Sometimes, though, the damage is too deep, and you need to take a new approach to making things not be broken. That's where the red-line edits come in. I have printed a copy of Late Eclipses—yes, the entire multi-hundred page epic—and am now going through it chapter by chapter with the red pen. It's fascinating. Passive voice and wishy-washy modifiers fall before the tide of crimson ink like trees going down before a particularly dedicated logging crew. Things that looked just fine on the screen make me cringe when I see them on paper. And then I fix them. Because I can.
There are definite limitations to the red-line process, not the least of which is "you have to carry whatever it is you're working on." But I gotta say, when I get to this particular level of nit-picky correction, where it feels like the book is winning, it's nice to know that I have a dark alley to lure the text unsuspectingly down. And in that alley, I have a brick. A brick made entirely of red ink and causing pain.
Sometimes my taste in metaphors worries me. But my manuscript looks like it's been the victim in a low-budget slasher film, so I really don't care.
July 3 2009, 03:28:03 UTC 8 years ago
Right now, I love you.
July 3 2009, 04:28:37 UTC 8 years ago
The thought that you, of all people, had not already made Mr. Gorey's acquaintance was frankly astonishing. The possibility that you might remain unfamiliar was the sort of grave injustice that I could not tolerate in my sight and yet call myself a man, or a lover of knowledge.
I feel privileged to make the introduction.
(That took long enough, though! It was supposed to have been delivered 6/23.)
July 6 2009, 02:21:17 UTC 7 years ago
The Unstrung Harp is sheer brilliance, I swear.
July 6 2009, 02:34:42 UTC 7 years ago
(The sentence in my previous comment was supposed to end with "...or a lover of truth." I don't know what happened.)
July 10 2009, 18:34:39 UTC 7 years ago