Seanan McGuire (seanan_mcguire) wrote,
Seanan McGuire
seanan_mcguire

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Things I will not do to my characters. Ever.

I am not in the habit of cut-tagging my crankiness, but in this case, I will, because I'm going to be discussing the sexual abuse of women, and I try not to be triggery when I don't have to be. This is your notification, and your warning.

There are a lot of ways to reach me; I try to be accessible and responsive whenever possible. Sometimes, this leads to my being asked questions I would never dream of asking an author who wasn't a) a personal friend, and b) in the process of getting drunk with me. I try to answer them nicely, for the most part, assuming I can answer them at all (I can't, always; some questions simply can't be answered).

Last night, I was asked—in so many words—when either Toby or one of the Price girls was finally going to be raped.

Not "if." Not "do you think." But "when," and "finally." Because it is a foregone conclusion, you see, that all women must be raped, especially when they have the gall to run around being protagonists all the damn time. I responded with confusion. The questioner provided a list of scenarios wherein these characters were "more than likely" to encounter sexual violence. These included Verity forgetting to change out of her tango uniform before going on patrol, Toby being cocky, and Sarah walking home from class alone. Yes, even the ambush predator telepath with a "don't notice me" field is inevitably getting raped.

When. Finally. Inevitably.

My response: "None of my protagonists are getting raped. I do not want to write that."

Their response: "I thought you had respect for your work. That's just unrealistic."

Verity is the bastard daughter of Dazzler and Batman. Toby is what happens when Tinker Bell embraces her inner bitch and starts wearing pants. Velveteen brings toys to life and uses them to fight the powers of darkness. Sarah is a hot mathematician who looks like Zooey Deschanel but is actually a hyper-evolved parasitic wasp. The unrealistic part about all these characters? Is that they haven't been raped.

Needless to say, I was a little bit annoyed, and I still am.

Statistically speaking, one in six women will be raped in her lifetime. This is just the statistic we know; it doesn't account for the fact that right now, reporting rape is a minefield all of its own, and many women choose not to subject themselves to that process. I do not know how many of my friends have been raped. I know that five of them are safe because of me, if you trust statistics. So you know. There's that.

Rape in fiction can be a powerful and important thing. It can be used to make important statements, it can be used to drive important stories. I love Robin McKinley's Deerskin as much because of the discomfort it causes me as for the beauty it contains. There are authors I will always trust, or try to trust, and it's important to show uncomfortable things through fiction. I am not saying that no one should write about rape, ever.

But rape in fiction can also be a problematic and belittling thing, used to put cocky heroines in their places. When Janet goes to Caughterha despite being told not to, her punishment is rape by the eponymous Tam Lin. When a superheroine needs a deeper, edgier backstory, there's always some previously third-tier villain with a de-powering ray and an agenda waiting in the wings. I read a lot of horror, a lot of comics, and a lot of urban fantasy, and the one thing these three things have in common is rape. Lots and lots and lots of rape.

And I don't wanna write that.

I do not understand—I will not understand, I refuse to understand—why rape has to be on the table for every story with a female protagonist, or even a strong female supporting cast. Why it's so assumed that I'm being "unrealistic" when I say that none of my female characters are going to be raped. Why this "takes the tension out of the story." There is plenty of tension without me having to write about something that upsets both me and many of my readers, thanks.

Toby will not be getting raped. Verity, Alice, Sarah, Antimony, and the rest of the InCryptid girls will not be getting raped. Velveteen will not be getting raped. Rose will not be getting raped. If this makes my work unrealistic, then fine. There's a reason I write science fiction and fantasy.

But I do not write rape. And the fact that this somehow makes me "unrealistic," rather than making me an author who makes choices about what she wants to write...that's the part I find upsetting.

You know. In addition to everything else.
Tags: cranky blonde is cranky, don't be dumb
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The more I pick it apart the clearer it is to me that the underlying belief is that this person believes every woman they like or care about should be harmed, but I do find myself presuming their desire for violence toward women is conscious and that they then presented it as an inevitable reality in order to try to force their desired outcome. (Admittedly, there's some pure conjecture on my part. The heart of the matter is that it's extremely wrong for anyone to have ever done this and it's very hard to understand why on Earth or how on Earth a person could feel it could possibly be appropriate or acceptable to ever do something like this.)
I think there is a lot of data to support the notion that most people are conscious of far fewer of their mental processes than they realize. Including me, I'm sure ;-) (And I spend kind of a ridiculous amount of time sitting on a pillow staring at a wall, trying to... well, at least get a clue how little of my own processes I'm aware of.)

Once upon a time I had an OKCupid account. (In fact, I wasn't even on the market, as it were, it seemed like an interesting toy.) Among the vast WFTery of moving to the midwest and running into whole new kinds of pick up fail* stands out the guy who started sending me messages because I mentioned that I studied martial arts. I might even have mentioned that I taught martial arts - certainly, this came up.

Anyhow, this guy wanted me to a) validate his belief that he could totally beat up all but the most highly trained women because he was taller and heavier and b) go out with him.

No, seriously. This was his idea of a pick up line. Is this what Gor is like? Hello, I am convinced that I can totally beat you up - let's go out!

Of course, in fact the martial situation is much more complex than that, and several of my students are small women who do quite nicely against larger men, even trained larger men, thank you.

There is a punchline. As it turns out, I'm two inches taller and ten pounds heavier, as well as vastly more trained. That must be why I didn't bother to go out with him.

* There's apparently a whole subgenre of men spuriously trying to tell me that they are better than me at the things I am currently devoting myself to as a way of getting in my pants that I had previously been unaware of. I'm not sure these things are actually worst than out on the west coast, but aiee! I am totally unused to them.
LOLling at this whole post-love it!

Apparently he doesn't know that several of the arts were started by women (Aikido, anyone?). But those women would NEVER use it on men, oh, no!
Wing Chun, perhaps? Aikido was founded by Ueshiba sensei, I'm pretty sure, but Wing Chun was allegedly created by a Shaolin nun, Ng Mui. And Shaolin Dragon was also created by a Shaolin nun, also named Ng Mui, but not the same person. Or so the story goes. (Aikido, being more recent, is less legendary.)
It might have been; for some reason, the story I heard over 20 years ago in my classes was about Aikido, and I just took it on faith; sad to find it's fictional.

But heaven knows oral stories get crossed up worse than a tapestry worked over by a basket of kittens!
I'd guess it was more of a mix up than fiction.

In certain ways it's kind of funny that Aikido, with its peaceful reputation, would be incorrectly attributed to women. Wing Chun, on the other hand, is perhaps known these days best as one of Bruce Lee's primary arts.

(Dragon, on the other hand, is my primary Shaolin art - and it's internal, and blends well with Chen Taijiquan, my all around primary art, but, um, it doesn't really shy away from the lethal. Or at least the possibility of the lethal. On a personal basis, should I end up in such a situation I would prefer to have the skill to resolve it without being lethal to someone else - but I would prefer even more to have a lot of tools in my toolbox. There are plenty of times when a lethal to my attacker sort of resolution would be perfectly preferable to a lethal to me or lethal to someone else one.)
I think part of the reason I accepted it was that Aikido teaches so much about going with your own natural movements in addition to using the opponent's force against herself, the way Jujitsu does.

Wing Chun is fairly hard-style, correct? I took Tae Kwon Do for two years, and then Jujitsu for three (the change was more due to proximity, but I liked not having so many bruises with Jujitsu!).

If one rarely has the opportunity to use some of the more disabling moves, it's sort of startling how well they work when you actually have need, isn't it? My Jujitsu teacher taught us some really nasty anti-assault techniques. I've never had occasion to use them, but one never knows....

And boy, do I wish I was in a place where I could take any of them through the college, instead of a private dojo! Talk about a price difference!
I think the hardness of Wing Chun depends on the teacher - and probably the lineages. I only really have much background on the inside temple version of Wing Chun, and my gongfu brother, who knows it well, is primarily an internal stylist (as am I). I know there are three major outside lineages, but I don't know the differences between them well despite having been present for several conversations about them.

The problem with a lot of the nastier techniques is that it's hard to practice them to make sure you can do them well. And in many cases that are far less fool proof than we'd like! (Though trained versus untrained opponents can play into that.) Much of the time in sparring we end up doing real grappling against fake strikes - which is great if you can really do the strikes (though it makes the strikes look less effective) but there are obvious disadvantages.

But yeah, when they work, it's pretty striking. (ahem)

I'm glad that I both study and get to practice throat strikes and eye gouges, even if not with complete realism ;-)

I tithed to my school for an awful long time... and now I'm mostly on the other side of that, though in fact I don't charge tuition, and only finally put out the donation basket less than a year ago (after teaching for eight). Still, my students have, in effect, been buying me most of my groceries, for which I am profoundly grateful.
My Tae Kwon Do instructor was a firm believer in "You should end up with nearly as many bruises as your opponent." He never said so in so many words, but when a block is meant to put a bruise on the opponent's limb, it's GOING to do so to you, more often than not! Whereas my Jujitsu sensei just wanted the block to be just strong enough to let the strike slide by.

I've barely dipped my toe in the spiritual side of the arts, although my Jujitsu teacher taught us some meditation exercises, and also taught quite a bit of healing arts as well. About once a season, he would have a weekend class, and we would do a bit of learning another style, or learn about different types of massage, or chi readings and minor spine adjustments (a co-sensei was a chiropractor).

Wow-you really take the art on as a gift to others, so to speak; I like that! And good that it's giving you something in addition to a steady stream of students and sparring partners.