Because Deadline doesn't have a proper ending, and they don't want to encourage this behavior from publishers.
Okay. Look: if your definition of "proper ending" is "the story is over, and I can walk away satisfied and never need to read another volume," then no, Deadline doesn't have a proper ending. I have often said that the only time it's appropriate to end on a cliffhanger is in the second book of a trilogy, and Deadline ends on a pretty major cliffhanger. I can't apologize for that. It's the nature of the trilogy structure that part two will often end on a cliffhanger, and is allowed to do so. I don't end series books on cliffhangers; the Toby books, and the InCryptid books, all have solid, closed endings. I try to make sure there's always more story, but you can still walk away if you need to. This book is not those books.
Let me be clear: Deadline has an ending. There is a point where it ceases to be Deadline, and becomes Blackout, and that point is where the book ends. The Newsflesh trilogy is three books long, and those books are intrinsically linked, but each of them begins, and ends, at a certain place. The thrust and mood and structure of each volume is different, and when you pick up Blackout, you'll be reading a very different book, even if Deadline ended with some pretty major questions unanswered. I didn't pick that end point arbitrarily. I picked it because that was where the story of Deadline ended, and the story of Blackout began.
I completely understand and appreciate frustration over unanswered questions, unfinished measures, and endings that don't appear to end. And I also understand why some people have chosen to buy Deadline and put it on the shelf to wait for Blackout. I wrote back to the person who emailed me and said that I was sorry, I hadn't done it to increase sales or because my publisher made me; I ended the story where I did because that was where the story ended. And I stand by that.
Deadline may not have a "proper" ending.
But it has the right one.
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June 13 2011, 21:56:12 UTC 6 years ago
While it seems to me like you shouldn't have had to, it was nice of you to clarify that the cliffhanger nature of the ending had nothing to do with the publisher. It was also nice to see you once again express your commitment to tying up loose ends and having your storylines make sense.
Seemingly unrelated, but not: I hope that, someday, you write at least one episode of Doctor Who.
June 13 2011, 22:15:57 UTC 6 years ago
OHMYGODYESYESYESYES!!!!!!! =:o> =:o> =:o>
Also: I approve of this suggestion. =:o}
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June 13 2011, 21:56:12 UTC 6 years ago
June 14 2011, 02:11:25 UTC 6 years ago
June 13 2011, 22:21:11 UTC 6 years ago
Also, I believe that people should not advise popular authors on how to write 'better' until they are themselves published, madly popular, offering seminars on "How To Write The Way I Do", and get asked!
June 14 2011, 02:11:38 UTC 6 years ago
Word.
June 13 2011, 22:33:28 UTC 6 years ago
...and while they've informed you of their intent, unless they plan to message the publishing industry at large, their boycott is still going to go unnoticed and unheeded (granted, if noticed, it'd still be unheeded, but still...)
Conclusion: Their logic does not resemble earth logic.
June 14 2011, 02:11:54 UTC 6 years ago
June 13 2011, 22:48:42 UTC 6 years ago
Some people seen to think that every thing must follow their script and if it doesn't. Well it is bad, evil, poorly done etc. It is sad that they are that narrow minded.
June 14 2011, 02:12:31 UTC 6 years ago
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June 13 2011, 23:24:00 UTC 6 years ago
June 14 2011, 02:12:57 UTC 6 years ago
I am sorry.
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June 14 2011, 00:40:09 UTC 6 years ago
I hadn't read the LOTR books before I saw the first movie, and while I knew going into the theater that it was the first of a trilogy, I was still surprised that the movie ended before Frodo had finished his quest.
Even some one-off books leave the reader with more questions than answers. Yes, most endings tie up all the loose strings but not all.
Sometimes it's better that way.
Like the movie Lost in Translation. It wouldn't be the same movie if we knew what Bob whispered in Charlotte's ear at the end.
If Blackout doesn't have "proper ending," I'll be disappointed but I'll understand that that's what your muse (or the Masons) told you to do.
BTW, I may have gotten my youngest brother interested in Feed. I'll lend him my paper copy this weekend. It's certainly a big step up from the last book he read, Dan Brown's latest. :-)
June 14 2011, 02:13:25 UTC 6 years ago
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June 14 2011, 00:50:54 UTC 6 years ago
My point is that it becomes my problem to solve - not the authors.
June 14 2011, 02:13:53 UTC 6 years ago
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June 14 2011, 02:00:26 UTC 6 years ago
I got sick and tired of middle books of trilogies or series where nothing happens except that we're carried onto the next book. No character development, no new insight into the world, just, stuff happens that doesn't change anything in the long run, and, oh, look at the time, ending.
That is so not the case with Deadline. I can think of precisely two other trilogies that are exceptions to that observation.
I have no idea what was wrong with that email sender, but he or she clearly has a very different idea of what constitutes a good ending to a middle book in a trilogy. The ending blew my mind, in a really good way. Everyone else I know who's finished it has had to talk about it. I had to talk about it, on the spoiler thread.
So . . . I just don't know.
June 14 2011, 02:14:10 UTC 6 years ago
June 14 2011, 02:09:59 UTC 6 years ago
I'm sure some people are going to hate hate hate the way my (as yet unpublished) fantasy novel ends. But, there was a question posed at the beginning of the book, and about 90,000 words later it gets answered. It's just that there are other things happening by then :)
June 14 2011, 02:14:23 UTC 6 years ago
June 14 2011, 02:30:14 UTC 6 years ago
Of course, strangling the author kind of makes it hard to find out what happens next, which would make it rather counterproductive. (That, and you are far too sweet and wonderful and awesome to ever deserve such a fate.)
Ultimately, a reaction like that is actually a compliment, I think - which is to say, you did such a good job drawing me in, and getting me invested in the world and in the story that it was painful to think I'd have to wait so long to find out what happens next.
(Also, thanks for putting a little taste of Deadline at the end in the extras. Reading it took away a bit of the sting since it at least hinted at answers to some of the unresolved issues. In a way, that exerpt actually gave a bit more closure than the ending itself, and I appreciated that, even if it was only a bit. I feel like it gave me a chance to catch my breath.)
June 14 2011, 02:53:17 UTC 6 years ago
June 14 2011, 02:44:49 UTC 6 years ago
And the reader/author relationship just doesn't work that way. You should write the books that are the correct books for you to write, in the way that is best for you to write them, because you're you and they are YOUR books. Assuming that there's a publisher out there who wants to publish them, what actually ends up in them is up to you, with the assistance of editor(s) and publisher(s) and other book making folk.
My job, as a reader, is to pay you money for the books I like to reward that effort. If I don't like the books, I can happily not read them, not recommend them to friends, and/or not read any more.
However, telling the author that they're doing it wrong and that publishers are doing it wrong because they choose to tell a story their way is, to put it mildly, kind of obnoxious behavior.
If you don't like the books, don't read them. But the idea that someone else thinks they should get the right to tell an author what to do bugs me.
Sorry for the minor rant. :) I do happen to like your books (although I admit, I seriously considered dropping Newsflesh after Feed -- the Big Spoiler in that really got to me, and I wasn't sure about Shaun as a narrator, but I really, really, really liked Deadline, so I'm glad to stick with it). But even if I didn't, it's not my place to tell you how to write them.
June 14 2011, 02:53:42 UTC 6 years ago
I also appreciate your perspective.
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June 14 2011, 03:21:44 UTC 6 years ago Edited: June 14 2011, 03:22:05 UTC
That was one HECK of a cliff-hanger, and I am antsy for Blackout. But it was ALSO a resolution. Indeed, in the process of hanging folks off of the cliff you actually resolved some remaining threads from earlier in Deadline, that I noticed (me noticing: not always a sure thing), and those were bits that were medical-drama and, if the change in tone happens again for Blackout, made more sense to answer here rather than there. Answers for Deadline, setup for Blackout.
Yes, some of it raised more questions than it answered, and many questions remain unanswered, but again...this is a trilogy. I knew that going in, and so should everyone else. It is not a terrible surprise when a middle book in a planned series with a set length ends on a cliff-hanger!
[edited to actually use the icon I tried to pick!]
June 14 2011, 03:24:05 UTC 6 years ago
June 14 2011, 03:44:41 UTC 6 years ago
Also,
Also, <hello!?!> to anyone who can't handle not having every single little eensy-teensy-weensy thing resolved by the last page in a book... because seriously, dude- how the bloody hell do you wake up in the morning, if you need that kind of resolution in life?? (teehee)
June 14 2011, 04:00:05 UTC 6 years ago
June 14 2011, 03:49:24 UTC 6 years ago
I bought them both (plus all the Toby books) for my daughter before our week of traveling. She's hooked!
June 14 2011, 04:00:13 UTC 6 years ago
June 14 2011, 06:37:12 UTC 6 years ago
June 14 2011, 14:19:24 UTC 6 years ago
June 14 2011, 11:22:26 UTC 6 years ago
Because, WOW!!!!! These books are good!!!!!
(Hopefully this qualifies as 'spoiler free' and I don't get in trouble!)
June 14 2011, 14:19:33 UTC 6 years ago
June 14 2011, 12:23:11 UTC 6 years ago
June 14 2011, 14:20:11 UTC 6 years ago
June 14 2011, 13:34:14 UTC 6 years ago
...of course, I'm one of the "wait until the trilogy is finished so I don't chew my fingers off waiting" people (did the same thing with Connie Willis's latest), but I certainly don't complain about a second book cliffhanger. Again, i say unto you, grar.
June 14 2011, 14:20:28 UTC 6 years ago
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June 14 2011, 13:36:11 UTC 6 years ago
In my review I add some details to this line of thinking, and as I say there, I'll most likely buy the third book.
June 14 2011, 14:22:28 UTC 6 years ago
The overarching conspiracy does have a point, I promise. And it actually doesn't hit Lensman territory. More "science fucks you" territory.
June 14 2011, 15:09:57 UTC 6 years ago
What's a "proper" ending? The zombies suddenly all disappear and there's cake and ice cream for all?
June 14 2011, 15:24:25 UTC 6 years ago
I need to go revise Blackout.
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June 14 2011, 15:13:23 UTC 6 years ago
There are people I'll tell to wait until it's complete, because I love them and don't want to drive them crazy. Personally, Deadline is the first book I've read beginning to end, then turned around within two days and started over.
And it's the only one where the "The woman is evil and I adore her." conversation started at the beginning of chapter 6 and is ongoing. .
June 14 2011, 15:25:03 UTC 6 years ago
June 14 2011, 15:56:26 UTC 6 years ago
I love your assertion that "There is a point where it ceases to be Deadline, and becomes Blackout, and that point is where the book ends." You're exactly right. Some of Jim Butcher's fans have been giving him grief about Changes' cliffhanger ending, and I'm sure they'll be just as bad about the ending of Ghost Story, but... those books had endings. They ended where those stories becomes the next. And if it's not "proper," it's most definitely "freaking awesome," and I'd take awesomeness over propriety any day. :D *cuddles Deadline*
June 14 2011, 19:14:34 UTC 6 years ago
June 14 2011, 16:48:42 UTC 6 years ago
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