(*All reviews are matters of opinion. One man's trash is another man's treasure is a third man's raw materials for their planet-buster earthquake machine. Please do not yell at reviewers, unless the reviewers are saying things like "and this book is so bad that it proves the author likes to microwave kittens." If I am accused of being a kitten microwaving fiend, feel free to step in.)
I did not meet this reviewer's expectations, and my ending did not meet his standards for "this is how a book should end." That is fair, and I am sorry, although I stand by the shape of the story. I do find it interesting that there's often this assumption that a) things are artificially inflated into trilogies, and b) my publisher forced me to end Deadline the way that I did. So I wanted to state two things, for people who may have been wondering:
This was always a trilogy. It's a trilogy not because people expected it to be, but because that was the shape the story took. I started writing Feed (then Newsflesh) as a stand-alone book, and watched as it turned into something longer, a story with a beginning, middle, and end. Acts one, two, and three. We went to Orbit with three books, one finished, one half-finished, and one heavily outlined. The next project I'm planning to undertake as Mira Grant is a duology, rather than the admittedly more marketable trilogy. Why? Because that's the shape of the story.
The ending of Deadline (then The Mourning Edition) was always exactly as written. Why the stress? Because when you read the book, I want you to understand that the book's last line was in the original pitch package. Orbit had absolutely nothing to do with that ending. If anything, they might have encouraged me to provide something a little more concrete, and a little less "now is the time that the house lights come up and we all go to intermission."
The Newsflesh trilogy is a Schwartz musical, not a Sondheim; it's a 1980s horror film, not a 1950s monster mash. That's just how the story is shaped. I'm really sorry if I let any of you down, or if you don't like this shape. But it was my choice, not my publisher's, and it was dictated to me by the way the story needed to go. I will always go the way the story needs to go, even if that way isn't the one that's guaranteed to make the most people happy.
Treasure, trash, or death ray. It's all in the eye of the beholder.
← Ctrl ← Alt
Ctrl → Alt →
September 27 2011, 23:24:08 UTC 5 years ago
September 28 2011, 14:30:49 UTC 5 years ago
September 27 2011, 23:33:30 UTC 5 years ago
I did hear a particularly nasty review of Feed on a podcast (so not linking, but it seemed like whatever I liked, they didn't and vice versa about all the books they were reviewing) where they were griping about Buffy being a magical hacker with a too-easy password. Now, yeah, I can see why that would bother True Programmer Geeks. But on the other hand, uh, magical hackers are in everything, and sometimes are a plot requirement, and since most of what they do aren't comprehended by us mortals, it seems magic anyway. (And as for the password, I don't think one of the normal ones these days like fUcKth1$$hit71 (or whatever) just rolls off the tongue in a narrative, so sometimes you just have to go with it for the sake of story practicality.
Anyway, glad you're good at letting this stuff roll off your back.
September 27 2011, 23:52:55 UTC 5 years ago
I'd argue it was an intentionally easy password so that she could pass it off verbally or have it guessed after her death. Everything available on in that directory was placed there by Buffy specifically to hand to the George & Shaun. Especially the video.
But then I used to do tech support. ;)
5 years ago
5 years ago
September 27 2011, 23:36:49 UTC 5 years ago
September 27 2011, 23:49:01 UTC 5 years ago
5 years ago
5 years ago
5 years ago
5 years ago
September 28 2011, 00:44:34 UTC 5 years ago
I have to wait until May 2012 to find out how it all ends?!
But that's it. :)
It really is one of my favorite books by you. I've given up trying to figure whether I liked DEADLINE or ONE SALT SEA more just let them have matching thrones on the book case.
September 28 2011, 14:32:51 UTC 5 years ago
September 28 2011, 02:24:12 UTC 5 years ago
This is a compliment. I tend to find myself shrieking that at the ends of Jim Butcher's books, too, not to mention the occasional episode of NCIS. Well, not with your name as the apostrophe, but you get the idea.
(Then I read the "Extras" portion. Then I started counting weeks until March.) (Also, just for reference, I knew going in that _Deadline_ was book two of three, so I was not surprised to be left dangling over a cliff, just by which particular cliff it was.)
September 28 2011, 14:33:02 UTC 5 years ago
5 years ago
September 28 2011, 03:15:04 UTC 5 years ago
September 28 2011, 14:33:14 UTC 5 years ago
September 28 2011, 03:26:30 UTC 5 years ago
On a side note, after finishing Deadline, I think its original title fit the book better.
September 28 2011, 14:33:34 UTC 5 years ago
September 28 2011, 04:22:27 UTC 5 years ago
September 28 2011, 14:33:48 UTC 5 years ago
Thank you.
September 28 2011, 06:12:46 UTC 5 years ago
Yes, the ending made me want to withhold Monster dolls or something, till we got more. But that, to us, was the POINT of the ending. My sister and I read them when they first came out, and we still do things like tonight, while she is visiting from out of town, instead of saying goodnight...we each laughed like mad scientists and said "When will YOU rise...?" For zombie fanatics, you have written something that has become part of our cultural iconography.
September 28 2011, 14:34:07 UTC 5 years ago
September 28 2011, 12:43:58 UTC 5 years ago
And negative reviews of Feed or Deadline are just so very wrong. The ending of Deadline (love the previous title, btw) shocked the crap out of me and made me happy - and made me happy because it shocked me. Keep up the good words, Seanan.
September 28 2011, 14:34:21 UTC 5 years ago
I will try.
September 28 2011, 18:39:01 UTC 5 years ago
November 8 2011, 16:07:39 UTC 5 years ago
September 28 2011, 20:57:28 UTC 5 years ago
That being said, there are parts of that book that are truly masterful. Your world building is just incredible, realistic and fascinating, purely on its own, and that's not taking into account the very engaging cast of characters. And that is not praise I give lightly. I'm greatly looking forward to the last book of the series.
November 8 2011, 04:01:26 UTC 5 years ago
I'm glad you're looking forward to Blackout!
September 28 2011, 21:23:57 UTC 5 years ago
Also, I got accidentally spoilered on the ending of it -- someone tweeted that their friend just finished reading it, and screamed at the ending, and my mind immediately went 'A reaction like that can only mean [SPOILER]'. And, sure enough, if not quite in the way I'd expected -- but I thoroughly enjoyed (and screamed at) the ending despite it being 'spoiled' for me.
September 30 2011, 01:06:26 UTC 5 years ago
I'm not entirely sure that the scientists expected it to work that way.
5 years ago
Deleted comment
November 18 2011, 15:44:23 UTC 5 years ago
Thank you for coming by, and I'm sorry it took me so long to answer. I've been backed up here. Again.
April 14 2012, 05:46:48 UTC 5 years ago
I know my comment is super super late, but I hope that you find it and can respond, because I really need some clarification.
I want to start off by saying that I love your novels. I've never read a zombie book quite like it. It's original and very thought provoking about how our society would adapt to zombies. I liked Georgia a lot too, to the point of where I was so mad at the ending that I had to rush the book back to the library so it wouldn't haunt me, and I refused to read Deadline until the librarian spoiled the end for me.
But something that has always made me very uncomfortable is the relationship between Shaun and Georgia. I am trying to approach this as respectfully as I can, so I hope I do not offend you, as my intention is to get clarification.
I have Googled this until I'm blue in the face, but everyone has come to the same conclusion that I have about the pair after reading Deadline, particularly the scene with Shaun and Becks: Shaun and Georgia are sleeping together.
They've always been extremely close, to the point of suspicion, but I wrote that off as surviving together and depending on each other, etc. But.. the way Shaun acted, and how he said Georgia's name in that particular scene, was like a slap in the face.
Are they really sleeping together? Is their relationship romantic? This has been haunting me since reading the book. If they are, which I assume is the case, why? I know they aren't biologically related, but...
I hope that my comment does not offend you. I really just want to understand. Like I said, I love your book, but that part made me so uncomfortable I almost had to stop reading for a bit. I hope you can shed some light on this situation for me.
Sorry for the book! I was just trying to be very articulate and careful with my words. Thank you for reading this.
April 14 2012, 12:13:37 UTC 5 years ago
5 years ago
5 years ago
← Ctrl ← Alt
Ctrl → Alt →