August 29th, 2012
I have once again promised to make five posts answering questions about Toby's world to celebrate the release of an upcoming book. This is the last time I'm going to do this for Toby: the questions are getting too character and book-specific, which trends into spoiler territory. So if you had a burning world question, now would be the time to scroll back to my original entry and ask it.
This is post #4. I will make post #5 tomorrow.
enigmoid asks, "How do the fae remain hidden from the human world from cameras recording devices, and satellites? It only takes one mistake."
Ah, but you see, there are two assumptions here.
1) That fae illusions do not work on recording devices. They do.
2) That anyone would believe what they saw.
Mistakes have been made in the past, and I mean the recent past, not the old, dark, pre-hiding past. Illusions have slipped, things have been seen that shouldn't have been seen...and you know what? People shrugged it off. For every "I WANT TO BELIEVE!", there are ten "I do not want to live in a world where that is possible, and thus it is not possible." Consider the zombie walks, LARPs, comic book conventions, real-world superheroes, and Bigfoot seekers in our real, known world. Consider how few of those are reported as proof of the supernatural.
Now consider what an excellent source of camouflage they are.
Satellites are a different can of worms, and one with potentially more issues, since if the military spots a pod of Merrow, they're likely to respond...badly. But at the same time, that's where the fae predilection for hanging out in the Summerlands comes in handy. Most fae, if they're not indoors or playing human, are in knowes or the Summerlands. Why? Because they feel safer there, where there are no satellites.
So yes, it's a concern, and a good one. But willful blindness and basic caution do a lot to minimize it.
This is post #4. I will make post #5 tomorrow.
Ah, but you see, there are two assumptions here.
1) That fae illusions do not work on recording devices. They do.
2) That anyone would believe what they saw.
Mistakes have been made in the past, and I mean the recent past, not the old, dark, pre-hiding past. Illusions have slipped, things have been seen that shouldn't have been seen...and you know what? People shrugged it off. For every "I WANT TO BELIEVE!", there are ten "I do not want to live in a world where that is possible, and thus it is not possible." Consider the zombie walks, LARPs, comic book conventions, real-world superheroes, and Bigfoot seekers in our real, known world. Consider how few of those are reported as proof of the supernatural.
Now consider what an excellent source of camouflage they are.
Satellites are a different can of worms, and one with potentially more issues, since if the military spots a pod of Merrow, they're likely to respond...badly. But at the same time, that's where the fae predilection for hanging out in the Summerlands comes in handy. Most fae, if they're not indoors or playing human, are in knowes or the Summerlands. Why? Because they feel safer there, where there are no satellites.
So yes, it's a concern, and a good one. But willful blindness and basic caution do a lot to minimize it.
- Current Mood:
nerdy - Current Music:The Nields, "Ten Year Tin."
I am about to leave for Worldcon, which means my brain is like a mutant gerbil running on a wheel that powers a nuclear reactor. It's a little painful. Anyway, in an effort to keep the gerbil busy (and thus keep it from accidentally melting the West Coast), where is a file-clearing review roundup. (Hint: the file is not actually clear.)
Mike Jones, who has known me since I was fourteen, reviewed Deadline and Blackout for Tor.com, and says, " Bottom line: you're not going to find a better political thriller/science fiction/post zombie apocalypse adventure out there. If you do, tell me so I can read it!" Aw, yay.
Little Red Reviewer actually reviewed my short story, "Crystal Halloway and the Forgotten Passage," and said, "As I am quickly learning, Seanan McGuire is pure magic." I AM A UNICORN OF GOODNESS AND JOY. And zombies.
Journey vs. Destination has posted a review of the Newsflesh trilogy, and says, "The zombie book got me on the first page. It sucked me in so much that at the end of the first chapter of my free book, I went back to the first book in the trilogy, bought it, and devoured it. Then back to the Hugo packet to read the second. Then bought the third." Best recommendation ever.
Let's mix it up a little: Leigh Caroline has posted a review of Discount Armageddon, and says many things, although there are no good pull quotes. Check it out.
Geek Speak Magazine (to which I am an occasional contributor) posted a review of Blackout, and says, "Mira Grant's finale to her trilogy is among the more satisfying conclusions to a series I have ever read, one where even the dreaded coda to the tale (and believe me, I usually hate anything smacking of an epilogue) does not detract from the overall feeling of triumphant, if a tad bittersweet, closure." I am well-pleased.
And finally for today, Read This Book Damnit has posted a review of Discount Armageddon, and says, " In short Seanan McGuire has done it again. From fae in San Francisco, to a post-apocalyptic zombie future, and now a tango dancing cryptozoologist, she has entertained me with every book I've read to date. I hereby formally suspend any future disbelief in her choice of subject matter to write and will, instead, just shut up and read." VICTORY!
With that, I take the gerbil for a walk.
Mike Jones, who has known me since I was fourteen, reviewed Deadline and Blackout for Tor.com, and says, " Bottom line: you're not going to find a better political thriller/science fiction/post zombie apocalypse adventure out there. If you do, tell me so I can read it!" Aw, yay.
Little Red Reviewer actually reviewed my short story, "Crystal Halloway and the Forgotten Passage," and said, "As I am quickly learning, Seanan McGuire is pure magic." I AM A UNICORN OF GOODNESS AND JOY. And zombies.
Journey vs. Destination has posted a review of the Newsflesh trilogy, and says, "The zombie book got me on the first page. It sucked me in so much that at the end of the first chapter of my free book, I went back to the first book in the trilogy, bought it, and devoured it. Then back to the Hugo packet to read the second. Then bought the third." Best recommendation ever.
Let's mix it up a little: Leigh Caroline has posted a review of Discount Armageddon, and says many things, although there are no good pull quotes. Check it out.
Geek Speak Magazine (to which I am an occasional contributor) posted a review of Blackout, and says, "Mira Grant's finale to her trilogy is among the more satisfying conclusions to a series I have ever read, one where even the dreaded coda to the tale (and believe me, I usually hate anything smacking of an epilogue) does not detract from the overall feeling of triumphant, if a tad bittersweet, closure." I am well-pleased.
And finally for today, Read This Book Damnit has posted a review of Discount Armageddon, and says, " In short Seanan McGuire has done it again. From fae in San Francisco, to a post-apocalyptic zombie future, and now a tango dancing cryptozoologist, she has entertained me with every book I've read to date. I hereby formally suspend any future disbelief in her choice of subject matter to write and will, instead, just shut up and read." VICTORY!
With that, I take the gerbil for a walk.
- Current Mood:
rushed - Current Music:SJ Tucker, "Casimira."