"No matter how good something is, if you were expecting something else, you'll hate it."
People ask me periodically why I chose to be Mira Grant for my science fiction when I was already happily myself for my urban fantasy. My standard answer is all about marketing and branding and setting expectations, and all of this is completely true...but the real answer is all about Vegemite. People who like me for me were going to know that I was Mira Grant, because it was an open secret, and they were the ones who'd just be expecting my words. People who like my urban fantasy weren't going to pick up a book by someone else expecting magic and hijinks. And once Mira established a readership of her own, people who liked science and zombies weren't going to up my books expecting the dead to walk.
The Vegemite effect explains a great deal about how we approach media of all types, not just books, but comics, movies, and television. There's a lot to think about. And if you've ever wondered why sometimes I say "this is salty" repeatedly before I hand you something...
...well, there you go.
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September 26 2012, 10:46:00 UTC 4 years ago
Also, I suspect, a convenient way to get around publisher's apparent reluctance to do more than one book a year per author :P
September 26 2012, 15:26:13 UTC 4 years ago
Um...SURPRISE?
September 26 2012, 20:39:29 UTC 4 years ago
I have a cunning scheme at the moment, I'm squeezing $10/week out of my budget as reward money for doing crafty stuff every day. I then use it to order books from Book Depository, which means that I'm basically getting to buy a book a week (plus random spending money because I can't make myself dribble 5-book series that way :P), then I just have to wait 2 weeks for them to turn up. grumble...
I'm waiting for the rest of Toby to turn up any day now :P I've read them from the library (except for the new one) but will have my own copies sooooon. (and will then be able to lend them to friends and infect them :D)
September 26 2012, 15:09:02 UTC 4 years ago
I have seen some authors, though, be successful at writing all sorts of different things under the same name -- but they are also usually more established, older writers (it seems like SFF writers starting in the 70s-80s had a lot more one-offs and experimentation? I have seen so many that are all over the place in genre and style from one book to the next, and you don't really see that now unless authors are writing under different names), or they have a ridiculously high output and can juggle different things (because, while it doesn't totally change the Vegemite Effect, a lot of readers get pissed if the author totally changes their subgenre/style and is no longer writing what they used to, or is putting it out at a much slower pace). (Also, PARENTHESES.)
And then there is the whole bookstore/sales numbers/ordering thing, which is a really good reason to not experiment in a separate subgenre when you're already successful in one....
September 26 2012, 15:26:39 UTC 4 years ago
October 6 2012, 12:28:17 UTC 4 years ago
October 7 2012, 03:38:17 UTC 4 years ago
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