Seanan McGuire (seanan_mcguire) wrote,
Seanan McGuire
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I know a little girl and her name is Mary Mac: The Misuse of Mary Sue.

Let's talk about Mary Sue.

We've all met her. She's the violet-eyed, crimson-haired, secret daughter of Amadala and Obi Wan, sent to be raised on the hidden planet where the last Jedi ran to escape the war, and she has just emerged back into the universe with her spinning light saber batons to save her half-brother Luke from falling to the Dark Side. She's the missing Winchester sister with the two magic guns, one for shooting angels, one for shooting demons, who just fought her way out of Purgatory to rejoin her family. She's smarter than you, she's prettier than you, she's more competent than you, her milkshake brings all the boys to the yard, and the odds are good that she doesn't even notice, because she's just existing in her happy little cloud cuckoo land of sunshine and zombie puppies. Mary Sue, like mistletoe, is a parasitic growth, only she grows on stories, and not on trees.

Mary Sue is misunderstood. She's a cuckoo egg left in a starling's nest, hatching into something big and bright and demanding that doesn't belong where it is. In her own story, she would be something else altogether: she would be a protagonist, she would be the biggest, brightest thing in the room because that's what a protagonist is. But because she's trying to be a starling instead of a cuckoo, she's out of place. She doesn't work. That doesn't make her welcome where she is...but it does mean that maybe all Mary really needs to do is fly away home.

Meeting Mary Sue.

In fanfiction, Mary Sue was used specifically for an original character, often closely resembling an idealized version of the writer, who was inserted into a world and caused the world turn upside down and reconfigure itself around her center...The problem with using this term outside of fanfiction is simple: the world of a novel has always configured around main characters. They are at its center and, often, they are the best at stuff.

—Holly Black, Ladies Ladies Ladies.

Mary Sue, like mistletoe, like cuckoos, has a natural habitat, and that habitat is fan fiction. She is the character who steps in and warps the story beyond all recognition.

Can she exist in original fiction? Yes, but it's harder. Usually, she'll be the minor character who somehow winds up rising from spear-carrier to scene-stealer to magical-perfect-solution-to-everything. Can a central character be unlikeably perfect, never challenged by anything, and all too ready to solve every situation with a wave of her perfect hand and a flick of her perfect hair? Yes, but that isn't the same thing as being a Mary Sue.

Not all Mary Sues are author self-insert, although the majority will have some aspects of self-insertion. Really, what makes Mary Sue Mary Sue is this:

Mary Sue breaks the story.

Mary Sue arrives on the scene and everyone loves her, instantly and without question. Mary Sue is adorably insecure, but only so she can be even more perfect. Mary Sue has a unicorn in a science fiction universe, and a robot butler in a fantasy universe. Mary Sue either gets the hero, or heroically arranges for him to be with the heroine, because she's too good and nice and wonderful to stand in the way of destiny. Mary Sue changes the game...and she is able to do so because the game isn't hers. If Mary Sue owns the game, then her name changes, and she gets to be something other than a concept.

She gets to be a person.

Eves and Apples.

When I read reviews, I see the term Mary-Sue used to mean:

1) A female character who is too perfect
2) A female character who kicks too much butt
3) A female character who gets her way too easily
4) A female character who is too powerful
5) A female character who has too many flaws
6) A female character who has the wrong flaws
7) A female character who has no flaws
8) A female character who is annoying or obnoxious
9) A female character who is one dimensional or badly written
10) A female character who is too passive or boring


—Zoë Marriott, You Can Stuff Your Mary Sue Where the Sun Don't Shine.

The definitions of Mary Sue are often contradictory, as are the definitions of her male counterpart, Gary Stu. That being said, I have seen many, many female protagonists accused of Mary Sue-ism, but have very rarely seen the opposite accusation leveled at male protagonists, even when the weight of the definition seems to point much more firmly at the males in the situation. Harry Potter is the son of two incredibly beloved, talented, respected wizards; he's never been exposed to the wizard world before the start of the series, yet is instantly one of the most skilled Seekers the Quiddich Team has ever seen; all his flaws turn out to be advantages; everyone loves him, or is instantly branded a villain for ever and ever and ever. Hermione Granger has worked hard for everything she has. She's the smartest girl in Gryffindor, but that's about it; she isn't naturally incredibly magically talented, or handed all her advantages for nothing. Yet I see her accused of Mary Sue-ism way more often than I see him accused of Gary Stu-ism.

Half the time, "Mary Sue" seems to mean "female character." And that doesn't work for me, for a lot of reasons, including "I write female characters who aren't Mary Sues," and also, "if all women are Mary Sues, why does my hair get frizzy when it rains?" (I would totally be willing to be a Mary Sue if it meant my hair was always perfect and I could go to sleep wearing eyeliner without waking up the next morning looking like a raccoon.) Male characters get to be competent or obnoxious, skilled or clumsy, intelligent or ignorant, without being accused of being Mary Sues. Shouldn't female characters have the same luxury?

An example:

I love Kelley Armstrong's Women of the Otherworld books. In the very first volume, Bitten, we meet Elena, the world's only female werewolf, and Jeremy, the current leader of the North American Pack. Both Elena and Jeremy are physically stronger than humans, with super-fast healing, severely slowed aging, and supernaturally good looks. Both of them turn into giant wolves who can eat your face. Elena, despite being the only female werewolf, is a pretty standard werewolf. Jeremy is the only non-bruiser Pack leader ever; is psychic; is rich and artistically talented and smart and his mother wasn't a werewolf at all, but a super-secret special non-werewolf supernatural and also the hottest necromancer ever loves him and and and...

Now, I think both these characters are well-written, well-rounded, and equally plausible within the setting, even if Jeremy is a bit more over-the-top than Elena is. But I've only heard the term "Mary Sue" applied to one of them. And it wasn't Jeremy. His spectacular special snowflake awesomeness is viewed as only right and fair, while her only unusual attribute—"female werewolf"—makes her, not the protagonist, but the obnoxious self-insert parasite who won't go away.

There's a problem here.

Playing Like A Girl.

Nobody has to like a girl, fictional or otherwise. But words like "annoying" or "Mary Sue" are both used as shorthand for "girl I want to dismiss." We've all read about characters who seemed overly perfect, or who had flaws the narrative wouldn't admit were flaws, and those characters are irritating. But I've seen just as many fictional boys like that as fictional girls (with the caveat that boys tend to get more pagetime, so they get more explored) and those boys don't get seen in the same way. As I was saying on twitter a couple days ago, I want characters to be flawed and awesome: I want them to be flawesome.

—Sarah Rees Brennan, Ladies, Don't Let Anyone Tell You You're Not Awesome.

So here's the thing.

When a female character is awesome, when she's the star, when she's the one the story is about, she runs the risk of being called a Mary Sue. I've had people call several of my characters Mary Sues, sometimes following it up with the all-condemning statement that clearly, these characters represent my ideal self. So you know? Toby is not my ideal self. Neither is George, or Velma, or Rose (or Sally, who you'll meet soon). Even the romantic comedy I wrote based entirely around a real trip I took to real England doesn't have a self-insert version of me as the main character; instead, it has a neurotic tech writer named Margary who likes far more adventurous food (and far more adventurous shoes). If any of my characters represents my "ideal self," it's probably Angela Baker in InCryptid, who is one of the only characters who never stars in her own book. Instead, she stays home, watches a lot of television, and does math. Heaven.

Mary Sue is a problem in a piece of fanfic. But if she's in her own story, if she's on her own stage, she can still be implausible, overly perfect, annoying, and unlikeable. What she isn't is an actual Mary Sue; what she isn't doing is warping the story to suit herself. She is the story, and that changes everything.

If you think a character in a work of original fiction is overly-perfect, say so. If you think they're overly-lucky, or overly-loved, or overly-cutesy, say so. But don't call that character a Mary Sue, or a Gary Stu, unless he or she is coming into someone else's story and warping it all out of shape (and even then, look at the context; Elphaba would be a Mary Sue in a piece of Wizard of Oz fiction, but wow is she a protagonist given her own stage in Wicked). Saying "This character is just a Mary Sue" is a way of dismissing them that isn't fair to reader, writer, or character. We can do better. We can write better. We just need to know how.

And give Mary Sue a break. I think the girl's earned it.
Tags: contemplation, literary critique, writing
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Wow.....I read a Tor book a few of years back that was so deplorably Gary Stu that it put me off reading any fiction for nearly 18 months.

I won't mention the title here lest someone else go out and find it.

Well written, good, deep piece on the topic, cross posting it to where my other writer friends lurk.
Wow.

Thank you for not feeding the curiosity gnomes.
I would have loved to see a panel about this at Geek Girl Con this past weekend.

Or at any con (which there may have been -- I haven't been to an SF con in years).

Thanks for a reasoned, articulate summation of Mary Sue-ism and how it's used to undermine female characters.
Thank you!
Thank you for this.

It's -easy- to dismiss a character by calling them a "Mary Sue." But that doesn't mean you've actually identified the problem, or that there's a problem at all.

Doesn't stop me from complaining about Merlin in the second Amber series. But I don't have to call him a "Gary Stu" to explain what's wrong there, nor is that sufficient.
Exactly.
This is a fantastic article and I am going to spread it around Twitter and my LJ for all the writers and fiction aficionados on my flist to read. It's truly the best analysis of what is and isn't a Mary Sue that I've ever read. *salutes*

I once wrote a NaNoWriMo novel, fitting vaguely into the "spy novel" genre, wherein the male lead landed himself in deep doodoo (captured by some very unpleasant dudes) and the female lead - who happened to be his wife - was the one who got him out of it. Any time I think about editing and publishing it, I start imagining the reactions to Yuki's prominence if it actually were to be read by a lot of people. I can guarantee she'd be called a Mary Sue forever.

It's especially infuriating since you're right, it IS largely female characters who get slapped with that label. If the situation in my novel were reversed, I doubt anyone would even consider calling the male lead a Gary Stu, despite the fact that their skill set and significance to the overall story, which spans two books according to my plan, is actually quite equal. Blargh.
Aw, thank you.

And yeah. Men get to be awesome and unique and ass-kicking and cool, and that's fine. Women do it, and they're Sues. And it's not fair.

serge_lj

October 12 2011, 17:46:57 UTC 5 years ago Edited:  October 12 2011, 17:48:32 UTC

I would totally be willing to be a Mary Sue if it meant my hair was always perfect

I would totally be willing to be a Mary Sue if it meant my having way more hair than I currently do. That being said, this is an excellent post, and it does point out the sexism in the Mary Sue accusations. Nobody accuses James Bond of being a Gary Stu even though he was Ian Fleming's projection of himself.
Not to mention Simon Templar, the Saint, who was author Leslie Charteris' alter-ego, if I recall correctly...

serge_lj

5 years ago

seanan_mcguire

5 years ago

serge_lj

5 years ago

seanan_mcguire

5 years ago

serge_lj

5 years ago

Thank you for writing this. I once had a horrible argument with somebody who insisted that Mary Sue could exist outside of fanfiction, and I couldn't explain it as well as you have.
Very welcome!
I dislike the term "Mary Sue" even in fanfiction unless it's referring to a character who is introduced into the kind of fanfiction that is meant to be an extension of canon and is aimed at an audience of people who read fic because they want more of the same, more than an author/showrunner could ever realistically produce.

When a fic writer is trying to tell a story that was written with the specific intent to subvert some aspect of canon that the writer is uncomfortable with or wants to critique, then the story of canon is supposed to break a little in very specific ways, but when you do it with a female protagonist, suddenly you hear a lot about Mary Sue.

Mary Sues break stories because the writer doesn't know what s/he's trying to do; when the author of a story is actually TRYING to change how the universe works and one change is introducing another character who changes the way people relate to each other, that's not Mary Sueing, that's subversion. For instance, if everyone loves the character or hates her and does nothing but talk about her, that's a Sue; if on the other hand the character serves to humanise a character with whom they have a relationship (i.e. to show us the character being human when in canon we only see them with their enemies) or to make people talk to her in a universe full of idiot plots created by people being stupidly non-communicative, that's subversion.

Similar problems befall fic writers who are just trying to tell stories in parts of the universe the creators haven't populated, like the past, or the future, or another country/continent/town/part of the world--or even just another set of characters. I had the biggest problem with trolls from a self-proclaimed Sue sporking community because I wrote stories about the villains in a popular book series and among the main characters were women who happened to be related to several of them, because these people presumably weren't hatched in cabbage patches and had relatives (indeed, the author confirmed later that they had had relatives, even female ones, though she chose different names).

Now, I know these characters were not Sues, and so did a lot of other folks (hint: if the story is about a character, of course she's going to dominate it; but the story wasn't about that character dominating the main character's ecosystem--he wasn't even born yet) but it was still annoying, especially since the one time I TRIED to write a Sue as an adult, on a dare, I failed--I produced a self-insert, but she was horrifically flawed and also so successfully self-inserted that I took the story down after a few months because I didn't want anyone I didn't trust to read it! (Oh I wrote Sues at 13. But not as an adult.)
Excellent points.

tiferet

5 years ago

I need a like button...
Clicky.
I was pointed to this post after I wrote one of my own about Mary Sues, and what was said to me when I was linked was that it was frustrating we still have to have this conversation. But if we do have to keep having the conversation (APPARENTLY WE DO...?) then at least we're having it really awesomely, thank you for writing this post.
Very welcome.

And hell, maybe if we have this conversation enough, it will finally die.
One of the interesting things about Mary Sue is that we all say "we know her, no need to explain her!" but at the same time everyone seems to have a different definition! My personal one has been along the lines of authorial avatar, but a bit more technically - that the character's viewpoint is equivalent to the author's. I'm... not entirely sure how I can describe what I mean, but when I mentally line up the various OCs I've come up with over the years I can feel that some of the early ones lack a certain independence from me-the-author, that they're not quite characters in their own right because they also sort of serve as my lens into the world. And those are my Sues.

However, I do also very much like and agree with your point that using Mary Sues for protagonists is pretty... inappropriate and what's probably contributed to the word just being used to mean "female character I don't like". That it goes from "this character is so awesome they're warping the canonical world around them, and this is bad writing" to "this character is awesome, this is bad writing".

And just - seriously, I love your post. :)
Thing is, "authorial self-insert" doesn't actually mean "Mary Sue," unless the authorial character is also perfect, and beloved, and amazing, and and and and. John Stakely basically wrote himself having adventures with his friends, and those books are fabulous, no Sues of any type present.

kazaera

5 years ago

seanan_mcguire

5 years ago

Great post.

The term is over used as a shorthand for 'female character I don't like' that I completely ignore any opinion that includes it. Actually, from my experience, I will love that character and think she is awesome. In a way I started to expect my favourite characters to be called that.

It doesn't mean there is no bad and annoying characters in fiction (including female ones) but I need some actual reasons for the dislike instead of a term that, by now, lost all meaning.
Exactly.
Wow, I'm really slow - I've only just come across this. Bravo! I wish I'd been able to be this coherant (but the rage! The RAGE! It burned us, my precious!).

I love the way you've teased out the real issue here, which is that many, many female protagonists are being treated like cuckoos in the nest by reviewers - treated as if they don't belong, don't deserve their own stories, as if they must necessarily be idealised author inserts because no female character would get her own story otherwise. It's really sad, and what's most sad is that it's often courageous, honest, self-proclaimed Feminist reviewers who fall prey to this.

It's as if they've trained themselves to be cynical about female characters so well that they can't actually comprehend complex, fully realised, awesome characters if they happen to be female. The programming rebels, it does not compute. We live in a sexist world - therefore there can be no such thing as an awesome female character. Therefore this female character cannot be awesome. She must be a Mary-Sue! The author is a traitor to Feminism! And the irony of the fact that they're spending all their time ripping down female characters and (mainly) female authors is lost on them.
Agreed, on all counts.
I love Kelley Armstrong's Women of the Otherworld books. In the very first volume, Bitten, we meet Elena, the world's only female werewolf, and Jeremy, the current leader of the North American Pack. Both Elena and Jeremy are physically stronger than humans, with super-fast healing, severely slowed aging, and supernaturally good looks. Both of them turn into giant wolves who can eat your face. Elena, despite being the only female werewolf, is a pretty standard werewolf. Jeremy is the only non-bruiser Pack leader ever; is psychic; is rich and artistically talented and smart and his mother wasn't a werewolf at all, but a super-secret special non-werewolf supernatural and also the hottest necromancer ever loves him and and and...

Don't forget how Clay is the hardest werewolf of all the werewolves, the adopted son of the Alpha, a world reknowned anthropologist - despite not understanding people all that well, so he can be clueless to the effect his breathtakingly good looks have on a plethora of female students - has the world's only female werewolf devoted to him, and has proved to be a near-perfect father.

I agree that Armstrong writes all three characters really well, it's just that Clay adds another layer of bafflement at how Elena gets to be the Mary Sue.

Half the time, "Mary Sue" seems to mean "female character."

This, and the bar for a female character being called one seems to be creeping ever-lower.
Sad but true. And yeah; Armstrong lets her male characters, on the whole, be much more over-the-top, and it's STILL her female characters who get the Suecusations.
This post about Mary Sues was linked on The Mary Sue.

I think that means you win the Internet.
Woo winning the internet woo!
Just wanted to say that even over a year later, I'm still coming back to this article and re-reading it. :)
Aw, yay!
to be honest, mary sue doen't have no meaning and i do understand your post. If people are going to waste there time making realitic characters that are not feminie, they should get a real life or something.
the term itself is cliche because, its mostly pointing out to all female characters to be kick out of fan fics,flims etc. To me i will just ignore this whole diliema and move to make my own fun characters... and btw im new here ^.^
Welcome.

"Mary Sue" does have a specific meaning, and is often misused and misapplied. I'm hoping we can stop that. We owe each other better.
User meret referenced to your post from Characters, criteria, and causation: where the problem lies. saying: [...] Sue," and why I think she is both unfairly maligned and non-existent. You can find that post here [...]
I've always thought that Mary Sue was a meaningless word given its multiple and contradictory definitions. And therefore thought that it was mostly used as an insult---which it is.

But your post made some sense of the more common definitions. It explains (1) why it needs to apply to fanfiction only; (2) why original character is part of the definition; and (3) why this character reconfigures reality around itself.

We're not talking about a character at all! We're talking about a fanfiction genre where the protagonist's privilege is taken away from the canon protagonist and given to the fanfiction protagonist. And since many (popular) canon protagonists are male and Mary Sue is obviously a female name, that suggests to me that these Mary Sue fanfictions are addressing a problem: the lack of awesome female protagonists in popular media. Changing a protagonist's gender from male to female is probably for the same reason.

How else are you going to have a female protagonist in the Supernatural verse that sticks around for every season, for example?

The Mary Sue character *can* *be* a self-insert (but it doesn't have to be); it's *probably* about wish-fulfilment (but not necessarily)---but it's always about assigning the protagonist's privilege to someone other than the canon protagonist.
What a great way of summing it up. Thank you!
Beautifully expressed.

I'd love to hear your explain Elphaba being a Mary Sue if she were taken out of Wicked and into a fan-fiction.
Um, that's the whole thought.

Take a character with huge inexplicable magic, a unique complexion, who gets the boy and leads the revolution and is in all ways amazing, and put her in a story that's ostensibly someone else's, and she's a cuckoo. Make the story about her, and she's the protagonist.

glorska

2 years ago

Mary Sue or Main Character

jaredmith

May 10 2015, 19:34:34 UTC 2 years ago Edited:  December 25 2015, 02:37:02 UTC

Howcome we can't just acknowledge that in a Fan Fic with one the Mary Sue is the main character?

Just because a character is the main character in other stories doesn't mean they have to be in every story with them, Batman plays the supporting role in many Robin and Batgirl comics.

Let's consider for example Star Wars Episode VII: The Force Awakens. The surviving main characters of the first SW movie will be prominently featured in it. But the main characters are new ones. Daisy Ridley's character is probably gonna be the daughter of Han and Leia and on a Journey to become an even greater hero then Luke or Anakin since story escalation demands she'll face greater obstacles.

But you're right, if that were a male she probably wouldn't be labeled a Mary Sue, but because she's a female she probably will be. Even though this is what the lead in a new SW trilogy would have always been destined to be.

Update: TFA is out and boy is this issue a bigger problem then I even expected.
We can't acknowledge it because people use the label to try to put female characters in their place. As we're seeing now with TFA.
The weirdest thing for me about the beginning of this post. Is I"m having trouble visualizing what a Light Saber Baton would look like.
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