My narrative kink is okay, yours is kinda...well, okay.: seanan

My narrative kink is okay, yours is kinda...well, okay.

Everyone has what my friends and I refer to as "narrative kinks": those storylines, themes, tropes, and motifs that really get you cooking as a reader, a writer, or both. (Note: despite my use of the word "kink" here, there is nothing inherently sexual about a narrative kink. Ask any small child what kind of story he or she likes, and you'll get a much clearer, more honest picture of what they want out of a story than you will from most adults. We start forming these tastes from the second we understand what stories are, and while they may shift, refine, and totally change over the course of our lifetimes, we always have them.) Mine are pretty straightforward; years of writing fanfic helped me hone in on them like a mosquito going for the one inch of skin that doesn't have bug spray on it, and now I know exactly what they are, where they are, and how to spot them when they come into play.

A few of my preferences:

* Mermaids! I love mermaids. I've been thrilled by everyone enjoying the glimpse of the Undersea in One Salt Sea, because wow did those chapters feel self-indulgent. I could have written a whole book just explaining how the social structure of the Undersea functions. Someday, if I get a good enough excuse, maybe I will.

* Evil twins. Yeah, I know, it's a Patty Duke cliche, and I don't care. I love me some evil twin action. Blame my early exposure to All My Children and move on.

* Mathematicians and scientists in leading rolls. I think math is sexy. Science is basically my favorite thing that isn't the Great Pumpkin or my cats. It's pretty rare to find a book of mine that doesn't have at least one of these character types represented. (Ironically, Feed didn't need a scientist because I was the scientist, with all that delicious virology kicking around.)

* Alternate universes and timelines. Yes, I love breaking continuity and seeing what happens when it's put together in a new shape. Enough so that sometimes people have to hold me down and take the hammer away, since otherwise, I'll just keep smashing things. My one regret about prose as a primary medium is that it's hard to pull off alt-universes in most prose settings.

* The malleability of death. Look, I grew up on X-Men comics, soap operas, and horror movies. I enjoy playing with the elasticity of mortality, and finding ways around things that seem permanent. You can't cheat, but watching your dead girlfriend's robot replacement come to terms with the fact that she's really a brain in a jar delights me.

...there are more, but you get the idea.

One of the interesting things about knowing and being at peace with my narrative kinks is that I get much, much pickier about how they're used. You can't just raise the dead and expect me to be happy; I want it to make sense within the rules of your universe, hang together internally, and be fair to the character you've just brought back. If you're going to have a lead scientist, they'd better be a scientist, and not a magical knows-everything widget that can somehow apply every field of science KNOWN TO MAN to whatever situation they happen to be in (Winnifred Burkle, I'm sorry, but I'm looking at you).

If you're going to do an alternate universe, I expect you to think it all the way through. Yes, all the way through. One of my favorite shows rebooted their continuity two seasons ago, and while they made the usual assortment of flashy surface changes, they didn't consider all the ramifications of those changes. The fact that at least two of the characters involved didn't tear down heaven and earth looking for a way back to the original timeline was incredibly disappointing to me. (Shawn says this is because I over think these things. I point you, again, to my list of narrative kinks. These are the things I am programmed to over think!) Basically, I want stories that will give me what I want, but really commit to giving it, not tap-dance around going all the way.

Also, often, narrative kinks are a lot like salt or bacon: a little can go a long way. I adored Marvel's House of M alt-universe, but I would have been annoyed if it had replaced the main Marvel Universe completely (even though it was an awesome setting, and I want them to do more with it). I'm enjoying the current season of Fringe, with its re-imagined continuity...and at the same time, I find myself restlessly demanding the original timeline back, because I invested a lot of time and emotional attachment in those characters, those relationships, and every delighted "oh, it went like that over here" is followed by a "...wait, does that mean that this other thing didn't happen?" So sometimes, getting what you think you want out of a story isn't ideal.

And this is why I have proofreaders and editors who don't share my narrative kinks. They may encourage me to put more foxes, or talking animals in silly hats, into the narrative, but they'll help me avoid the story turning into a stew of "things Seanan wants to play with."

What are your narrative kinks? How do you feel about their use, and how do you react when they get overused? What narrative toys would you rather never came off the shelf again? Enlighten me!

beckyh2112

October 20 2011, 15:41:06 UTC 5 years ago

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A random sampling of things off the top of my head:

- cosmic horror and the strange, wild weirdness out there and on earth. Not quite the same thing as aliens in my head. It's a different sort of atmosphere.

- Healing magic used for things besides healing. Janice Hardy's "The Healing Wars" just delights me utterly for all the different ways the locals have found to use healing as a weapon of war.

- Psionics! I love psionics so very, very much. You may blame Julian May the most for that.

- Religion and spirituality. Real-world and created for the world. Treated with respect, thanks much.

- Cultural details: clothing, food, manners, the way people do things.

brightlotusmoon

October 20 2011, 20:00:16 UTC 5 years ago

Those are all mine, too. Julian May did brilliant psionics! Also, X-Men. I do miss Jean Grey, but not with Scott.

Now I need to look up Janice Hardy's "The Healing Wars."

October 20 2011, 21:47:39 UTC 5 years ago

I still use Julian May's terms for the different "schools" of psionics. And, ooh yes, X-Men. Jean Grey and Emma Frost, and RACHEL. <3 I adored Rachel.

It's a middle-grade trilogy, and I am pretty sure it's finished now that "Darkfall" is out. I've enjoyed it a lot, though I keep tripping myself up and trying to find the books in the YA section rather than the children's section.

October 20 2011, 22:04:09 UTC 5 years ago

I love Rachel, too! She's always been one of my favorite characters. I found her "origin story" comic on Ebay last year! (The "What If Phoenix Had Not Died" comic.

I was and am still very amused and entertained that Scott Summers got with Emma after Jean died (permanently?) again. That man loves telepaths.

The science fantasy book I'm writing has all sorts of awesome psionics in it, and I must say some of it was definitely influenced by the adventures of Rogi and Jack The Bodiless and Dorothea and so on. Also, almost every book I read features psychic characters.

You know, that trilogy sounds familiar now...

October 21 2011, 14:35:38 UTC 5 years ago

Oooh, nice! Did you buy it? (I am assuming so, but I'm also a Transformers collector and I know there's plenty of toys I've found on Ebay that I was not able to snag.)

Or telepaths love him! :D

Ooh, I was always more of a Pliocene Exile girl. I'm not sure if I've actually read her forward-time story. Yet, one of my science fantasy stories is also all about the awesome psionics. One of the mains is a coercer. *loves playing around with coercers*

October 21 2011, 22:08:07 UTC 5 years ago

I did buy it! Cheap, too. I was sooo happy.

I like playing around with telekinetics who can manipulate the body on deep levels, like intense healing -- or damage. One of my characters is a biokinetic working toward a medical degree. I need to make her credible, so I've put all these limits on her powers, because I have to.

My antagonist is the most powerful coercer in my book's setting. He broke out of a psychiatric institution by making every single person in the building ignore him completely and forget he was even there. Coercing is scary stuff.

October 21 2011, 23:37:15 UTC 5 years ago

Coercion is. There's a character I'm not using for this book, who has spent his entire life as an active projective and receptive empath. He doesn't like it when people feel bad around him, because that makes him feel bad. So he fixes people so they don't feel bad around him. No one's ever been able to tell him no, either.