Seanan McGuire (seanan_mcguire) wrote,
Seanan McGuire
seanan_mcguire

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Show, don't tell: why they need to be there.

I was recently talking to a friend* of mine who is also a writer about inclusion and inclusiveness in fiction. He was frustrated. Why did people keep asking him to include a non-heterosexual character in a starring role in his work? After all, he'd said that non-hetero characters existed, and were actually the norm. It was right there, in black and white. So why wasn't that enough?

My first reaction was, naturally, "It's not enough because it's not enough." But at the end of the day, that reaction isn't enough, either. He was trying. He wanted to understand. So I figured I should try, too.

I explained how, when I was a kid, the only smart blondes I could find were Marilyn Munster and Susan Storm. How I wound up identifying with the Midwich Cuckoos, rather than the humans who they were threatening, because the Cuckoos looked like me and were isolated like me and no one understood them. How, as I got older and realized that what I wanted wasn't necessarily the kind of marriage my mother had, every gay character became a magical revelation—even the ones I would look at now and think of as stereotyped and cardboard. It was enough for me that they were there.

I don't think I saw bisexuals in fiction until I encountered ElfQuest. I definitely didn't encounter them in sympathetic roles, where they were allowed to be people first, and define their sexuality second. It was honestly a revelation to me.

I explained how important to me these characters were, first because they looked like me, and then because they were like me, and how it mattered for them to have a bigger part in the story than just "oh, honest, blondes and bisexuals exist, we keep them all in Australia because they really like the tax situation there." It wasn't that I didn't want straight while males having leading roles. I just wanted them to share.

I read three books recently where race and sexuality were just sort of there. They didn't change the shape of the story, although they were treated fairly and reasonably (and awesomely) by the author. One, Black Blade Blues, was an urban fantasy with an awesome blacksmith heroine who just happens to be a lesbian, and have a girlfriend. And while she had some personal issues to work through (which made her a compelling, relatable character), her story was still recognizably an urban fantasy story, with all the tropes and twists of the genre. The second, Storyteller, was science fiction/fantasy in the Pern style, where you have extremely advanced technology and fascinating aliens, but you're spending most of your time on a low-tech planet that might as well be a fantasy world. One of the central characters is gay; so are several secondary characters. None of them are treated in any way as either superior or inferior to the rest of the cast.

The last, The Hum and the Shiver, dealt more with race than sexuality, although it was notable for having a strong female lead who really enjoyed sex, had really enjoyed sex in the past, and was not in any way ashamed of herself for being a sexual being. It's not a sexy book; she actually has no sex during the book, for reasons the plot makes very clear. But she's not punished for who she is. One of the secondary characters is married to a Southern-raised Asian woman. Why? Because that was who she was. It's not a thing. It's never a thing. It's awesome.

He was still a little confused, so I tried another tack: in my Faerie, in Toby's Faerie, as far as I'm concerned, almost everyone immortal is also bisexual. People who are purely straight or purely gay are almost entirely changelings, and young changelings, at that. Out of the entire current cast, the only one I can point to and say "Yup, totally straight" is Toby, who was raised in the mortal 1950s, and never really considered girls as an option. Everyone else is bi. Yes, him. Yes, him, too. Yes, her. I'm not sure it counts in Lily's case, since she's a body of water that enjoys looking like a person, but she doesn't care about the gender of her meat-based lovers. So yes, even her.

Most fae marriages, on the other hand, are male/female, because the main motivator for fae marriage is having kids, and surrogacy isn't really an option when it takes three hundred years of steady marital relations to reliably get someone pregnant. So if you look at the first several books, everyone looks straight. I was too close to the material to realize that. I knew about Amandine's relationship with Lily, the Luidaeg's long-term Selkie lover, and lots of others. No one else did. What was on the page was heteronormative male/female love, over and over again, in all its good and bad forms.

As soon as I recognized that, I started making more of an effort to actually show the non-hetero relationships in the books. Not because I owed anyone anything. Not because I was pressured. Because saying they were there wasn't enough. It's never enough. We need to see those people, in part because for every kid like me, combing the margins for hidden people I could relate to, there are ten kids who just calmly accepted than yes, they were always going to be the protagonist. Mix it up. Make it different. Make us all learn to identify with other people, and take out the shadows. I learned to identify with straight white males because I had to, and I clung to my narrow band of options. How about we widen the spectrum until everybody gets the chance to learn to identify with everybody? Because that would be awesome.

I explained all this to my friend. I think he understood. And even if he didn't, he's thinking about it now, and he's smart; he'll get there.

I'll be waiting for him.

(*I won't name him, because that's not the point, and he's a damn good guy. He just hadn't thought some things through. Everyone has had their instances of not thinking things through, and it's easier when you're a middle-class white male with no particular religious affiliation. Everyone is you unless stated otherwise, in fiction. So please don't ask who my friend was, and I won't be forced to look at you sadly.)
Tags: be excellent to one another, contemplation, writing
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Thank you for sharing this. I'm very glad to have read it.
Very welcome.
Thank you.
Always welcome.
I was thinking about something along these lines on my way home tonight.

A male friend said to me when talking about women's issues, "I'm beginning to think I'm part of the problem, and, it really is your fault."

He didn't mean it badly. We've had a LOT of conversations about sexual violence and gender issues. I've been patient, more than I'd have been with some random person on the internet, because he's my friend.

He's come a long way in understanding. He argued with me a lot at first, but, he'd think things over. He takes time.
Still, that's kind of awesome. Good for you, and good for him!
I love the way you said this and also the timing of this post. I was recently having discussions with friends over how we view relationships is at least partly affected by what we see in TV and movies. We as a society are beginning to realize that a lack of being able to identify with characters we find in books makes it harder for us to identify with ourselves. I love that writers are putting more focus on GLBT and non-white characters often times without the flashy announcements which makes it more meaningful for me. Along with that what I want to see is more books and movies without the romance element at all. I read a lot of books and when I struggle to think of 5 books that don't show a romantic interest that tells me that it is no wonder that single people often have a hard time being single. Thank you for having these discussions and making it easier for the rest of us to have these discussions as well. Its important that we can relate to the people we read about and see on tv and in movies.
what I want to see is more books and movies without the romance element at all.

YES, PLEASE!

As someone who got through puberty and beyond with at most two mild crushes, I find the obsession with pairing up and sex that is pretty much everywhere disheartening.

juglore

5 years ago

legoline

5 years ago

seanan_mcguire

5 years ago

It's one of the things that I love about the Richard K Morgan "A Land Fit For Heroes" books. The one of the main characters is gay. And, when you're reading his sections, you hear about guards well formed buttocks, or pretty lips, etc. Just like we've come to expect from descriptions of women, if they're attractive, it's all about their sexual characteristics in descriptive terms.

And why I loved Mass Effect 3's Esteban. Sure, it's a little ham handed, but dude was just "yeah, I had a husband, and he died and it sucks". At no point did the game world try and make you feel weird about it.
These things are awesome.
I loved this post! It's easier to write what you know--which is, for me, heterosexual, white, and female. But I also have many friends who are gay or bi, as well as different races and different religions. I do have to make a conscious effort to think about the demographics of my writing, though, to make sure that the story is both as realistic and inclusive as I'd like it to be.

I do include gay and bisexual characters in my writing, as well as characters of different races and religions. That said, I get frustrated when I read books that contain gay characters--even as side characters--and their ONLY characteristic seems to be that they're gay. That's it. Unfortunately, I see it a lot more than I'd like to. When you meet someone in real life, they may be gay (or bi, or transgendered, or something else), but that's not the ONLY thing about them. So why should characters in books be any different? So in the novel I'm currently revising, the protagonist's best friend is gay. But he's also Hispanic, a comic book author, a cult cinema buff, a general smart-ass, a deeply caring friend, and a person who experiences a lot of Really Bad Things during the book--none of which have ANYTHING to do with him being gay. Being gay is part of who he is, but the story is not about him being gay.
I think characters should be characters, and that they should be real people at the same time. Everything else is gravy. It sounds like you've found the balance!
Thank you for the recommendations. I will be looking to get these for my reads at college level young adult, because I want to make sure she has examples of other than the "default" being OK. She has me as a mother, so most things don't cause her to bat an eyelash, but it's good to know I can give her things to read that will reinforce that. With her, "Seanan likes it, so I thought you would" will work VERY effectively to get her to try a book, too *LOL*
Yay!
Thank you. I've been trying, and failing, to elaborate on why I was so gleeful about the Rat Alpha and his husband in Ilona Andrews' Kate Daniels books, or Steve Cortez in Mass Effect 3. And now I don't have to, because I can just point people to your post and say "yes, this."
Very welcome.
Has anyone mentioned the Harmony books by Jayne Castle (aka Jayne Anne Krentz)? The whole premise is that a colony of Earth humans are cut off when a mysterious Curtain that permitted travel between Earth and a distant planet closes as quickly as it once opened, stranding a large number of settlers. The "Founders" set up survival methods that include nearly everyone marrying, either male/female; male/male and female/female, in order to give stability to the society. Lots of hot straight romance, but total acceptance of other romances as well.
Not yet!
Add another "thank you" to your pile for writing this. (And thanks for the book recommendations! They're on my ever-expanding TO READ list now!)

I'm a bi, poly, kinky female. Finding characters that resemble me outside of erotic fiction (which, hey, not complaining about erotic fiction!) is nearly impossible. Finding a character that shares even one of those traits (bi and poly especially for me) is like having rain in the dessert; it cleanses and refreshes but it's over too soon and leave you wanting and waiting for the next time it happens. Kick ass female characters are thankfully becoming much more available and I can now rattle off half a dozen books or book series that have female leads I adore without having to think too hard. But that's about as far as it goes. Female and bi? Yeah, I'm drawing a blank. Female and poly? One, kinda, if you turn sideways and squint. Female and kinky? Erotic fiction and that's fine because I can understand a character being kinky not really being integral to the plot most times while their being poly and bisexual may have more impact on it--maybe.

Also, now I'm pondering the Luidaeg and her selkie lover and hoping I get to read about that at some point. I had sort of kinda figured out Amandine and Lily but mostly I figured that was wishful thinking on my part in the hopes that I might see a character that was like me. There are so few bodies of water realistically portrayed!
Female, bi, poly, kickass main character:

Friday by Robert Heinlein. Admittedly, the bi part comes about over the course of the book.

Matadora by Steve Perry. The lead character also appears to varying degrees in most of the other books of the series.

Snowbrother by S.M. Stirling. Followed by The Sharpest Edge (aka Saber and Shadow), The Cage, and Shadow's Son by Stirling and Shirley Meier. Sh’kaira can be a little (or a lot) off-putting in the first book, but she gets better as the series progresses.



munin

5 years ago

Charles Ellis

5 years ago

seanan_mcguire

5 years ago

Heather Dale's song, "One of Us", sums up a lot of why it is so important to see diversity. osewalrus had a good explanation as well, currently hidden behind a broken link -- I'll see if I can get a working link.

Ursula K. Le Guin recognized that she hadn't managed to show what was obvious to her in Left Hand of Darkness, and that the book does suffer as a result. I do like the book, but she's right:
Awesome.
That is way cool. I am really glad you wrote about this. I would like more stories with relationships that are based on the personalities of the people in the relationships, and not on their gender. I am really glad you include all interests in your stories - it makes perfect sense to me that Fae would not have gender be any big thing, except where procreation's concerned. Love is love! It's nice to see it expressed in a less boxed-in manner.
<3
Okay, we have a working link!
Neat!
User cassiphone referenced to your post from The Force is With Friday Links saying: [...] Baker?’ Seanan McGuire talks about the importance of actual, open sexual diversity in fiction [...]
User asingularitynet referenced to your post from Why social issues need to be discussed saying: [...] sums it up a little better. Show, don’t tell: why they need to be there by Seanan McGuire [...]
User asingularitynet referenced to your post from Why social issues need to be discussed saying: [...] sums it up a little better. Show, don’t tell: why they need to be there by Seanan McGuire [...]
User maggienotmegan referenced to your post from I SEE WHITE PEOPLE saying: [...] has a great post [...]
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