Last weekend at Spocon, in the dealer's hall, I was lucky enough to find a man with an entire box of Leisure Horror that I hadn't read yet. Yes, that's right: a box. I went through it to pick out duplicates, squealing as I did about how unrelentingly, gloriously terrible some of the books looked. Brooke, who was with me, initially thought I was rating them. Then she realized I was buying them, and made the best "Oh God why have you allowed this to happen?" face I've ever seen her make. I got twenty-one brand new horror novels for twenty bucks, and he threw in the box. Total win.
(My total win only increased later in the weekend, when
I have since devoured three and a half books from the haul. The first one, Snow, was an incredible reminder of why I'm not actually a very good straight horror author. See, these things come out of the snow, and they kill people. They stick their creepy snow-creature arms into peoples' backs, and drive them around like disturbing meat-suit zombies. And then they eat you. Unless you can kill them first, in which case, hey, points to you. That's it. That's all. No science, no justification, no "oh my stars and garters, the Wendigo myth was based on reality"—there are snow monsters, and they want to make you die. I loved this book. If I'd written it, it would have been twice as long, involved a lot more why-porn, and probably lost a few entrails in favor of a) the scene at the top-secret government lab where we learn about the aliens, or b) the scene at the top-secret monster-hunters' library where we learn about the folklore behind the snow-creatures. It always makes me happy when I get a reminder of why I'm not the kind of horror author I sometimes secretly wish I were.
The second book, Dwellers, was the first thing I've ever picked up from Leisure Horror that could actually be adapted into a Disney movie. It would be a sad Disney movie, sure, and it would lose a lot of, again, entrails, but it would work. Dwellers is like Harry and the Hendersons crossed with The Thing. It's sad and poignant and tragic and funny and altogether wonderful, and I really didn't expect it. Again, there's very little "why" in the book. Horror doesn't need "why." Horror needs entrails, and horror gets them, but oh, wow, is this a fabulous book.
The two I've read since then haven't been even remotely as good, which is why I'm not identifying them by name. Altogether, it's been a fantastic reminder of why I read horror, and why I'm not so good at writing it in any format longer than a short story. Why is there a monster in the closet?
Because.
August 6 2010, 17:14:11 UTC 6 years ago
I wanna see the learner's permit process for teenage Wendigo. Do they have to put big L stickers on the backs of their heads? Stuff like that.
August 9 2010, 18:43:28 UTC 6 years ago