My narrative kink is okay, yours is kinda...well, okay.: seanan

My narrative kink is okay, yours is kinda...well, okay.

Everyone has what my friends and I refer to as "narrative kinks": those storylines, themes, tropes, and motifs that really get you cooking as a reader, a writer, or both. (Note: despite my use of the word "kink" here, there is nothing inherently sexual about a narrative kink. Ask any small child what kind of story he or she likes, and you'll get a much clearer, more honest picture of what they want out of a story than you will from most adults. We start forming these tastes from the second we understand what stories are, and while they may shift, refine, and totally change over the course of our lifetimes, we always have them.) Mine are pretty straightforward; years of writing fanfic helped me hone in on them like a mosquito going for the one inch of skin that doesn't have bug spray on it, and now I know exactly what they are, where they are, and how to spot them when they come into play.

A few of my preferences:

* Mermaids! I love mermaids. I've been thrilled by everyone enjoying the glimpse of the Undersea in One Salt Sea, because wow did those chapters feel self-indulgent. I could have written a whole book just explaining how the social structure of the Undersea functions. Someday, if I get a good enough excuse, maybe I will.

* Evil twins. Yeah, I know, it's a Patty Duke cliche, and I don't care. I love me some evil twin action. Blame my early exposure to All My Children and move on.

* Mathematicians and scientists in leading rolls. I think math is sexy. Science is basically my favorite thing that isn't the Great Pumpkin or my cats. It's pretty rare to find a book of mine that doesn't have at least one of these character types represented. (Ironically, Feed didn't need a scientist because I was the scientist, with all that delicious virology kicking around.)

* Alternate universes and timelines. Yes, I love breaking continuity and seeing what happens when it's put together in a new shape. Enough so that sometimes people have to hold me down and take the hammer away, since otherwise, I'll just keep smashing things. My one regret about prose as a primary medium is that it's hard to pull off alt-universes in most prose settings.

* The malleability of death. Look, I grew up on X-Men comics, soap operas, and horror movies. I enjoy playing with the elasticity of mortality, and finding ways around things that seem permanent. You can't cheat, but watching your dead girlfriend's robot replacement come to terms with the fact that she's really a brain in a jar delights me.

...there are more, but you get the idea.

One of the interesting things about knowing and being at peace with my narrative kinks is that I get much, much pickier about how they're used. You can't just raise the dead and expect me to be happy; I want it to make sense within the rules of your universe, hang together internally, and be fair to the character you've just brought back. If you're going to have a lead scientist, they'd better be a scientist, and not a magical knows-everything widget that can somehow apply every field of science KNOWN TO MAN to whatever situation they happen to be in (Winnifred Burkle, I'm sorry, but I'm looking at you).

If you're going to do an alternate universe, I expect you to think it all the way through. Yes, all the way through. One of my favorite shows rebooted their continuity two seasons ago, and while they made the usual assortment of flashy surface changes, they didn't consider all the ramifications of those changes. The fact that at least two of the characters involved didn't tear down heaven and earth looking for a way back to the original timeline was incredibly disappointing to me. (Shawn says this is because I over think these things. I point you, again, to my list of narrative kinks. These are the things I am programmed to over think!) Basically, I want stories that will give me what I want, but really commit to giving it, not tap-dance around going all the way.

Also, often, narrative kinks are a lot like salt or bacon: a little can go a long way. I adored Marvel's House of M alt-universe, but I would have been annoyed if it had replaced the main Marvel Universe completely (even though it was an awesome setting, and I want them to do more with it). I'm enjoying the current season of Fringe, with its re-imagined continuity...and at the same time, I find myself restlessly demanding the original timeline back, because I invested a lot of time and emotional attachment in those characters, those relationships, and every delighted "oh, it went like that over here" is followed by a "...wait, does that mean that this other thing didn't happen?" So sometimes, getting what you think you want out of a story isn't ideal.

And this is why I have proofreaders and editors who don't share my narrative kinks. They may encourage me to put more foxes, or talking animals in silly hats, into the narrative, but they'll help me avoid the story turning into a stew of "things Seanan wants to play with."

What are your narrative kinks? How do you feel about their use, and how do you react when they get overused? What narrative toys would you rather never came off the shelf again? Enlighten me!

Just remember, you asked!

archangelbeth

October 20 2011, 15:53:58 UTC 5 years ago

New comment

Kink 1: UST. UuuuuuuuuST. Mmmmmmmmmmm. But it has to be logical UST. (er, for anyone who doesn't know the acronym, Unrequited Sexual Attraction.) The attraction has to arise naturally, and the unrequitedness has to be ditto. None of this "oh, if they'd only talk" nonsense unless there's a great big fat reason why they can't. No UST for pointless reasons. Most romance books I've read -- and I do admit I'm only a dabbler -- tend to do the "Oh, they immediately notice how attractive the other person is" and then throw hurdles in the way. The more reasonable the hurdle, the more I forgive the immediate attraction, but something where it's like the characters are two ice-burgs where there's one tip showing that they actually agree about -- and the rest is all hidden... Yeah, people learning to like each other.

...Look, I read the whole Ranma 1/2 saga, and while there's all kinds of problematic issues... Talk about UST, y'know? Inu-Yasha, ditto. (OH HAI REVIVED SOULLESS DEAD GIRLFRIEND COMPLICATION!)

Of course, when it's logical for the UST to lose the U, it needs to happen. Hambly's The Silent Tower and The Silicon Mage segued into each other like this just... Well, okay, it probably made a serious impression on me, 'kay? No "oh, well, what do we do with the plot?" nonsense. If the USTing characters get together, and there's still plot left, then don't make their interactions pathetic. Don't make the Spunky Girl turn totally sappy-sweet! If she was stinging the Bold Hero with her wit before, fer gods' sake, she should keep doing it! If they have a relationship built on squabbling, then they should keep squabbling, if only things that don't really matter, and have hawt make-up kisses.

Kink 2: An Authorial kink I have is power-imbalance relationships, from friendship to romance. Hmmm. No, it's a reader kink, too, but it's so hard to find Just Right (Silent Tower & Silicon Mage were, again, formative!) that I mostly have to write it myself. (...Oh, hey, Ben January mysteries. Ooooookay. Hambly does it again.)

Kink 3: Alien Viewpoints. I once read and re-read the viewpoint-from-the-antagonist-non-human (drake) sections of a book over and over. I only read the full book... like once and a half, I think. >_> Next exhibit is CHANUR! And Their Majesties' Buckateers. (Elves can count, but they'd better be more than long-lived humans with pointy ears, or it'd better be a graphic novel where I can appreciate the Pretty.)

(Thus, Toby's books tend to be trippin' at least one out of those three at any given time...)

Kink 4: Amnesia. Main character amnesia. Okay, I mostly developed this after roleplaying a character with the disad, but done right, it feeds right into Power Imbalance stuff. Om nom nom. Removed specific memories can work, but have to be Done Right.

Kink 5: Mild-mannered men who are secretly bad@$$. Owen from the Gargoyles cartoon. Rosemary Edgehill's Nic Brightlaw (who also gets a chunk of amnesia!).

Deleted comment

Re: Just remember, you asked!

October 20 2011, 16:30:56 UTC 5 years ago

That part was cool, too! But where he won my heart was early on, when he tucked away his glasses and did some fancy judo on someone. No, he's not just a mild-mannered personal assistant! He was just another pretty character design before that.

catnip13

October 20 2011, 18:30:35 UTC 5 years ago

Do you read Kelley Armstrong? Because Lucas Cortez is a great example of number 5, and my absolute FAVORITE character in her books.

October 20 2011, 20:18:27 UTC 5 years ago

I do not think I have read that author. Thanks! (Any title to recommend to start?)

October 21 2011, 05:11:38 UTC 5 years ago

Lucas first appears in book 3, Dime Store Magic. I personally think that that is where the series starts getting good.

October 21 2011, 14:55:29 UTC 5 years ago

Any reason I shouldn't start with Book 3, then? *grin*

seanan_mcguire

October 26 2011, 14:30:25 UTC 5 years ago

Because reading out of order is a bad idea, and a lot of people really enjoy the first two books. They set up the universe.

October 21 2011, 15:54:35 UTC 5 years ago

I'd say do it. There are going to be spoilers for the plots of the first two books, which you might decide to go back and read, but if that's not going to ruin the whole series for you, then go for it!

I also recommend starting the Dresden Files books with number 3, actually.