finally being taken seriously as an author." I take horror movies, My Little Ponies, and street pennies seriously. I thus must assume that some people will take me seriously no matter what I do, and since they don't require me to wear a powder blue pantsuit and go on Oprah, they're the ones that matter.

XIII. I will remember that I am Christopher Walken, and enjoy every minute of it.

Oh, those wicked girls, how they fly...

I was just on YouTube (I admit, watching videos from the current season of So You Think You Can Dance, because I am a weak blonde in some ways), and did the fairly random "let's see if any of my key words pops up on this site." And, well, some of my words did.

So here is the video recording of "Wicked Girls," as performed at DucKon 2009 (this particular performance will also be on the official DVD being released by the convention, although probably not this specific video). Featuring SJ Tucker on the djembe and backing vocals infinitely more amazing than I realized until I watched the playback; Vixy on lead vocals; me on lead vocals (I'm the blonde one in the middle); Tony Fabris on guitar; and Amy McNally on the invisible violin, as she is totally blocked by Tony. There's some clipping, especially on the louder parts of the song, but overall, I'm stunned by how well it went.

See:



This specific stream's version of "Still Catch the Tide" (by Talis Kimberley) is also gorgeous.

DucKon 2009 set list.

As has become the tradition around here, I present the set list for my latest concert. Complete with annotation and lyric links. Because I'm kind like that.

The DucKon set list, with arrangement notes, was as follows:

1. "I Am." (Seanan, lead vocals; Tony Fabris, guitar.)
2. "Counting Crows." (Seanan, lead vocals; Michelle 'Vixy' Dockrey, backing vocals; Tony, guitar; Amy McNally, electric fiddle.)
3. "Fox Hunt." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar; Amy, acoustic fiddle.)
4. "Mama Said." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar; Amy, acoustic fiddle.)
5. "Take Advantage (of Me)." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar.)
6. "In This Sea." (Seanan, Vixy, lead vocals; Tony, guitar; Amy, fiddle.)
7. "Oh, Michelle." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar; Amy, fiddle; Brooke Lunderville, BANJO!)
8. "What A Woman's For." (Seanan, Vixy, Amy, lead vocals; Tony, guitar.)
9. "The Black Death." (Seanan, epidemiology; Vixy, Amy, lab assistants; Tony, guitar.)
10. "Dear Gina." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar.)
11. "Carnival Glass." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar; Amy, fiddle.)
12. "Evil Laugh." (Seanan, lead vocals; Vixy, Amy, primordial ooohs; Tony, guitar; Brooke, banjo.)
13. "Tanglewood Tree." (Seanan, Vixy, lead vocals; Tony, guitar; Amy, fiddle.)
14. "Sycamore Tree." (Seanan, Vixy, Tony, lead vocals; Tony, guitar.)
15. "Wicked Girls." (Seanan, Vixy, lead vocals; SJ Tucker, backing vocals; Tony, guitar; Amy, acoustic fiddle; SJ Tucker, djembe.)

Fortunately, we'd prepared an encore. So I also give you...

16. "Still Catch the Tide." (Seanan, lead vocals; Vixy, backing vocals; Tony, guitar; Amy, acoustic fiddle; SJ Tucker, djembe.)

Almost all arrangements were done in that bizarre, organic, 'how does this sound?' sort of way, but it's important to note that the chords for "I Am," "Counting Crows," "Fox Hunt," "Mama Said," "Take Advantage," "Oh, Michelle," "The Black Death" and "Dear Gina" were originally worked out by Paul Kwinn, before being tinkered with by Tony Fabris and Jeff Bohnhoff (depending on the song). "In This Sea" and "Wicked Girls" were chorded by Kristoph Klover. "Evil Laugh" was chorded by Tony Fabris.

"Tanglewood Tree" was written by Dave Carter. "Still Catch the Tide" was written by Talis Kimberley.

As always: "I Am" is on Pretty Little Dead Girl. "Take Advantage (of Me)," "In This Sea," "Evil Laugh," and "Still Catch the Tide" are on Stars Fall Home. "Sycamore Tree" is on Stars Fall Home (studio) and Pretty Little Dead Girl (live). "Oh, Michelle," "What A Woman's For," "The Black Death," and "Dear Gina" are on Red Roses and Dead Things.

"Tanglewood Tree" appears on Tanglewood Tree, by Dave and Tracy, and on Abesailing for Beginners, by Playing Rapunzel.

It was a good show.
So as most of you hopefully know by now (or will be delighted to discover), I'm about to be the Music Guest of Honor at DucKon 18. The convention is legal this year! It can now vote, get drafted, and buy cigarettes for my mother. DucKon will be happening in Naperville, Illinois, from June 12th through June 14th, and you should totally come. Why? Well, it's gonna be awesome, for one thing. I'm updating my appearances page as details are confirmed, but here are the things I can promise you:

1. I will be there.
2. My fantastic agent, Diana Fox, will be there, as the Agent Guest of Honor. Meet my personal superhero!
3. Tara O'Shea, who does my website's graphic design, will be there.
4. My concert will be OFF THE SCALE in AWESOME. Why? Why do I say this egotistical thing?

Because the DucKon Filk Fund allows their Music Guest of Honor to invite a guest of their very own, to help them with their concert. And I, just like the girl on America's Next Top Model who chooses to share her prize with the people who can help her look amazing, have selected Vixy and Tony. Yeah. ME AND VIXY AND TONY, LIVE IN CONCERT, IN THE MIDWEST, FOR THE FIRST TIME!!!!

Oh, and did I mention that Amy "The Fiddler" McNally will be there, too?

So here are two requests from me, if you would be so kind. First, take a look at the DucKon Filk Fund website, and see if there's anything there that catches your eye. They have some pretty spiffy stuff for sale, and some of it is totally not available anywhere else. Tell your friends. Help replenish the fund after they have so generously and wonderfully allowed me to bring two of my favorite people (and favorite performers) along for the ride.

Secondly, if you would be interested in being able to purchase a DVD of my DucKon concert, please take this DucKon survey indicating your willingness to acquire such a thing. The Filk Fund is willing to set up a pre-order system if there's enough interest, and just to make things a little more tempting, if...

...there is sufficient interest that they make pre-orders available...
...you pre-order...
...you comment on a post I will set up for this very purpose, telling me you've pre-ordered...

...I will include your name in a random drawing. The winner of this drawing will be emailed with the list of songs that we have prepared to play together, and allowed to pick a song. That song WILL be in the set list. So not only do you get the DVD, you know for sure that your favorite will be on there.

Thank you buckets.

Ten good things about today.

10. Betsy -- aka "the breeder from whom I am purchasing my new Maine Coon" -- emailed me last night to get the last of the information she needs to fill out Alice's health certificate. (The airlines require you to have a health certificate for any animal you wish to carry onto a plane; something about not really wanting to deal with a rabies outbreak at thirty thousand feet. This just shows that they don't want me to have any fun.) So it's officially official, and I'll be bringing home my new baby girl this weekend. Perhaps then Lilly will allow me to sleep through the night. Unlikely, but a girl can dream, right?

9. The word counts have been missing lately because I've been continuing to hammer on the reboot to Late Eclipses, trying to yank the book into alignment with the awesome I know it truly has the potential to be. I'm about a quarter of the way through the text at this point, and things really are becoming visibly more and more awesome. We haven't reached the point in the revisions process where I can no longer make fair and measured assessments of quality, and that's good.

8. People everywhere are getting their copies of Ravens In the Library, and while I haven't seen any full-length critical reviews, I'm generally seeing positive reactions to the book itself. (I am, of course, primarily interested in seeing the book do well, because it's for an excellent cause, and in being my usual neurotic little blonde self about reactions to my story. But at least I'm up-front about it, which makes it a little less crazy-making.) Remember, the book will only be available until Sooj's medical bills are fully covered.

7. I have registered for World Fantasy, booked my hotel room for San Diego, applied for professional membership to San Diego, and arranged for hotel space in Montreal. I am, in short, basically done with my convention arrangements between now and August. (BayCon is local enough to require little pre-planning on my part, while Duckon is taking care of all the arrangements for me, on account of I'm one of their guests. It's nice.) I'm always happier when I know that things have been set up as far in advance as humanly possible.

6. Zombies are still love.

5. In the last several weeks, my website has gone from "idle" to "awesome," with almost all our functionality now up and online. The only things still pending are the forums and the mailing list, and both these are being held up by issues on the server side, which we're working to resolve. (Getting the forums up and functional now gives my mods time to try to break them before I'm banned from that part of the site nigh-completely. Planning ahead. It's what's for dinner.)

4. While I'm still not sleeping nearly enough, thank you Lilly, I feel somewhat less like a corpse today than I did yesterday, probably at least in part because I forced myself to go to bed immediately after Big Bang Theory last night. Nothing says "a good night's sleep" like adorable physics geeks and inking before turning in. Although losing my pencil for half the episode really didn't help.

3. I have seriously not read a book that was anything short of awesome in the past week. They were YA and adult, mainstream, fantasy, horror, and science fiction, and all made of pure, unadulterated awesome. If all books were as good as the ones I've been reading, the bar would be set so high we'd need a telescope to see it. I couldn't be happier with my recent reading choices. I really couldn't.

2. In two days, I go to Seattle. In three days, I see my Vixy. In four days, I see Kitten Sundae live and in concert. And in five days, I get to take Alice home with me, thus ruining everything, in the nicest way. (Obligatory Jonathan Coulton reference for the quarter!)

...and the number one good thing about today...

1. My life is so wonderful right now. I'm tired, I'm grumpy, and I'm inclined to smack anyone who pokes me with a stick, but at the end of the day, even I can't pretend that my life isn't amazing. Rosemary and Rue is well on its way to publication, and according to Amazon, 90% of the people who visit the page are buying the book. Lilly and Alice are both healthy. My back is behaving itself remarkably well, and spring is springing up all around me, making my normal walking habits much less crazy. I have the best friends in the world -- everyone should have the best friends in the world, because it makes everything better -- and I own more bad horror movies than I could watch in a lifetime. The world is wonderful.

I think we're gonna be all right. So what's new and awesome in the world of you?
(Please note that the things in my subject header will not necessarily be presented in the order in which they were, um, presented. Don't mind me, I'm very blonde today.)

Travel plans, take one: As many people have been able to put together from my vague rumblings, I'm heading for New York a week from, um, yesterday. Yeep. This is almost purely a business trip, as I'm going out to see my publisher, have lunch with my agent, and generally behave like a grown-up member of human society. (Kate even managed to get me into wool pants. Everybody say 'thank you, Kate.') I'm taking a red-eye flight from San Francisco on Tuesday night, and I'm going to be gone until the Ides of March. Internet access will almost certainly be limited during this time, because dude, I'll be in New York. Also, this is going to be Yet Another Trip to the East Coast during which I don't get to go to Maine. Given the estimated temperature in Maine at this time of year, that's probably for the best.

Travel plans, take two: I'm taking a much shorter trip at the beginning of April, flying up to Seattle to see my dearest darlingest Vixy and Tony, catch the pure hammered awesome that is Sooj in concert, and, oh, right, pick up my brand new kitten from Pinecoon Maine Coon Cattery. Pinecoon is run by Betsy Tinney, who's also serving as one of my subject matter experts for Discount Armageddon. It's weird to think that I'm about to have a cat that isn't a Classic Siamese, but I wasn't able to find any local catteries with kittens -- and I'll be honest, I fell in love with Betsy's cats the minute I walked in. I'm not happy about leaving Lilly alone while I go to New York, but at least I know her only cat status isn't going to last for long. Plus, my kitten? Is awesome.

Number geekery: According to today's count, Rosemary and Rue comes out in 180 days. This is a good number, but I liked yesterday's number better, because 181 is a strobogrammatic prime. A strobogrammatic prime is a prime number that, given a base and given a set of glyphs, appears the same whether viewed normally or upside down. It's one of the only primes that can't be defined with a simple algebraic equation. Also, depending on the way a given language writes its numbers, certain primes change from strobogrammatic to not strobogrammatic. And this is so cool. There just aren't words for the awesome. (I am a total number geek.)

And now, behind the cut, the cool.

We cut because this graphic is not small, and breaking your browser is rude.Collapse )

Box of creepy. The good kind.

My favorite book in the entire world -- the comforting, reassuring book that I return to over and over again, because it makes everything better for as long as I'm reading it -- is IT, by Stephen King. This probably explains a lot about me. I've read IT at least once a year since I was nine, more frequently two or three times a year, because when I'm stressed, I want familiar things around me, and my definition of 'familiar things' includes scary evil clowns. (My grandmother had a clown collection. I lived with her for a while, and it's a miracle I never took a hammer to her curio shelves. When she passed away, all the clowns went into boxes, and I never saw them again. I do not miss them, although I sort of wish I knew where they were, so as to remove 'under my bed with knives' from the available options.)

Because I re-read this book so frequently, I've actually managed to imprint on a specific edition, like a baby duck imprinting on a fire-breathing hellhound as its mother. I must have the 1985 paperback edition, or the words are in the wrong places on the page, and the book feels wrong to me. Yes, I recognize how absolutely bizarre this is. It doesn't change the fact that they re-paginated in later editions, and things just don't look right.

It's been getting increasingly hard to find copies of IT in my preferred edition, maybe because it's a twenty-four year old paperback that wasn't all that well-bound to begin with. I've been hoarding them with increasing desperation, knowing that the well is getting closer and closer to running dry. I had fourteen copies, at last count, after giving one to Vixy for Christmas. Well, I found a cardboard box on my porch this week, sent from Merav in New York. She's pretty good about telling me when things are perishable, so I let it sit for a few days before opening it.

When I did open it, I laughed myself dizzy. Because inside were seven -- yes, seven -- copies of the correct edition of IT, all neatly stacked and waiting to join the pile. Between her and Joey (who did something similar at my 'hooray, we've sold the first three Toby books' party), I may finally have sufficient copies of IT to get me through my lifetime.

My friends are very strange.

Welcome to Seattle!

My plane flight was uneventful, in that exciting 'I got on the plane, sat down, took my pills, closed my eyes, and we were on the ground in Seattle, with the nice flight attendant shaking my shoulder and asking whether I was dead. As I was not dead, I deplaned and met Vixy at the baggage claim. (Can I just say, any entry that includes 'and met Vixy at the baggage claim' is basically made of wonderful and win? Because it is.)

Back at the Brainpan*, we relaxed for a bit before Sooj and K came back, accompanied by Tony and Torrey. Everybody else went down into the basement to chatter, while I passed out cold on the living room couch. I'm a big fan of passing out cold. Especially when I know I'm going to wake up before eight the next morning (which I did). I had a parade of lovely people all morning long, as first Vixy, then Tony and Torrey, and finally Sooj and K rose from their slumbers and ambled off into the day.

I got some time to just hang out and talk with Sooj and K, which was wonderful. We all see each other at conventions, but there's so rather time to really just hang about and talk. They're good people. They're really, really good people. Which just makes me happier that Ravens in the Library is coming up to help with the medical bills.

I am now alone in the house, since Vixy, Tony, and Torrey are all at work, and Sooj and K have been carried off by Betsy. I'm going to finish the next chapter in Late Eclipses of the Sun, and do a bit of hammering on some other projects, before I allow myself to take advantage of Tony's fantastic cable television.

Hi, Seattle. Miss me?

(*Casa de Tony, which is also Vixy's current place of residence.)

Setting the night on emerald fire.

Ever have one of those nights that you just want to tell everyone about, usually following the recounting with 'but really, you had to be there'? I love those nights. They're the ones that live forever, gradually sloughing off anything that went wrong -- because there's always so little of it -- until they become perfect little bits of time that last inside you forever.

I had one of those recently.

The concert at Erosong was a sort of last-minute* addition to my Seattle holiday plans; they'd been planning to have Vixy and Tony, and as I happened to be in the area, I got drafted to come and help out, along with Betsy 'I play the cello like I expect the Devil to be moving on to a different stringed instrument any day now, and I plan to be ready' Tinney. Ah, serendipity. Sometimes it just decides that life needs to be awesome.

I'd never really had much opportunity to hang out with Betsy before we went to rehearse at her place, which is large, gorgeous, and filled with Maine Coons. (One of them, Alligator, is officially my new best friend. Sorry.) I now regret this lack in my life, because she's a smart, funny, positively amazing lady, and getting to know her definitely stands as one of the highlights of my trip. Along with, y'know, Voodoo Doughnut. So she's in good company. PS, adding spooky cello to 'Dear Gina' makes it a weapon of massively creepy destruction. Brrr.

There really isn't a linear accounting of the actual concert in my head, because there isn't room. Getting ready in the upstairs bathroom with Vixy and Betsy, the three of us becoming a unified flock of purple, black, and orange with feathers in our hair-o. Meeting Phil for the first time after knowing him for fourteen years (oh, you splendid satyr, you). The doleful spontaneous sing-along of 'Science-Fiction Double Feature' in the dining room. And the concert, oh, yes, the concert. Two sets, as follows:

First set:

'Girl That's Never Been.' (Dockrey)
'Thirteen.' (Dockrey/Fabris)
'Skullcrusher Mountain.' (Coulton)
'Tanglewood Tree.' (Carter)
'Apprentice.' (Dockrey/Fabris)
'Evil Laugh.' (McGuire)
'Ravens in the Library.' (Tucker)
'Burn It Down.' (Dockrey/Fabris)
'Mal's Song.' (Dockrey/Whedon)

Second set:

'Paper Moon.' (McGuire)
'Dear Gina.' (McGuire)
'Santa Baby.' (Javits/Springer, made famous by Eartha Kitt)
'Strange Messenger.' (Dockrey/Fabris)
'Companion.' (Dockrey/Fabris)
'Goddess.' (Tucker)
'Emerald Green.' (Dockrey/Fabris)
'Oh, Michelle Dockrey.' (My parody of 'David Duchovny' by Bree Sharp)
'Dorothy.' (McGuire)
'Wicked Girls.' (McGuire)

When we hit the bridge of 'Wicked Girls' -- the line 'the rules that we live by are simple and clear/Be wicked and lovely, and don't live in fear' -- and changed into a major key, the room literally SHOUTED its approval. Just this solid wall of 'YEAH.' I...we...it is a miracle I didn't trainwreck the song out of sheer amazement, I swear.

They demanded an encore. We gave them 'Alligator in the House,' by Betsy Tinney and SJ Tucker. The night was...

The night was...

It was perfect. You should have been there.
Hey, folks! Remember, I'm appearing live and in concert tonight in the Seattle area, performing as a part of the latest fantastic Vixy & Tony house concert!

Not only are Vixy and Tony incredible musicians, they are incredibly close and beloved friends of mine. Vixy was the first one I called when my trilogy sold to DAW Books. Vixy is the one I choose to shower in scorpions on a regular basis. And Tony is just a rock. A slightly crazy, zombie killing, flying monkey rock. I am honored, privileged, and delighted to be performing with them. I always am. If I wanted proof that my life is a wonderful thing, I'd only need to look to my friends.

More, we're going to be performing with Betsy Tinney, the cellist from Tricky Pixie, who adds a dimension of PURE AWESOME to every song that comes out of our mouths. I mean, rehearsal last night? Rehearsal last night was sort of like a preview glimpse of Wonderland. I have put my silver slippers on. I am ready to go home.

Maybe most importantly -- and you're going to be hearing more about this from me very soon -- all proceeds from tonight's show are being donated to help a dear, dear, wonderful friend with some major and unexpected medical bills. SJ Tucker was recently hospitalized, and, being a traveling musician in the modern United States, does not have medical insurance. Tonight's music is in her honor, tonight's magic is towards her healing, and tonight's money is towards her hospital costs. We want her well, and every little bit helps. Even if it's just clapping to show that you believe in fairies.

I hope I'll see you there. If not, well. I hope you'll clap a little anyway. Because I'm just a big sap that way.

Yesterday, today, tomorrow.

Yesterday, I...

...did a lot of fussing about, did a lot of reasonably important (if not entirely time-sensitive) email inbox cleanup, did some work on The Brightest Fell, and finally, attended a multi-hour rehearsal to get ready for my Guest of Honor concert at Conflikt II, as well as the house concert that I'm going to be performing in tomorrow night. If you're even remotely local, and have been considering attending either event, I highly recommend it. If you've never seen me live before, here's a nice quote from one of the conventions I've been featured at:

"Seanan wraps together deep, poetic lyrics and complex melodies, a soaring voice, and an exhilarating hold-nothing-back performance style."

See? Isn't that sweet? The house concert is actually a Vixy & Tony gig to which I have kindly been invited, and we're going to be doing some awesome stuff. We finally hit 'Tanglewood Tree' (a Dave Carter cover) at exactly the right angle last night. When I have tears in my eyes at the end of a rehearsal, that's when you know that you're doin' it right. And the convention, of course, is going to be one of my usual 'but what if we threw a concert and everybody came extravaganzas. I'm even packing the prom dress. Just in case.

Today, I...

...got out of bed, sat down, and wrote the first song of 2009 ('My Story Is Not Done'). To quote the lyrics:

I was born into a fairy tale,
Cinderella's dust-bin daughter.
Seemed like I was meant to fail,
Turning wine back into water,

Mama's slippers shattered when
She turned around to run,
But I never thought that mattered and
My story is not done.


My brain, ladies and gentlemen. Studies are even now underway. That done, I wrote three poems, updated my 'Velveteen vs.' continuity guide, and processed some edits to The Brightest Fell, which I'll get back to just as soon as I finish this entry. Once Fishy wakes up (allowing me access to my suitcase), I'll be getting dressed and going out for lunch with the wonderful folks from Team Seattle. And tonight, of course, we're rehearsing one more time for tomorrow's concert, in a setting which I have been promised will provide both ice cream and kittens. My life, so hard.

Tomorrow, I...

...will be appearing in the house concert I've been nattering on about so much above. Because love means never having to listen to me talk about one thing for all that long.

Hope everything is awesome in the worlds of you -- what's going on?

Typing is funner post-vodka.

I wish to note that I have made a vast and important discovery, key to the survival of mankind:

Typing is much funner post-vodka.

Like, seriously. If you haven't had vodka, the act of spelling 'vodka' correctly is nowhere near as impressive. Also, I can spell 'impressive' after the vodka. And also I can spell 'antidisestablishmentarianism' after the vodka. Even if the spellchecker doesn't think I can spell it correctly. This is because the LJ spellchecker is stupid.

Vixy has just discovered my biohazard baggies. She is not properly concerned with their missing contents. This will be funny later.

More vodka now.
Hey, folks. So...

1. I am still in Seattle, land of weather that is entirely alien to me.

2. I'm not dead. I'm just experiencing some rather awesome technical difficulties when it comes to accessing Livejournal. Seriously, it's like my data is being delivered by carrier pigeon. I can post -- barely -- but answering comments is a task akin to stumping the Sphinx at Trivial Pursuit. So posting will remain infrequent until a) this problem is resolved, or b) I go home.

3. The house concert on the 3rd is still on, for all you local folks. The set list is smoking, and we're going to be doing a variety of songs that most of you won't have heard before. Including, terrifyingly enough, 'Dear Gina.' (I love this song like burning, it's creepy as hell, and it's always creepier live. That's just how this stuff works.) Be there or be, I don't know, elsewhere.

4. Voodoo Doughnut is quite possibly the place where good pastry gets to go when it dies. I mean, I ate a Captain Crunch doughnut. How often do you get to say things like that, in this world or in any other?

5. I've finished the latest 'Velveteen vs.' story, which will be going up here soon, and have mapped out the next six or so. My poor little superhero, she never gets any breaks. But she does occasionally get broken. Coming soon, 'Velveteen vs. the Eternal Halloween.'

6. I've also finished doing the base inks for the Conflikt II program book cover, and I'll be doing the zip-a-tone over the next few days. It's essentially made of awesome. Awesome, and tentacles. Which are essentially the same thing, so hey.

7. I've finished through chapter twenty of The Brightest Fell, also known as 'Toby Daye, book five.' My 'write far enough ahead that even if you get hit by a bus, the series can continue for years' plan is definitely working. Memo to self: avoid the bus.

8. Interpretive dance of the bacon on John Scalzi's cat = totally fun, and totally funny.

9. I do, however, miss my own cat, and expect her to start trying to destroy Oregon in her maddened rampage any day now. Which, well, would be amusing, if nothing else.

10. I don't really have a tenth thing. The list just looked incomplete and a little bit lonely when I tried to leave it off at nine, so I figured I'd come up with something. What I have come up with is, apparently, the fact that I got nothin'.

How's with all of you?

Seattle wants me dead.

Well, the weather outside is frightful...

...okay, yeah, that's about where it stops right now. Seriously. The snow in the front yard is up to mid-calf on me, and it is now snowing again. Huge, horrible flakes of white are pelting down on the world outside the window, getting thicker and heavier all the time. The weather forecast says that it's raining right now. Look, people. I'm from California, and even I can tell that THIS IS NOT RAIN, OKAY?!

So far, I've missed attending a Christmas party (due to frozen slush blocking access to the roads), and failed to convince Vixy to take me to buy groceries (due to frozen slush getting covered under a blanket of new-fallen snow). We are now seriously discussing the functionality of getting to Portland tomorrow. Perhaps what the weather does not understand is that if it tries to keep me from Voodoo Doughnut, I will cause it pain.

(Seriously, Persephone, I realize that you're having fantastic 'I just got home after six months of living with my mother oh my God that woman needs Prozac' sex with Hades all over the over Underworld, but you need to cut this shit out. If there's one more blizzard, I'm sending him a copy of Busty Chinese Moon Goddesses monthly and spiking your coffee with sleeping pills.)

The snow is falling even harder now, and is threatening to cancel tonight's rehearsal. Do not want. If you hear reports that the rest of my books are being ghost-written by Lilly, it's because I froze to death in Seattle. LAND OF SNOW.
Since I fly to Seattle tomorrow -- because, of course, every good California girl who gets cold when someone says the words 'wind-chill factor' should absolutely fly from her nice, temperate state into an ongoing blizzard for the holidays -- I've been spending a great deal of my time and attention getting ready for this exciting holiday adventure. It's always a holiday adventure when you combine me, Vixy, Tony, access to art supplies, access to Rock Band, and a lot of free time. And that doesn't even go into our actual plans for the ten days that I'm going to be up in their neck of the woods. Highlights include...

* A trip to Powell's, the City of Books! Where I will once again demonstrate that I have absolutely no common sense when it comes to judging the number of books I actually need vs. the number of books my house can actually hold. I swear, I need a dedicated library. Which means I need to move out of earthquake country, since otherwise, there's a tragic Magazine of Fantasy and Science Fiction-related death in my future.

* A trip to Voodoo Doughnut, the pastry shop of doom, destruction, and a nice vanilla glaze! Seriously, I've never been to this place, but the descriptions (and photographs) on their website are scaaaaaary. They have Captain Crunch doughnuts. They have literal voodoo doll doughnuts. They do not currently have the NyQuil doughnuts, and that's probably a good thing, because I would totally feel compelled to eat one, and then I'd sleep until New Years.

* Musical rehearsal with the Garcias! Alisa and Luis Garcia are two of the sweetest, most incredibly awesome people I know. They're also crazy-good musicians with three fantastic kids and a really cute dog. Honestly, only their lack of broadband Internet keeps their lives from resembling a glimpse into Geek Heaven. Tony, Vixy, and I are going to pile into their guest house and get our musical badassitude on. (I have, once again, designed a concert set of almost entirely new material. My friends will kill me one of these days.)

* A meet-up with Team Seattle! I have no real clue what this means, beyond 'I finally get to meet Mark 'oh, what's this, I seem to have written a supernatural romance starring a zombie before you could, how did that happen, ha ha' Henry in the presumably living flesh,' but I'm anticipating a lot of wacky antics, and maybe a repeatable anecdote or two. (Given that I can find repeatable anecdotes in making toast, my odds are good.)

...and, of course, the house concert on January 3rd, wherein Vixy, Tony, and I will be bringing down the house and raising the roof at the same time. We're like magicians. Magicians of rock. There may also be a little roll in there. Rock, roll, all that good stuff. I may even be able to convince Tony that he wants to perform 'Sycamore Tree' in public.

So anyway, preparations have been ongoing for the past few weeks, gathering speed like a snowball running down a hill in a Warner Brothers cartoon. I've managed to mostly finish packing, assuming Lilly didn't slaughter my suitcase last night while I was at Kate's, and the total cleansing of my room* has helped to confirm the divide between 'what I need' vs. 'what I have.' Today's to-do list is all little things, like 'buy Luna bars,' 'pick up comics,' and 'print your tickets.' This is in contrast to last week's to-do lists, which still included items like 'where the hell is the bedroom floor?' and 'enslave the Martians.'

The inclusion of a house concert in the holiday plans meant the inclusion of dress-up clothes in my traveling wardrobe, since Vixy and I both tend to wear pretty dresses when we perform. The inclusion of dress-up clothes meant a sudden up-tick in my personal grooming. And that's why last night, prior to having tasty Indian food and watching The Usual Suspects with Kate, I went to the Harmony Beauty Salon -- our torture chamber of choice -- and had my legs waxed. Ever had your legs waxed? It's exciting new adventure in the realms of pain and exfoliation, since the wax also removes several layers of dead skin from whatever it touches. Also, the wax is green, and looks suspiciously like the mutagent from the old Teenage Mutant Ninja Turtles cartoon. Mutation could be just around the corner! Which makes me feel better about the whole process.

Pain. Because without it, how would we really know that it's the holiday season?

(*Seriously. It's totally clean. I took pictures as soon as I was finished, because otherwise, nobody would ever believe me that I had managed to get it to that state. A photo tour of my bedroom, coming soon to a theater near you.)

January 3rd house concert! And also, glee.

So I'm heading up to Seattle for the second half of December, partially to spend the holidays with Vixy and Tony (because who wouldn't want to spend the holidays with some of their bestest friends?), but mostly to rehearse for Conflikt II, which is going to be an absolute blast. For serious, my concert is going to include Vixy, Tony, Amy McNally, three-quarters of Puzzlebox -- I have KEYBOARDS and DRUMS and PAUL playing GUITAR!!!! I win at everything -- and and and. So that's going to rule.

But since they have me, they might as well exploit me, right? I enjoy being exploited. I am a grindhouse special, and I am ready to be your midnight movie. With all that in mind, I'm going to be joining them on January 3rd for a special house concert hosted by Erosong. For serious! Also for glee. There's gonna be thrills. There's gonna be chills. There may even be some mild mass hysteria, if we totally strut our stuff. ("What are you going to do?" "I'm gonna do the best I can.")

The concert is going to be happening in scenic Kenmore, Washington, and RSVPs are requested, for the sake of everybody's sanity. It's a potluck, which means there will be lots of yummy food, and there's no fixed admission cost, just a suggested donation. Check the event link for more details, and if you're at all local, I hope I'll see you there.

Gems from the proofing mines.

From the Wanlorn:

"Your love of colons is disturbing and bad."

(The Wanlorn also tends to tag my more dramatically twisted sentences with 'LOL' and 'FAIL.' Everyone should have a proofer like her. After going through one of her edit files, I am immune to all future editorial cruelty. How I adore her.)

I also have an enormous file of logic problems from Vixy, who basically attacked the entire manuscript with a giant stick marked 'this makes no sense.' Sometimes I wonder why I let her live. And then I remember that I'd be sad if she were gone.

Ah, the joys of editing.

In which Seanan wins a songwriting award.

This past weekend, I attended the Ohio Valley Filk Festival, a three-day convention focusing on the filk music genre. ('Filk' is the music of science fiction and fantasy. Its precise definition has been debated for years, mostly by people with nothing better to do with their time. This includes me. It's a fun, fun argument.) Lots of fun, lots of friendship, and lots of time spent in the Columbus, Ohio Whole Foods Market. Mmmmm, pumpkin parfait.

The Pegasus Awards were created to recognize excellence in filking. Awards are given for individual songs -- two floating categories every year, as well as Best Filk Song and Best Classic Filk Song (a song more than ten years in age). Awards are also given for the Best Performer and Best Writer/Composer. In 2007, I won the Best Performer category in a tie vote with Dr. Mary Crowell (the nice lady in whose kitchen I am typing this entry). This year, I was up for Best Writer/Composer, and my song 'The Black Death' was up for Best Song of Tragedy.

I won Best Writer/Composer. According to those around me, it was one of those rare moments in which I could be seen struck speechless.

Ahem: SQUEE!

Other winners for this year include 'Black Davy's Ride' for Best Song of Tragedy, 'Close Your Eyes' for Best Song of Comedy, 'Archetype Cafe' for Best Classic Song, and 'Uplift' for Best Song. Truly awesome winners all. Best Performer was won by Vixy and Tony, which was neat, since they were sitting at my table. (To be honest, I find most anything good which happens to Vixy neat. I like it when good things happen to Vixy.)

But yes. I won. And I am...really quite over the moon about it.

Glee.

Proofreader spotlight: Vixy.

I have a lot of people who work very hard for me in the salt mines of my fiction, laboring under a never-ending burden of misplaced commas, inaccurate blocking, this sentence no verb, and completely missing clauses. They are all wonderful. Both by default -- volunteering to proofread for me makes them wonderful -- and in the actuality of the awesome work that they deliver. Seriously, they rock me.

And then there is Vixy.

Most of my proofreaders sleep at night confident in the knowledge that I won't begin instant-messaging them with editing questions at eight o'clock in the morning. Not Vixy. Most of my proofreaders know that there's little chance of my showing up on their doorstep demanding clarification of an editorial point. Not Vixy. She puts her life on the line every day, so that I can turn in a better book.

Every proofreader has their own strengths and weaknesses, and Vixy is, without a doubt, the single best blocker I've ever had the pleasure of working with. She always knows where everyone is standing, and has managed to catch blocking errors that required me to get out a bunch of dolls and recreate the scene. Her tireless efforts and boundless patience are so genuinely peerless and incredible that there simply aren't words for how much I appreciate them.

Plus, she harasses me if I don't finish chapters. And that's a valuable service for everyone. All hail Vixy! All hail.

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