And then I thought about it for a while.
And now here I am.
(As a digression: titles are important. I realize that not everyone aspires to grow up perky, pithy, and easy to say, but seriously? For an essay title? One that actively insults a large group of people whom you admit have the ear of the person or people you're trying to reach? This doesn't work for me all that well. Just saying.)
Look: many authors do not have agents. The agent-to-author ratio is scary, especially since you don't have to have some sort of training before you can tack "author" onto your name. Most agents are already representing several clients, and may not be able to estimate how many clients they can take in any sort of firm number. I, for example, am relatively self-starting; point me at something, tell me it has a candy center, and I'll check in with you next month. Olga over here, she needs daily contact or she starts to freak out, and when she freaks out, she's not getting anything done. An agent who could handle four of me may be hard pressed to handle one of me, plus Olga. Being an agent is something like trying to plan a dinner party, only instead of dietary restrictions and seating plans, you have amount of hand-holding and sanity exams.
Also look: many authors, who have written good, salable books, manage to sell their first book, or even their first several, without the aid of an agent. It's true that the number of major houses willing to consider unrepresented authors is down. It's also true that the number of accessible small press houses willing to consider those same authors is up. It can be difficult to tell the genuine small houses from the predators playing "print on demand," but if you want to be an author, you're going to spend hours in the research trenches. Researching publishing houses is the least you're going to be expected to do. The sentence to remember here is "who have written good books," not "who have written books." Typing "The End" is actually just the beginning.
I didn't find an agent the first time I tried. I didn't find an agent the tenth time I tried, either. And you know what? I'm glad. The books I was writing when I first started my search were...well, let's just say they weren't the best books in the history of mankind. Actually and honestly, they were, well, pretty damn bad. I had talent and I had enthusiasm, but what I needed was practice and time. (I know people whose response to this is "a good agent would have recognized your talent and taught you what to do." Sadly, no. World of no. Author to agent ratio again, remember? I would be seriously unhappy if my agent said she wouldn't be returning phone calls for a month because she'd found some green new writer to exhaust herself over. What's more, when I was that green new writer, I wasn't ready to hear a lot of the things that needed to be said. An agent who took me on then would have exhausted themselves for nothing.) My books are better because I had to face rejections and ask myself what I was doing wrong.
There's also the point of writing to sell vs. writing from the soul—or, as a friend of mine said recently, "I'm selling out as fast as I can." Something being popular doesn't make it bad, and wanting a client with an easy-to-pitch first book isn't bad either. Your future sales will be determined, in part, by your initial sales, and most publishers are going to be a lot more willing to take an "out there" second novel. Sell your vampires and you may find your race of symbiotic plant-people from the Outer Limits gets a much warmer reception. If an agent says "What else have you got?", it's not a judgment on your book. It's part of the necessary dinner party planning.
Finally—because I could talk about this topic for hours, and that means it's time to stop—keep in mind that when you're talking about people who read books and sell books for a living, reading comprehension really, really matters. Someone asked me the other day what I thought she had to do if she wanted to make it. I said "read the submission guidelines." They're sort of like airport security; if you set off the metal detector after you've been told to empty your pockets eight times, you may miss your flight. Well, if you ignore an agent's—or publisher's—submission guidelines, you may find yourself in the same situation. Metaphorically speaking.
In conclusion (for now), agents good, reading comprehension good, not getting signed not an evil plot to destroy your soul.
Promise.
April 21 2009, 01:13:42 UTC 8 years ago
Catherine
April 21 2009, 01:18:14 UTC 8 years ago
April 21 2009, 01:24:01 UTC 8 years ago
(And I suspect I still would have agreed with this post before I had an agent!)
April 21 2009, 01:36:20 UTC 8 years ago
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April 21 2009, 01:36:49 UTC 8 years ago
And I say that as a special snowflake of specialness, who (although not a writer) wishes the world really did revolve around her, as it would be so much easier.
It would be. But trying to live that way when, in fact, it does not? Yeah, kinda a bad idea.
April 21 2009, 01:49:33 UTC 8 years ago
It'd be awesome if the world revolved totally around me. It would also be awesome to have a pony. Just saying.
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April 21 2009, 03:23:11 UTC 8 years ago
Are you familiar with Yog's Law?
April 21 2009, 03:27:36 UTC 8 years ago
April 21 2009, 04:12:45 UTC 8 years ago
I love how she whines about how agents actually have the gall to tell writers how they want queries and manuscripts submitted to them. The gall of agents, wanting things done a certain way! Writers should be able to do things however they want and the agents should accept that because they should be glad writers are contacting them at all! xp Oh, and how dare an agent tell a writer querying them they can't take another client at the moment! How rude! Imagine, not wanting to overextend yourself. Beyond selfish. *rolls eyes* Querying an agent is, in my mind, like submitting your resume to a prospective employer in that you want to make a good impression and pique their interest. There are Rules for cover letters, resumes, and interviews. Snit and snort all you want about those Rules but it doesn't change the fact that if you want a job you follow the Rules because the dozens or hundreds of others also applying for the same job are.
At the bottom, she links to a story that's been rejected by at least sixty agents, most of whom have never actually read the story. I'm reading what's supposed to be stirring sympathy for the poor, rejected authoress, and all I'm feeling is a vague sense of annoyance and a certainty that it's a lousy query letter, not heartless agents who exist solely to crush aspiring writers while laughing an evil laugh, to blame. As for the agents who did read some of the manuscript, it's definitely the manuscript.
I should leave a comment for Ms. Sour Grapes telling her to grow up and pull the Staff of Self-Righteousness out of her rear end, and say to her an extended version of the same things I said here about querying being like applying for a job. *twitch* Speshul!Snowflakes make my butt twitch.
April 21 2009, 09:05:28 UTC 8 years ago
Looking at it her description, I can see why no agent is particularly interested in seeing the novel. It's pedestrian, unclear, just generally meh.
The story itself starts with a NOTE TO READER which (along with screaming amateur) explains that every section of her book will open with a visual of the protagonist's diet. So not only would the publisher have to shell out for the normal stuff, they'd have to pay to use said material. Another strike against it.
The book is written in present tense, which seems like an odd choice for the type of story. The author never uses one adjective when four will do, and nothing about her protagonist makes me want to spend a whole novel in her company.
I don't know about you, but I think all the agents who rejected her were on to something.
(Wow, that got snarky.)
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April 21 2009, 09:12:28 UTC 8 years ago
Exactly this. Until I could get myself into the mindset where I could deal with the idea that my stories were not perfect (aka grow up) anyone giving me advice would be wasting both our time.
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April 22 2009, 01:27:11 UTC 8 years ago
I don't have an agent yet. I'm getting my manuscript in a form where I think it will have the best chance I can possibly give it before asking an agent to take a chance on me. This- "when I was that green new writer, I wasn't ready to hear a lot of the things that needed to be said"- totally resonates with where I am now. I think I'm just getting to that "I can take it" place- if I'd tried to query a year or two ago? Not so much...
I just don't understand- how is an agent "the enemy" when you-the-author are the one asking them for help? And if they were against authors, wouldn't that mean they didn't make any money either? *confused*
April 30 2009, 02:13:22 UTC 8 years ago
April 23 2009, 00:23:11 UTC 8 years ago
Get off your cross. We need the wood. The fic you link at the bottom is mediocre at best and is deserving of each of the sixty rejections it received. If that's what you consider "mid-list fiction", then the reason mid-list fiction never gets anywhere is because it's not good. Poor characterization, adjective abuse, telling instead of showing...it needs work. Lots of it.
So sorry you have butthurt because you and/or your friends have been rejected by agents. Welcome to life. I've tried--and failed--to make it in the screamingly competitive zookeeping field and I've had being a veterinary technician end up totally FUBAR. I've put literal blood, sweat, and tears into trying to make it on two occasions and, both times, had to accept that as bad as I wanted it and despite the fact I had the right letters after my name and multiple college degrees what I'd worked to achieve wasn't going to become a reality for me. I've had dreams and aspirations I put literal blood, sweat, and tears into for years crushed and fall apart and come to naught, so I know what it's like to keep trying to get ahead and only hitting a wall and I have a few pieces of advice for you:
1) Stop pissing and moaning.
2) Put on your big girl pants and stop acting like a preschooler who didn't get her way.
3) Stop your paranoid rantings about agents purposely blowing off you and others like you.
4) Accept that there's something you're doing and/or something you're weak in that's holding you back, and start working on correcting the problem(s).
5) The only thing your very public pissing and moaning has done is to make sure agents talk to one another, to editors, and other publishing house employees about your immature snit fit. Congratulations on burning bridges en masse.
It's not the agents' fault if query letters suck, it's the person who wrote it. If you're not good at writing query letters, either get help and work on it until you can write good query letters or have someone who is good write them for you. I totally fail to see what your problem is with agents having submission guidelines and making them public. So what if they want things in a certain format or submitted via a certain medium? Employers have the same kinds of guidelines for those applying for jobs.
April 30 2009, 02:13:30 UTC 8 years ago
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April 29 2009, 21:13:25 UTC 8 years ago
And I hope you don't mind, but I'd like to friend to keep up with your thoughts on writing.
April 30 2009, 02:13:58 UTC 8 years ago
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