1. I am basically over The Death Plague From Hell at this point, but I remain exhausted and behind on damn near everything. I'm catching up as fast as I can, but with 500+ LJ comments and nearly as many emails to go through, I'm having to do a lot more "is this actually urgent?" triage than I like. Please be patient, and don't yell at me if two whole days go by without my getting back to you.

2. While I'm asking for favors...please don't link me to Goodreads or Amazon reviews. I really and truly try to avoid reviews on those sites, because they just make me sad and twitchy. (Yes, there are excellent, erudite, well-composed reviews in both places. But the number of mean or thoughtless reviews is very high, and frankly, I don't have the energy to filter through them looking for the good stuff.)

3. If you missed the Deadline book release, or if Toby is more your cup of tea, remember that I will be back at Borderlands Books this coming Saturday, appearing alongside the fabulous Ben Macallan (aka Chaz Brenchley). He's asked me to join him so he'll have a partner for cards if no one shows up. Let's surprise him by having EVERYONE show up. I'll be reading from my new Tybalt prequel story, and there may be some awesome unexpected giveaways...

4. Everyone on the Wicked Girls shirt spreadsheet should have received their initial emails at this point. If you don't have one, please check your spam filter, as the email from Deborah (coming from a Gmail.com address) is somehow not getting to you. If you think I may have the wrong address for you, please let me know ASAP.

5. My house is an absolute disaster zone, and I'm going to need help cleaning out the closets soon. If you're local, not allergic to cats, and think spending a day going through the things I have shoved into my shelves would be fun, drop me a line. This is less "cleaning" and more "de-cluttering, purging, and organizing," which means it's less physical labor, more Tetris for the live-action set.

...so in short, please be patient, and I will try to deal with all emergencies in the order in which they were received.

I received an email this morning that said, very politely, that while the writer loved my books and had enjoyed them greatly, they were no longer a fan and would not be buying any of my work in the future. Okay, fair enough. Why?

Because Deadline doesn't have a proper ending, and they don't want to encourage this behavior from publishers.

Okay. Look: if your definition of "proper ending" is "the story is over, and I can walk away satisfied and never need to read another volume," then no, Deadline doesn't have a proper ending. I have often said that the only time it's appropriate to end on a cliffhanger is in the second book of a trilogy, and Deadline ends on a pretty major cliffhanger. I can't apologize for that. It's the nature of the trilogy structure that part two will often end on a cliffhanger, and is allowed to do so. I don't end series books on cliffhangers; the Toby books, and the InCryptid books, all have solid, closed endings. I try to make sure there's always more story, but you can still walk away if you need to. This book is not those books.

Let me be clear: Deadline has an ending. There is a point where it ceases to be Deadline, and becomes Blackout, and that point is where the book ends. The Newsflesh trilogy is three books long, and those books are intrinsically linked, but each of them begins, and ends, at a certain place. The thrust and mood and structure of each volume is different, and when you pick up Blackout, you'll be reading a very different book, even if Deadline ended with some pretty major questions unanswered. I didn't pick that end point arbitrarily. I picked it because that was where the story of Deadline ended, and the story of Blackout began.

I completely understand and appreciate frustration over unanswered questions, unfinished measures, and endings that don't appear to end. And I also understand why some people have chosen to buy Deadline and put it on the shelf to wait for Blackout. I wrote back to the person who emailed me and said that I was sorry, I hadn't done it to increase sales or because my publisher made me; I ended the story where I did because that was where the story ended. And I stand by that.

Deadline may not have a "proper" ending.

But it has the right one.

Oh, my stars and garters, the ARCs are here. One Salt Sea is a real book, for real and for true, and I can hold it in my hands.

And it is beautiful.

I am so conflicted and amazed by this book. It's the first Toby book written entirely A.D. (After DAW); the other four were finished, to one degree or another, when I got that very first contract. It's the final book of my second contract; Ashes of Honor and The Chimes at Midnight are actually part of my third contract. It's the book most changed by the improvements in my ability as a writer. The original villain isn't even in the book. The story is tighter, the action is cleaner, and some of the things that happen—some of the things that always had to happen—hurt ever so much more than I ever dreamed they could.

It's a real book. I wrote it, and it's real. It's what comes after Late Eclipses, and it's real. I'm honestly a little bit stunned. Part of me never dreamed that I'd make it this far. But I did, and I have, and the books are here, in my hands.

It's amazing.